scholarly journals Napoleonic Era in the Historical Memory of Modern France: Anniversary as a Means of Commemorations

2020 ◽  
Vol 6 (12) ◽  
pp. 447-452
Author(s):  
A. Postnikova
Keyword(s):  
Historical Memory ◽  
Political Connection ◽  
French Society ◽  
The Past ◽  
Modern France ◽  
First Empire ◽  
Public Consciousness ◽  
Modern Europe ◽  
Napoleonic Era ◽  
Integration Project

Jubilees as “rituals” of memory, reviving stable historical symbols in the consciousness of society, are endowed with the ability to bring the past closer to modern times, giving humanity a sense of stability in the present. In modern Europe, the problem of preserving images of the past has acquired a new sound in connection with migration processes, transforming the perception of jubilees of memorable dates in historical politics and in public consciousness. This process is most clearly observed in relation to the transformation of images of the Napoleonic era in French society. Two hundred years later, the symbols of the First Empire, becoming an integral part of the national consciousness and living memory of the French, gained relevance during the celebration of the 200th anniversary of the battles of Napoleon. The memory of the battles of the Napoleonic era in modern France passed from a “ceremonial” memory (battle as national pride) to a “metaphorical” (battle as a distant past that has no political connection with modern Europe). The “French jubilees” of the Napoleonic era demonstrated that interpreting the past can become an effective tool for implementing an integration project at the level of historical policy, but not the basis for European collective memory. Obviously, the general European installation on the victim memory leads to a completely reverse process — an aggravation of the sense of national identity.

scholarly journals Instrumental approach towards tradition in the conceptual and social contexts

2021 ◽  
pp. 1-11
Author(s):  
Dmitry Vladimirovich Rakhinsky ◽  
Grigorii Andreevich Illarionov ◽  
Anna Nikolaevna Gorodishcheva ◽  
Nikolai Alekseevich Knyazev
Keyword(s):  
Social Context ◽  
Social Relations ◽  
Historical Memory ◽  
Social Contexts ◽  
Cross Effect ◽  
Instrumental Approach ◽  
The Past ◽  
The Social ◽  
Public Consciousness ◽  
The Subject

  The subject of this research is the dynamics of conceptualization of the phenomenon of cultural reproduction, expressed in the concepts of tradition and cultural memory, as well as the related concepts of the invention of tradition, historical memory, and post-truth. The article analyzes the transformation of epistemological approach that took place in the late XX century towards reproduction of culture, reflected in the change of the fundamental conceptual metaphor – from “delivery”(traditio) to “memory”, which means a shift in the dominant approach towards the structure of cultural continuum that appears to be attributed not to the objective reproducible content, rather than its construction by the subject. It is suggested to examine the questions of current interrelation between post-truth and public consciousness. The author creates an instrumental approach towards tradition, which is characterized by pragmatism expressed in the intention towards management of social relations, where tradition is a tool for managing the present through the formation of representations about the past, and constructivism, which implies that tradition is a construct of perception formed in the present, not reflecting the past itself. Being internalized in a broad social context, the instrumental approach is realized within the framework of the state of post-truth, which does not consider the past crucial for the formation of public opinion compared to other personal beliefs, as well as management methods applied to the latter. Problematization of the theme of post-truth demonstrates the internalization of instrumental approach into a broad social context, indicating the cross-effect pf epistemological and general cultural social context with regards to problem of interrelation between the social past and the present.  

scholarly journals Features and significance of narration in the witness literature

2021 ◽  
Vol 4 (121) ◽  
pp. 149-157
Author(s):  
Grigoriy L. Tulchinskiy ◽  
Keyword(s):  
Social Life ◽  
Historical Memory ◽  
Second Phase ◽  
The Past ◽  
Public Consciousness ◽  
Third Person ◽  
War Experiences ◽  
Witness Narratives ◽  
Two Phases ◽  
Witness Literature

