scholarly journals The Impact of Family Memory on the Descendants of a Missionary-Settler Family

Author(s):  
Jane Moodie

Henry and William Williams came to New Zealand as missionaries to Maori in the 1820s. Today many of their descendants still believe the family has a special relationship with Maori. Life narrative interviews were analysed to explore the ways in which this belief plays out in the lives of 5th and 6th generation descendants. Many simply believe they have greater empathy with Maori than most Pakeha, but for some it has greater significance, providing them with a sense of identity and belonging. The family myth is shown to act synergistically with the modern ideology of biculturalism and other cultural myths.

2021 ◽  
Author(s):  
◽  
Rachel Patrick

<p>This thesis explores the topic of families during the First World War through a single New Zealand family and its social networks. The family at the core of the thesis, the Stewarts, were a well-to-do Dunedin family who moved in the most exclusive circles of colonial society. As members of the elite, and as prominent figures in the leadership of wartime patriotic organisations, they conceived of their wartime role as one of public benevolence and modelling patriotic virtue for others. Yet, like countless other families, their personal lives were shattered by the war. Drawing upon the extensive records left behind by the Stewart family, as well as associated archives, the thesis advances a number of larger arguments.  It is the overarching claim of this study that families – in their emotional, material and symbolic manifestations – formed an integral part of the war experience and provide a significant way of understanding this global event and its devastating human consequences. The Stewart family’s extensive surviving archive of personal correspondence provides a window into the innermost emotions, beliefs and values of the family’s individual members. Episodes in their wartime lives shape the wider thesis themes: the impact of family separations, grief and bereavement, religious faith, duty and patriotism, philanthropy, the lingering shadow of war disability – and the inflection of all of these by gender and class. Analysing the letters that the family exchanged with other correspondents demonstrates the embeddedness of family in larger networks of association, as well as identifying the aspects of their world view they shared with others in their predominantly middle- and upper-class circles. The records of patriotic organisations members of the family were associated with provide a means of examining how they translated their private beliefs into public influence.  The continual interplay between mobility and distance forms another of the study’s substantive themes. The distance created by the geographical separation between battlefronts and homefronts was a defining feature of the war for families in far-flung dominions such as New Zealand. But distance could be overcome by mobility: through the flow of things, money and people. Such movements, the thesis argues, blurred the boundaries between home and front. Thus, the correspondence members of the Stewart family exchanged during the war enabled them to sustain intimate ties across distance and helped them to mediate their own particular experience of wartime bereavement. The informal personal and kinship networks sustained by the female members of the family formed an important constituent of wartime benevolence, providing a conduit for the flow of information, goods and financial aid across national boundaries. During the war, the leadership of women’s patriotic organisations promoted an essentialised vision of feminine nature to justify their organisations’ separate existence and to stake a claim for women’s wider participation in the war effort. In doing so, they drew upon enlarged notions of kinship to argue that their female volunteers were uniquely qualified to bridge the distances of war, and to bring the emotional and practical comforts of home to frontline soldiers.  An alternative perspective to the Stewart family’s story of war is provided in this thesis through counterpoints from casefiles of the Otago Soldiers’ and Dependents’ Welfare Committee, with which the Stewarts were involved. Here, the economic interdependence and mutual reliance of working-class families is laid bare in ways that differ markedly from the experience of the Stewarts, but which nevertheless underscores the centrality of the family as an institution for people of all social backgrounds. For some families the geographical separation imposed by the exigencies of war proved insurmountable. The very different kinds of families in this thesis illustrate that whether through their successes, or the sometimes dire consequences of their failures, families are nonetheless indispensable to understanding the First World War.</p>


2021 ◽  
Author(s):  
◽  
Anne Isaac

<p>For decades, New Zealand historians and architects have sought answers to the question: What is New Zealand architecture? New Zealand longs for a place in the architectural world, seeking the significance of our buildings in the wider realm of world architecture. In 2016, in a presentation based on his book Worship: a history of New Zealand church design, Bill McKay suggested that perhaps, “our most interesting architecture lies in the intersections of our cultures”.  An opportunity is offered by the current shifts of New Zealand society where the impact of immigration on society is one of the most pressing issues that currently needs addressing. This thesis endeavours to explore the specific relationship between the heritage and culture of the existing Assyrian community and its context of Wellington, with reference to McKay’s suggestion that our most interesting architecture is birthed from the intersection of different cultures.  Socially speaking, sense of identity and place attachment play a vital role in the integration of migrant communities into their new home country. Recalling and employing elements of not only tangible Assyrian heritage, but also the intangible qualities found in traditional Assyrian architecture, has the potential to create the connection and enhance the sense of identity which allows for the feeling of belonging in migrants in their host society. This thesis focuses on the space of worship.   This project of an Assyrian Orthodox church building in New Zealand might reflect the life of the migrants who occupy it. Is it a replica of the traditional building in its original context, unchanged and uninfluenced by the shift to a new place? Or is it influenced and integrated; a building which can identify with the soil it stands on? Furthermore, if one considers that architecture reflects society, it is hoped that this design led research will participate in the discussion about New Zealand architecture’s unique identity and emerging new societal makeup.  This design led research discovers that creating a sense of belonging relies on both keeping aspects of the traditional and gaining influence from its new context. As focus shifts from the design of the building at a large scale to details and objects at a small scale, it becomes more important to reflect and retain the traditional qualities of the architecture. At a large scale, the building may be influenced by its context so as to be integrated into its new place, as if it belongs within its new urban fabric. As we move into the smaller scale in design, we draw closer to the body. It is these elements of the design which an occupant experiences more intimately, and through sensory experience and triggering memories of home, can help to create a feeling of belonging. The main findings of this research express the close relationship between architectural scales of intervention and the effects of individual and collective memory.</p>


