The Latrine in the Roman Bathhouse at Humayma, Jordan

2018 ◽  
Author(s):  
Craig Harvey
Keyword(s):  
Complex System ◽  
Water Management ◽  
Comparative Research ◽  
Near East ◽  
Archaeological Excavation ◽  
The One ◽  
Roman Near East

In the summer of 2010 an archaeological excavation, under the direction of Dr. Reeves of the Classics Department at Queen’s, uncovered the remains of a latrine at the Roman site of Humayma, Jordan. This latrine was part of a larger bathhouse which was associated with a nearby Roman fort. Typical of Roman latrines, the one at Humayma was a large room with seats for up to seven people built over a waste channel. The latrine also had a smaller channel for personal cleaning after using the latrine. Both these channels were fed from overflow water from the bath. This paper examines the latrine in relation to similar Roman facilities in the Near East. The paper also looks at the larger picture of the latrine’s place in the complex system of water management and use implemented by the ancient inhabitants of the Jordanian desert. Comparative research reveals that the latrine at Humayma followed typical designs oflatrines in the Roman Near East. Similar features from other sites also allow for the development of theories regarding archaeological features no longer extant in the latrine at Humayma. The construction of the facility shows to what extent the Roman garrison influenced local building and the presence of a drain hints at the reusing of water vital for survival in the desert at Humayma

scholarly journals Cultural identity in the Roman Near East: An historiographical exercise

2021 ◽  
Author(s):  
◽  
Michael Desmond Coleman
Keyword(s):  
Cultural Change ◽  
Near East ◽  
Literary Texts ◽  
Cultural Imperialism ◽  
Alternative Framework ◽  
Provincial City ◽  
Roman Culture ◽  
Court Life ◽  
The One ◽  
Roman Near East

<p>The central premise of this thesis is that the concepts of hellenisation and romanisation are no longer useful as interpretive models of the Graeco-Roman Near East. Through most of the twentieth century they did good service generating research questions and providing innovative explanations of both existing and new data. On the one hand the notion of hellenisation focused attention on the historical importance of cultural change in the Hellenistic period, while the concept of romanisation focused scholarly attention on life in the provinces rather than on the court life of the imperial city and highlighted the importance of epigraphy and archaeology as against the philological study of literary texts. But the underlying assumptions of both concepts — the superiority of Graeco-Roman culture, the 'civilising' role of the intrusive powers, the passivity of the indigenous peoples of the region, the notion that Greek, Roman and Semitic cultures are bounded entities — are now dated.  In the first part of the thesis I deconstruct the concepts of hellenisation and romanisation in detail and then develop an alternative framework which is avowedly postmodern and interdisciplinary, eschews eurocentrism, and uses postcolonial concepts as well as insights from modern social theory.  In the second part of the thesis I use the alternative framework to review the evidence relating to the provincial city of Gerasa in the Roman province of Arabia. Looked at through this alternative prism it has been possible to offer some different readings of the evidence not apparent in earlier interpretations. In particular, in using the concepts of resistant strategy and cultural imperialism to discuss the emergence of the Antonine period city plan, I challenge the traditional view of Hadrian's urbanisation policy.</p>

scholarly journals Cultural identity in the Roman Near East: An historiographical exercise

2021 ◽  
Author(s):  
◽  
Michael Desmond Coleman
Keyword(s):  
Cultural Change ◽  
Near East ◽  
Literary Texts ◽  
Cultural Imperialism ◽  
Alternative Framework ◽  
Provincial City ◽  
Roman Culture ◽  
Court Life ◽  
The One ◽  
Roman Near East