Witness literature is an important and significant factor in the historical memory formation. Third-person witness narratives are well-known, and 1-person fictional descriptions are equally well-known. However, first-person factual narrative evidence is of particular interest. They represent the initial reflection narratives of personal experience. In addition, this reflexive narration contains the meaningful being picture dynamics, including changes in the content of this picture. The article contains the results of a value-normative analysis of little-known sources of witness literature, which presents the experience of the repressive practices in the USSR in 1920 1980. Generalization of the analysis results allows us to speak about two cycles of radical performance of the semantic picture of the world. In turn, each such cycle includes two phases. The first phase is associated with strangeness of familiar experience and the liminality of new experience. The second phase expresses the subsequent reaggregation of a new understanding of social life. These dynamics are very close to the dynamics of the conceptual narration of war experiences. The main differences are related to the greater emphasis on victimization, different attitudes towards actors and the reasons for victimization. Over the years, witness literature has become an important material for the socio-cultural engineering of building ideas about the sad events of the past – their oblivion (as meaningful unoblivion) in order to prevent their repetition in the present and in the future. A simple hush-up of such circumstances forms the enduring trauma of public consciousness, its «neuroticism», the inability to distance oneself from the past, to live confidently on, causing obsessive associations, or even repetitions, it becomes a source of internal and external conflicts. Constructive oblivion provides not suppression and deletion, but a systematic comprehension of historical experience.

Editor's Note

2017 ◽  
Vol 8 (1) ◽  
Author(s):  
Emily Kaliel
Keyword(s):  
Civil War ◽  
Public Memory ◽  
Historical Memory ◽  
Historical Analysis ◽  
Red River ◽  
Cultural Institutions ◽  
Economic Rights ◽  
The Past ◽  
Relationship Of

The articles published in our Fall 2016 edition are connected loosely under the themes of public memory and the uses of identity in the past. We are thrilled to present to you three excellent articles in our Fall 2016 edition: The article "Dentro de la Revolución: Mobilizing the Artist in Alfredo Sosa Bravo's Libertad, Cultura, Igualdad (1961)" analyzes Cuban artwork as multi-layered work of propaganda whose conditions of creation, content, and exhibition reinforce a relationship of collaboration between artists and the state-run cultural institutions of post-revolutionary Cuba; moving through fifty years of history “’I Shall Never Forget’: The Civil War in American Historical Memory, 1863-1915" provides a captivating look at the role of reconciliationist and emancipationist intellectuals, politicians, and organizations as they contested and shaped the enduring memory of the Civil War; and finally, the article “Politics as Metis Ethnogenesis in Red River: Instrumental Ethnogenesis in the 1830s and 1840s in Red River” takes the reader through a historical analysis of the development of the Metis identity as a means to further their economic rights. We wholly hope you enjoy our Fall 2016 edition as much as our staff has enjoyed curating it. Editors  Jean Middleton and Emily Kaliel Assistant Editors Magie Aiken and Hannah Rudderham Senior Reviewers Emily Tran Connor Thompson Callum McDonald James Matiko Bronte Wells

ON THE NEED TO COLLECT, PRESERVE AND STUDY DISAPPEARED NAMES OF SETTLEMENTS

2020 ◽  
pp. 187-192
Author(s):  
S.A. Popov
Keyword(s):  
Cultural Heritage ◽  
Russian Federation ◽  
Historical Memory ◽  
Comprehensive Analysis ◽  
Local History ◽  
The Past ◽  
Cultural Systems ◽  
The Russian Federation ◽  
Time Periods ◽  
The Disappeared

The article deals with the problem of collecting, preserving and researching the disappeared names of localities in the subjects of the Russian Federation, which for centuries have become an integral part of the historical and cultural heritage of the peoples of our country. The author believes that only a comprehensive analysis of the past oikonyms in nominational, lexical-semantic, historical-cultural, historical-ethnographic, local history aspects will restore the linguistic and cultural systems of different time periods in different microareals of the Russian Federation. The author comes to the conclusion that in order to preserve the historical memory of the disappeared names of geographical objects, local researchers need the support of regional state authorities and local self-government.

