scholarly journals PENGARUH FUNGSI RITUAL PADA BENTUK ARSITEKTUR Kasus Studi : Gereja Katedral, Gereja Theresia,Gereja Salib Suci, Gereja Santo Matias Rasul dan Gereja Stella Maris

NALARs ◽  
2016 ◽  
Vol 15 (1) ◽  
pp. 25
Author(s):  
Rudy Trisno ◽  
Antariksa Antariksa ◽  
Purnama Salura

ABSTRAK: Fenomena pudarnya sakralitas bentuk gereja Katolik di seluruh dunia cukup merisaukan Paus Benedictus. Ternyata pudarnya sakralitas bentuk terjadi juga pada gereja Katolik di Indonesia khususnya Jakarta. Secara keseluruhan, permasalahan yang muncul dari fenomena ini adalah tidak terjalinnya relasi yang baik antara fungsi kegiatan dengan bentuk tersebut serta makna yang tampil dari relasi tersebut. Tarik-menarik antara kedua fungsi dan bentuk inilah yang kemudian dimaknai oleh manusia melalui pengamatan langsung bagi pengguna maupun pengamat arsitektur. Metode yang digunakan dalam penelitian ini adalah pertama, merekam fungsi liturgi dan bentuk pada gereja-gereja sebagai obyek studi  kemudian menggambarkan kembali secara rinci agar dapat dianalisis seluruh bentukan arsitektur yang ada. Kedua, menggunakan gabungan pendekatan sakralitas dari Eliade, Hoffman, Jones, dan Martasudjita untuk menelusuri seluruh fungsi kegiatan sedangkan untuk identifikasi ornamen dengan pendekatan Peirce. Sedangkan untuk menelusuri ekspresi bentuk digunakan elaborasi dari pendekatan arsitektur Salura dan Evensen. Analisis ini berlandas pada pendekatan strukturalisme yang menelusuri struktur-dalamnya. Ketiga, setelah dianalisa semua kasus studi kemudian diperbandingkan pada setiap obyek studi mana struktur-dalam. Keempat, interpretasi relasi kegiatan dan konsepsi sakral pada obyek studi. Kelima, menyimpulkan  bahwa pemaknaan relasional fungsi dengan sakralitas bentuk arsitektur gereja. Dengan demikian jika elemen sakralitas bangunan ini ada maka keseluruhan arsitektur gereja pada obyek studi dapat dikatakan memancarkan ekspresi bentuk sakral yang sarat dengan nilai ke-Katolik-an. Kata kunci:  Relasi, Fungsi  dan bentuk, Ekspresi, Sakralitas, Gereja Katolik ABSTRACT: The phenomenon of fading off form “sakralitas” of Catholic Church in the world has worried Paus Benedictus. Evidently, this phenomenon had been happened to Catholic Church in Indonesia, particularly Jakarta. Generally, problem has been occurred from this phenomenon is because there is no well relation between activities function with the form as well as the appearance meaning from that relation. The attraction between these both function and form, will be interpreted by people through direct observation for user as well as architectural researcher. This research will use some methods, firstly, will record liturgy function and form on the conducted churches as case studies then will describe in detail, thus could be analyzed all the existing architecture form. Secondly, will use combination “sakralitas” approach from Eliade, Hoffman, Jones and Martasudjita to explore all activities function, although to identify ornament will use Peirce approach. On the otherhand, to explore form expression will use elaboration from architectural approach of Salura and Evensen. This analysis will be based on to structuralism approach, which will explore the inner structure. Thirdly, after analysis process, all case studies will be compared each other on each study object which known as inner-structure. Fourthly, interpretation of activities relation and sacred conception on study objects. Fifthly,  to conclude the signification of function relational with form sakralitas of church architecture. Therefore, if this building element’s sakralitas exist, then all the church architecture on study objects could be said, they are throwing off the expression of sacred form which full of Catholic’s values.         Keywords:  relation, function and form, expression, sakralitas, Catholic Church

1948 ◽  
Vol 5 (3) ◽  
pp. 415-425
Author(s):  
Elmer G. Homrighausen

1966 ◽  
Vol 23 (3) ◽  
pp. 428-434
Author(s):  
E. G. Homrighausen

1982 ◽  
Vol 39 (3) ◽  
pp. 294-299 ◽  
Author(s):  
Fumitaka Matsuoka

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 507
Author(s):  
Christopher Cimorelli

This article explores the following question: Given the Roman Catholic Church’s present-day teaching on catholicity, how can St. John Henry Newman’s historically conscious, imaginative view of catholicity assist Catholic Christians today in understanding the concept faithfully, but in a manner ‘open’ to its potential development in an age of shifting metaphysics? After (1) an introduction to the topic and challenges to the notion of catholicity today, this article then (2) analyzes the present-day view of catholicity as a mark of the church according to the ‘Catechism of the Catholic Church’, noting areas of development as well as limitations. The article then (3) investigates Newman’s understanding of catholicity within his sacramental and imaginative worldview. Newman’s understanding of the development of principles and doctrines is particularly relevant for a consideration today of how the church’s view of catholicity might authentically develop from a dialogue between religion and science. The article then (4) synthesizes results in a concluding section that indicates how the fruits of the preceding analysis could be realized through eco-theological dialogue.