<p>The central premise of this thesis is that the concepts of hellenisation and romanisation are no longer useful as interpretive models of the Graeco-Roman Near East. Through most of the twentieth century they did good service generating research questions and providing innovative explanations of both existing and new data. On the one hand the notion of hellenisation focused attention on the historical importance of cultural change in the Hellenistic period, while the concept of romanisation focused scholarly attention on life in the provinces rather than on the court life of the imperial city and highlighted the importance of epigraphy and archaeology as against the philological study of literary texts. But the underlying assumptions of both concepts — the superiority of Graeco-Roman culture, the 'civilising' role of the intrusive powers, the passivity of the indigenous peoples of the region, the notion that Greek, Roman and Semitic cultures are bounded entities — are now dated.  In the first part of the thesis I deconstruct the concepts of hellenisation and romanisation in detail and then develop an alternative framework which is avowedly postmodern and interdisciplinary, eschews eurocentrism, and uses postcolonial concepts as well as insights from modern social theory.  In the second part of the thesis I use the alternative framework to review the evidence relating to the provincial city of Gerasa in the Roman province of Arabia. Looked at through this alternative prism it has been possible to offer some different readings of the evidence not apparent in earlier interpretations. In particular, in using the concepts of resistant strategy and cultural imperialism to discuss the emergence of the Antonine period city plan, I challenge the traditional view of Hadrian's urbanisation policy.</p>

Liturgical Poetry in the Late Antique Near East

2010 ◽  
Vol 1 (3) ◽  
pp. 336-361 ◽  
Author(s):  
Ophir Münz-Manor
Keyword(s):  
Comparative Study ◽  
Late Antiquity ◽  
Near East ◽  
The Other ◽  
Late Antique ◽  
Biblical Poetry ◽  
Contemporary View ◽  
Cultural Dialogue ◽  
The One

The article presents a contemporary view of the study of piyyut, demonstrating that Jewish poetry of late antiquity (in Hebrew and Aramaic) was closely related to Christian liturgical poetry (both Syriac and Greek) and Samaritan liturgy. These relations were expressed primarily by common poetic and prosodic characteristics, derived on the one hand from ancient Semitic poetry (mainly biblical poetry), and on the other from innovations of the period. The significant connections of content between the different genres of poetry reveal the importance of comparative study. Thus the poetry composed in late antiquity provides additional evidence for the lively cultural dialogue that took place at that time.

Policy analysis and complexity – a non-equilibrium approach for integrated water management

1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof
Keyword(s):  
Water Management ◽  
Control System ◽  
Planning Process ◽  
The Other ◽  
Integrated Water Management ◽  
Equilibrium Approach ◽  
History Of ◽  
The One ◽  
Groundwater Policy ◽  
Non Equilibrium

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.

The Aphrodite of Emesa: miniature marble sculpture and religious life in Roman Syria

2016 ◽  
Vol 29 ◽  
pp. 193-222 ◽  
Author(s):  
Andreas J. M. Kropp
Keyword(s):  
Near East ◽  
Religious Life ◽  
Art Market ◽  
Julius Caesar ◽  
Unique Character ◽  
The Temple ◽  
Comprehensive Study ◽  
Roman Syria ◽  
Roman Near East

The sculpture of Roman Syria is a mighty tree with roots so deep and branches so far-flung that they have defied all attempts at systematic and comprehensive study. This article deals with one of these branches of artistic traditions, a series of unusual marble Aphrodite statuettes found in Roman Syria, and in particular at Emesa . In what little attention these statuettes have received, scholars have listed up to 10 extant specimens, but a closer look has uncovered dozens, many of which have surfaced on the art market in recent years. In all likelihood, they reproduce a cult statue of Aphrodite at Emesa. They merit attention on a number of levels. Unlike much of the marble statuary of the Roman Near East, they do not reproduce an opus nobile from the Graeco-Roman canon; the Emesa Aphrodites, although based on Graeco-Roman divine iconography, draw on a Roman Venus type, while their style has much in common with local sculpture made of basalt, sandstone and limestone. This study examines, first, the character, origins and development of this statuary type and its links to well-established Graeco-Roman Aphrodite types. Many years ago, M. Bieber identified these statuettes as miniature versions of the statue of Venus Genetrix created by Arkesilaos for the Temple of Venus in the Forum of Julius Caesar. As there is still no consensus on the exact appearance of that famous statue, I will also comment on this question. Second, I look at the statuettes in context. Through their unusual style, format and iconography, they portray an Aphrodite of a distinct and unique character that raises questions about the significance of marble sculpture in the religious life of Roman Syria.

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