scholarly journals Religious and museum tourism to Museum of the Holy Father John Paul II Family Home in Wadowice

Author(s):  
Franciszek Mróz ◽  
Alfred Krogmann ◽  
Magdaléna Nemčíková ◽  
Daša Oremusová

The research was aimed at identifying changes in tourist traffic – religious tourism and museum tourism to the Museum of the Holy Father John Paul II Family Home in Wadowice in 1996–2019. The museum was opened in 1984 in the house where Karol Wojtyła, Pope John Paul II, was born in 1920. The thorough reconstruction between 2010 and 2014 resulted in the establishment of a museum with a modern multimedia narrative exhibition. In recent years, the museum has been visited by more than 200 thousand tourists a year, including 40 thousand foreigners from more than 100 countries worldwide. During the years 1996–2019 the number of international tourists rose more than twice. The greatest boom in the visits to the museum was noted in 2005 and was associated with the disease, death, funeral, and increasing worship of Pope John Paul II. Following decreased interest in visits to the museum during the period of 2010–2014, which was due to the museum renovation, a revival and increase in visits to the museum was observed again. Changes that were observed in the museum during the last twenty-five years were identified, among other things, thanks to field research involving observations and interviews with museum curators and staff. Analyses of tourist visits to the museum were based on detailed data provided by the museum managers. In the elaboration of the collected research results descriptive-analytical, dynamic-comparative and cartographic methods were used.

Author(s):  
Matthew A. Shadle

Pope John Paul II wrote his 1991 encyclical Centesimus Annus to offer a Catholic vision of political and economic life after the collapse of communism in Eastern Europe and the democratization of many countries in Latin America and Asia. The encyclical provided a stronger defense of the free-market economy than had previous Catholic social teaching, and neoconservative Catholics saw it as a vindication of their views. Centesimus Annus also harshly condemns consumerism, however, and proposes that the state has a greater role in ensuring that the economy serves the common good than do the neoconservatives. John Paul II recognizes the essential role of human creativity and ingenuity in the economy, but balances this by emphasizing that the human person is the recipient of God’s grace.


1989 ◽  
Vol 30 (3) ◽  
pp. 311
Author(s):  
Jean Porter ◽  
James J. McCartney ◽  
Robert J. Spitzer

2005 ◽  
pp. 219-238
Author(s):  
Olga V. Nedavnya

Adequate study of Catholicism in Ukraine is impossible without taking into account its progress in the world, especially in the last century. The experience of comprehending the reality of the nineteenth and twentieth centuries and rethinking its entire historical path led to qualitative transformations of this denomination. After the Second Vatican Council, and especially with the pontificate of Pope John Paul II on Catholicism, we can speak of a significant phenomenon of modern spiritual life.


2015 ◽  
Vol null (27) ◽  
pp. 259-288
Author(s):  
지재구

2018 ◽  
Vol 3 (1) ◽  
pp. 25
Author(s):  
Luh Putu Sudini

This article aims at describing the role of Yayasan Karya Cipta Indonesia (YKCI) in copyright protection in Indonesia and the mechanism of royalty payment on Indonesian songs to the YKCI. The approach used in this study is normative approach as this study is conducted on secondary, primary, and tertiary legal materials, such as books, legal journals, and expert (secondary data) research results; its main legislation is Law no. 19 of 2002 on Copyright (primary data); English and Indonesia dictionaries and tertiary law which is the result of library research, supported by legal materials in the form of documents from field research results. From the collected legal materials, analysis in the method of the qualitative descriptive was conducted. The results indicated that YKCI's role as an administrator body in copyright protection is to collect royalties from parties that use songs or music commercially and help dispute resolution between creators, users or record producers of songs or music creations. Furthermore, the mechanism of royalty payments to YKCI shall be initiated by the authorization of YKCI by the creator or the copyright holder of the song, so on the basis of such power of attorney, YKCI exercises the collection or withdrawal of royalties by a percentage mechanism from the dealer's selling price through a permit saving per song at a rate for recording into a cassette, CD, VCD, and other media. Law Number 19 of 2002 on Copyright should be accompanied by the willingness and ability of the apparatus in enforcing it so that what to be achieved with the Act can be obtained. In addition, it is recommended that the government immediately issue provisions on the roles, duties and functions of the Copyright Council as well as the organic rules that explain the authority of YKCI which may be the appointment of the Director-General of Intellectual Property Rights (IPR) as endorsement of a collective society in order to attract royalties. The government also needs to make a standard contract of licensing agreement between the Copyright of Songs and Music in the event of announcement. In addition, YKCI also needs to be open including to the power of attorney (Creator of the song) so that the Creator can know the frequency of their song announcement and the large royalty that must be obtained.


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