Horizons ◽  
2018 ◽  
Vol 45 (1) ◽  
pp. 146-149
Author(s):  
Jason Steidl

This contribution to the roundtable will compare two forms of protest in the church—one that is radical and challenges the church from the outside, and the other that is institutional and challenges the church from the inside. For case studies, I will compare Católicos Por La Raza (CPLR), a group of Chicano students that employed dramatic demonstrations in its protest of the Catholic Church, and PADRES, an organization of Catholic priests that utilized the tools at its disposal to challenge racism from within the hierarchy. I will outline the ecclesiologies of CPLR and PADRES, the ways in which these visions led to differing means of dissent, and the successes and failures of each group.


SELONDING ◽  
2019 ◽  
Vol 13 (13) ◽  
Author(s):  
Hari Sasongko

The charismatic movement is an embryo of  the birth of  charismatic church in the world. The movement was began before the World War where the situation was marked by the economical decadence, particularly in the United States of America that caused uneasiness in several live of young community. The church model based on the power of Holly Spirit in the comprehension of Christian traditional faith. It is differenced from another church that grows in Europe.  The church has been developing and finally, it is taking root on Western culture tradition, and then it appeared gospel music tradition. Unfortunately the members of this religious community are disposed another musical tradition that lives around them whereas they are something important to the success of progress of cultural dialog, so the charismatic chruch seem exclusive.  By mean of historical studies, the writer try to critise on the prospect dialog between charismatic church and local tradition. The dialog will open the posibility of cultural spirit to furnish, support, and appreciate one to another. Keywords: charismatic, local music tradition, dialog, religious.


Author(s):  
Felipe Gaytán Alcalá

Latin America was considered for many years the main bastion of Catholicism in the world by the number of parishioners and the influence of the church in the social and political life of the región, but in recent times there has been a decrease in the catholicity index. This paper explores three variables that have modified the identity of Catholicism in Latin American countries. The first one refers to the conversion processes that have expanded the presence of Christian denominations, by analyzing the reasons that revolve around the sense of belonging that these communities offer and that prop up their expansion and growth. The second variable accounts for those Catholics who still belong to the Catholic Church but who in their practices and beliefs have incorporated other magical or esoteric scheme in the form of religious syncretisms, modifying their sense of being Catholics in the world. The third factor has a political reference and has to do with the concept of laicism, a concept that sets its objective, not only in the separation of the State from the Church, but for historical reasons in catholicity restraint in the public space which has led to the confinement of the Catholic to the private, leaving other religious groups to occupy that space.


