NAPOLEONIC ERA IN MODERN FRANCE: EDUCATIONAL AND MULTIMEDIA SPACES

2020 ◽  
pp. 363-370
Author(s):  
Alena A. Postnikova
Keyword(s):  
2020 ◽  
Vol 6 (12) ◽  
pp. 447-452
Author(s):  
A. Postnikova

Jubilees as “rituals” of memory, reviving stable historical symbols in the consciousness of society, are endowed with the ability to bring the past closer to modern times, giving humanity a sense of stability in the present. In modern Europe, the problem of preserving images of the past has acquired a new sound in connection with migration processes, transforming the perception of jubilees of memorable dates in historical politics and in public consciousness. This process is most clearly observed in relation to the transformation of images of the Napoleonic era in French society. Two hundred years later, the symbols of the First Empire, becoming an integral part of the national consciousness and living memory of the French, gained relevance during the celebration of the 200th anniversary of the battles of Napoleon. The memory of the battles of the Napoleonic era in modern France passed from a “ceremonial” memory (battle as national pride) to a “metaphorical” (battle as a distant past that has no political connection with modern Europe). The “French jubilees” of the Napoleonic era demonstrated that interpreting the past can become an effective tool for implementing an integration project at the level of historical policy, but not the basis for European collective memory. Obviously, the general European installation on the victim memory leads to a completely reverse process — an aggravation of the sense of national identity.


2021 ◽  
Vol 54 ◽  
pp. 266-278
Author(s):  
Alena Postnikova ◽  
◽  
Keyword(s):  

2019 ◽  
Vol 28 (2-3) ◽  
pp. 383-385
Author(s):  
Elizabeth Geary Keohane
Keyword(s):  
The Arts ◽  

Author(s):  
Stefano Evangelista

Oscar Wilde associated ancient Greece and modern France as the homelands of artistic autonomy and personal freedom. France and the French language were crucial in his adoption of a cosmopolitan identity in which his close emotional and intellectual engagement with the ancient world also played a key role. His practices of classical reception therefore have roots in the French as well as English traditions. Wilde’s attitude towards ancient Greece initially shows the influence of French Parnassian poetry. As time goes on, however, he starts to engage with the new images of the ancient world promoted by Decadence and Symbolism, which sidelined the Greek classicism idealized by the Parnassians in favour of Hellenistic and Latin antiquity. Particularly important to Wilde were his exchanges with French Symbolist authors Marcel Schwob and Pierre Louÿs, whose writings on Hellenistic Greece are in dialogue with Wilde’s works, notably ‘The Critic as Artist’ and Salomé.


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