The Fall of Tripoli in 1289 in the Perception of Christian Communities of the Middle East

2020 ◽  
Author(s):  
К.А. Панченко
Keyword(s):  
Educational Level ◽  
Historical Memory ◽  
Middle Eastern ◽  
Political Orientation ◽  
13Th Century ◽  
Christian Communities ◽  
The Past ◽  
History Of ◽  
Modern Era ◽  
Religious Polemics

Abstract The article examines the conquest of the County of Tripoli by the Mamelukes in 1289, and the reaction of various Middle Eastern ethnoreligious groups to this event. Along with the Monophysite perspective (the Syriac chronicle of Bar Hebraeus’ Continuator and the work of the Coptic historian Mufaddal ibn Abi-l-Fadail), and the propagandist texts of Muslim Arabic panegyric poets, we will pay special attention to the historical memory of the Orthodox (Melkite) and Maronite communities of northern Lebanon. The contemporary of these events — the Orthodox author Suleiman al-Ashluhi, a native of one of the villages of the Akkar Plateau — laments the fall of Tripoli in his rhymed eulogy. It is noteworthy that this author belongs to the rural Melkite subculture, which — in spite of its conservative character — was capable of producing original literature. Suleiman al-Ashluhi’s work was forsaken by the following generations of Melkites; his poem was only preserved in Maronite manuscripts. Maronite historical memory is just as fragmented. The father of the Modern Era Maronite historiography — Gabriel ibn al-Qilaʿî († 1516) only had fragmentary information on the history of his people in the 13th century: local chronicles and the heroic epos that glorified the Maronite struggle against the Muslim lords that tried to conquer Mount Lebanon. Gabriel’s depiction of the past is not only biased and subject to aims of religious polemics, but also factually inaccurate. Nevertheless, the texts of Suleiman al-Ashluhi and Gabriel ibn al-Qilaʿî give us the opportunity to draw conclusions on the worldview, educational level, political orientation and peculiar traits of the historical memory of various Christian communities of Mount Lebanon.

Vēsturiskā atmiņa Latvijas teātra jaunās paaudzes mākslinieku darbos: izrādes „Dvēseļu utenis” piemērs

2020 ◽  
pp. 269-275
Author(s):  
Ieva Rodiņa
Keyword(s):  
Historical Memory ◽  
Intergenerational Relationships ◽  
Phenomenological Approach ◽  
Political Theater ◽  
Hermeneutic Phenomenological ◽  
The Past ◽  
The Social ◽  
Humanistic Study ◽  
New Generation ◽  
Flea Market

The aim of the research “Historical Memory in the Works of the New Generation of Latvian Theater Artists: The Example of “The Flea Market of the Souls” is to focus on the current but at the same time little discussed topic in Latvian theater – the change of generations and the social processes connected to it, that are expressed on the level of world views, experiences, intergenerational relationships. Most directly, these changes are reflected in the phenomenon of historical memory. The concept of “postmemory” was defined by German professor Marianne Hirsch in 1992, suggesting that future generations are closely related to the personal and collective cultural traumas of previous generations, which are passing on the past experience through historical memory, thus affecting the present. Grotesque, self-irony, and focusing on socio-political, provocative questions and themes are the connecting point of the generation of young Latvian playwrights born in the late 1980s and early 1990s, including such personalities as Jānis Balodis, Rasa Bugavičute-Pēce, Matīss Gricmanis, Justīne Kļava, etc. However, unlike Matīss Gricmanis or Janis Balodis who represent the aesthetics of political theater, in Justīne Kļava’s works, sociopolitical processes become the background of a generally humanistic study of the relationships between generations. This theme is represented not only in “The Flea Market of the Souls”, but also in other plays, like “Jubilee ‘98” and “Club “Paradise””. The tendency to investigate the traces left by the Soviet heritage allows to define these works as autobiographical researches of the identity of the post-Soviet generation, analyzing life in today's Latvia in terms of historical memory. Using the semiotic, hermeneutic, phenomenological approach, the play “The Flea Market of the Souls” and its production in Dirty Deal Teatro (2017) are analyzed as one of the most vivid works reflecting the phenomenon of historical memory in recent Latvian original drama.