2015 ◽  
pp. 90-119
Author(s):  
Dariusz Tulowiecki

Summary. Religious differences may rise and actually historically rose tensions and even wars. In the history, Christians also caused wars and were a threat to social integration and peace, despite the fact that Christianity is a religion of peace. God in Christians’ vision is a God of peace, and the birth of Son of God was to give peace «among men in whom he is well pleased»  (Lk 2,14b). Although Christians themselves caused wars, died in them, were murdered and had to fight, the social doctrine of Christianity is focused on peace. Also the social thought of the Roman Catholic Church strives to build peace. Over the years, the social teaching of the Roman Catholic Church was formed, which sees the conditions and foundations for peace. These are: the dignity of the human person, the natural law, human rights, common good, truth, freedom, love and social justice. The development of the Roman Catholic Church’s teaching on peace was contributed by popes of XX century: Pius XI (1922–1939), Pius XII (1939–1958), with high impact – John XXIII (1958–1963), Paul VI (1963–1978), Pope John Paul II (1978–2005) and Pope Benedict XVI (2005–2013). After Pope Benedict XVI’s resignation, the most important role of the preceptor in the Church of Rome fulfills Francis – the pope from Argentina. Although his pontificate is not long, and teaching is not complete, but you can tell that he continues to build the social doctrine of the Roman Church in matters of peace through the development of so-called «culture of encounter». Based on selected speeches and letters of two years’ pontificate of Francis, the first figure of «culture of encounter» can be lined out as a way of preventing and resolving tensions in the contemporary world.  Fundamentals of the concept of dialogue Francis created in the days of being a Jesuit priest and professor at Jesuit universities. He based it on the concept of Romano Guardini’s dialogue. Foundations of the look at the dialogue – in terms of Jorge Mario Bergoglio are strictly theological: God enters into dialogue with man, what enables man to «leaving himself» and enter into dialogue with others. Bergoglio dealt with various aspects of the dialogue: the Church and the world, culture and faith, dialogue between religions and cultures, dialogue inter-social and inter-national, dialogue rising solidarity and co-creating the common good. According to him the dialogue is a continuous task, not a single event; is overcoming widespread «culture of effacement» and  «culture of fight» towards a «culture of encounter»; it releases from autism, isolation, gives strength and meaning of life, renews the ability to listen, lets looking at community in the perspective of the whole and not just selected units. As Bishop of Rome Jorge Mario Bergoglio continues and develops his idea of «a culture of dialogue and encounter». In promoting dialogue, he sees his own mission and permanent commitment imposed on him. He promotes the atmosphere – a kind of «music» – of dialogue, by basing it on emotions, respect, intuition, lack of threat and on trust. The dialogue in this sense sees a partner in each person, values the exchange always positively, and as a result it leads to making life ethical, bringing back respect for life and rights of every human being, granting the world a more human face. «Culture of encounter» has the power of social integration: it removes marginalization, the man is the goal not the means of actions, it does not allow a man to be reduced to a mere object, tools for profit or authority, but includes him into a community that is created by people and for their benefit. Society integrated in this way, constantly following «culture of encounter» rule, renews itself all the time and continually builds peace. All people are called to such building: believers and those who do not believe, all of good will. Also, the heads of state have in this effort of breaking the spiral of violence and a «culture of conflict» – both in economic and political dimension – big task and responsibility. Pope Francis reminded about this in a special letter to president of the Russian Federation Vladimir Putin on September 14, 2014 year. In the letter he wrote: «it is clear that, for the world’s peoples, armed conflicts are always a deliberate negation of international harmony, and create profound divisions and deep wounds which require many years to heal. Wars are a concrete refusal to pursue the great economic and social goals that the international community has set itself, as seen, for example, in the Millennium Development Goals. Unfortunately, the many armed conflicts which continue to afflict the world today present us daily with dramatic images of misery, hunger, illness and death. Without peace, there can be no form of economic development. Violence never begets peace, the necessary condition for development». On thebasis of the current teaching of PopeFrancisthe following conclusion can be drawn, thatthe key topeace in the worldin many dimensions- evenbetweenreligions–isadialoguedeveloped under «cultureof encounter».


Author(s):  
Admink Admink

Досліджується роль митрополита Андрея Шептицького у розвитку музичної культури української діаспори ХХ століття. Акцентована увага на таких аспектах діяльності Митрополита: розбудова української греко-католицької церкви у світі, його візити у різні країни, розвиток системи духовних навчальних закладів, підтримка світських навчальних закладів, встановлення стипендій для музикантів, які здобували освіту за кордоном, участь у процесах розвитку церковного співу. Виокремлюються святкування на честь Митрополита та вшанування його пам’яті за участю музикантів у різних країнах світу. Питання втілення художнього образу митрополита Андрея Шептицького в музичній творчості композиторів діаспори розглянуто на прикладі аналізу хорових творах одного із його стипендіатів – А. Гнатишина з Австрії.Ключові слова: музична культура, українська діаспора, українська греко -католицька церква, художній образ, митрополит Андрей Шептицький. The author studied role of Metropolitan Archbishop Andrei Sheptytskyi in the development of musical culture of the Ukrainian Diaspora during the twentieth century Emphasis is made on the following aspects of the Metropolitan Archbishop’s activity: development of the Ukrainian Greek Catholic Church in the world, his visits to different countries, development of the system of spiritual educational institutions, support of religious educational institutions, establishment of scholarships for musicians who have received education abroad, participation in processes of church singing development. The article highlights the celebration in honor of the Metropolitan Archbishop and honoring his memory with the participation of musicians from around the world. The author reveals embodiment of the image of Metropolitan Archbishop Andrei Sheptytskyi in the musical creativity of the Diaspora composers at the example of the choral works of one of his fellows, Andrei Hnatyshyn from Austria.Key words: musical culture, Ukrainian diaspora, Ukrainian Greek Catholic Church, image, Metropolitan Archbishop Andrei Sheptytskyi.


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