Populism and Memory: Legislation of the Past in Poland, Ukraine, and Russia

2021 ◽  
pp. 088832542095080
Author(s):  
Nikolay Koposov
Keyword(s):  
Soft Power ◽  
Historical Memory ◽  
Authoritarian Regimes ◽  
Crimes Against Humanity ◽  
National Narratives ◽  
Politics Of Memory ◽  
Democratic Culture ◽  
The Past ◽  
Initial Stage ◽  
The Holocaust

This article belongs to the special cluster “Here to Stay: The Politics of History in Eastern Europe”, guest-edited by Félix Krawatzek & George Soroka. The rise of historical memory, which began in the 1970s and 1980s, has made the past an increasingly important soft-power resource. At its initial stage, the rise of memory contributed to the decay of self-congratulatory national narratives and to the formation of a “cosmopolitan” memory centered on the Holocaust and other crimes against humanity and informed by the notion of state repentance for the wrongdoings of the past. Laws criminalizing the denial of these crimes, which were adopted in “old” continental democracies in the 1980s and 1990s, were a characteristic expression of this democratic culture of memory. However, with the rise of national populism and the formation of the authoritarian or semi-authoritarian regimes in Russia, Turkey, Hungary, and Poland in the 2000s and 2010s, the politics of memory has taken a significantly different turn. National populists are remarkably persistent in whitewashing their countries’ history and using it to promote nationalist mobilization. This process has manifested itself in the formation of new types of memory laws, which shift the blame for historical injustices to other countries (the 1998 Polish, the 2000 Czech, the 2010 Lithuanian, the June 2010 Hungarian, and the 2014 Latvian statutes) and, in some cases, openly protect the memory of the perpetrators of crimes against humanity (the 2005 Turkish, the 2014 Russian, the 2015 Ukrainian, the 2006 and the 2018 Polish enactments). The article examines Russian, Polish, and Ukrainian legislation regarding the past that demonstrates the current linkage between populism and memory.

The Specter of the Past: Reconstructing Conservative Historical Memory in South Korea

2021 ◽  
Vol 49 (3) ◽  
pp. 337-362
Author(s):  
Myungji Yang
Keyword(s):  
South Korea ◽  
Historical Memory ◽  
Political Legitimacy ◽  
New Right ◽  
Historical Narratives ◽  
Right Wing ◽  
Far Right ◽  
The Past ◽  
The Republic ◽  
The Right

Through the case of the New Right movement in South Korea in the early 2000s, this article explores how history has become a battleground on which the Right tried to regain its political legitimacy in the postauthoritarian context. Analyzing disputes over historiography in recent decades, this article argues that conservative intellectuals—academics, journalists, and writers—play a pivotal role in constructing conservative historical narratives and building an identity for right-wing movements. By contesting what they viewed as “distorted” leftist views and promoting national pride, New Right intellectuals positioned themselves as the guardians of “liberal democracy” in the Republic of Korea. Existing studies of the Far Right pay little attention to intellectual circles and their engagement in civil society. By examining how right-wing intellectuals appropriated the past and shaped triumphalist national imagery, this study aims to better understand the dynamics of ideational contestation and knowledge production in Far Right activism.

The Frontiers of Memory: What the Marathas Remembered of Vijayanagara

2009 ◽  
Vol 43 (1) ◽  
pp. 269-288 ◽  
Author(s):  
SUMIT GUHA
Keyword(s):  
Historical Memory ◽  
Southern India ◽  
The Past ◽  
The Subject ◽  
Historical Tradition ◽  
The Way

AbstractThe past two decades have seen a dramatic renewal of interest in the subject of historical memory, its reproduction and transmission. But most studies have focused on the selection and construction of extant memories. This essay looks at missing memory as well. It seeks to broaden our understanding of memory by investigating the way in which historical memory significant to one historical tradition was slighted by another, even though the two overlapped both spatially and chronologically. It does this by an examination of how the memory of the Marathi-speaking peoples first neglected and then adopted the story of the Vijayanagara empire that once dominated southern India.

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