2021 ◽  
Author(s):  
◽  
Anne Isaac

<p>For decades, New Zealand historians and architects have sought answers to the question: What is New Zealand architecture? New Zealand longs for a place in the architectural world, seeking the significance of our buildings in the wider realm of world architecture. In 2016, in a presentation based on his book Worship: a history of New Zealand church design, Bill McKay suggested that perhaps, “our most interesting architecture lies in the intersections of our cultures”.  An opportunity is offered by the current shifts of New Zealand society where the impact of immigration on society is one of the most pressing issues that currently needs addressing. This thesis endeavours to explore the specific relationship between the heritage and culture of the existing Assyrian community and its context of Wellington, with reference to McKay’s suggestion that our most interesting architecture is birthed from the intersection of different cultures.  Socially speaking, sense of identity and place attachment play a vital role in the integration of migrant communities into their new home country. Recalling and employing elements of not only tangible Assyrian heritage, but also the intangible qualities found in traditional Assyrian architecture, has the potential to create the connection and enhance the sense of identity which allows for the feeling of belonging in migrants in their host society. This thesis focuses on the space of worship.   This project of an Assyrian Orthodox church building in New Zealand might reflect the life of the migrants who occupy it. Is it a replica of the traditional building in its original context, unchanged and uninfluenced by the shift to a new place? Or is it influenced and integrated; a building which can identify with the soil it stands on? Furthermore, if one considers that architecture reflects society, it is hoped that this design led research will participate in the discussion about New Zealand architecture’s unique identity and emerging new societal makeup.  This design led research discovers that creating a sense of belonging relies on both keeping aspects of the traditional and gaining influence from its new context. As focus shifts from the design of the building at a large scale to details and objects at a small scale, it becomes more important to reflect and retain the traditional qualities of the architecture. At a large scale, the building may be influenced by its context so as to be integrated into its new place, as if it belongs within its new urban fabric. As we move into the smaller scale in design, we draw closer to the body. It is these elements of the design which an occupant experiences more intimately, and through sensory experience and triggering memories of home, can help to create a feeling of belonging. The main findings of this research express the close relationship between architectural scales of intervention and the effects of individual and collective memory.</p>


2021 ◽  
Author(s):  
◽  
Rachel Patrick

<p>This thesis explores the topic of families during the First World War through a single New Zealand family and its social networks. The family at the core of the thesis, the Stewarts, were a well-to-do Dunedin family who moved in the most exclusive circles of colonial society. As members of the elite, and as prominent figures in the leadership of wartime patriotic organisations, they conceived of their wartime role as one of public benevolence and modelling patriotic virtue for others. Yet, like countless other families, their personal lives were shattered by the war. Drawing upon the extensive records left behind by the Stewart family, as well as associated archives, the thesis advances a number of larger arguments.  It is the overarching claim of this study that families – in their emotional, material and symbolic manifestations – formed an integral part of the war experience and provide a significant way of understanding this global event and its devastating human consequences. The Stewart family’s extensive surviving archive of personal correspondence provides a window into the innermost emotions, beliefs and values of the family’s individual members. Episodes in their wartime lives shape the wider thesis themes: the impact of family separations, grief and bereavement, religious faith, duty and patriotism, philanthropy, the lingering shadow of war disability – and the inflection of all of these by gender and class. Analysing the letters that the family exchanged with other correspondents demonstrates the embeddedness of family in larger networks of association, as well as identifying the aspects of their world view they shared with others in their predominantly middle- and upper-class circles. The records of patriotic organisations members of the family were associated with provide a means of examining how they translated their private beliefs into public influence.  The continual interplay between mobility and distance forms another of the study’s substantive themes. The distance created by the geographical separation between battlefronts and homefronts was a defining feature of the war for families in far-flung dominions such as New Zealand. But distance could be overcome by mobility: through the flow of things, money and people. Such movements, the thesis argues, blurred the boundaries between home and front. Thus, the correspondence members of the Stewart family exchanged during the war enabled them to sustain intimate ties across distance and helped them to mediate their own particular experience of wartime bereavement. The informal personal and kinship networks sustained by the female members of the family formed an important constituent of wartime benevolence, providing a conduit for the flow of information, goods and financial aid across national boundaries. During the war, the leadership of women’s patriotic organisations promoted an essentialised vision of feminine nature to justify their organisations’ separate existence and to stake a claim for women’s wider participation in the war effort. In doing so, they drew upon enlarged notions of kinship to argue that their female volunteers were uniquely qualified to bridge the distances of war, and to bring the emotional and practical comforts of home to frontline soldiers.  An alternative perspective to the Stewart family’s story of war is provided in this thesis through counterpoints from casefiles of the Otago Soldiers’ and Dependents’ Welfare Committee, with which the Stewarts were involved. Here, the economic interdependence and mutual reliance of working-class families is laid bare in ways that differ markedly from the experience of the Stewarts, but which nevertheless underscores the centrality of the family as an institution for people of all social backgrounds. For some families the geographical separation imposed by the exigencies of war proved insurmountable. The very different kinds of families in this thesis illustrate that whether through their successes, or the sometimes dire consequences of their failures, families are nonetheless indispensable to understanding the First World War.</p>


2021 ◽  
Author(s):  
◽  
Daniel Kim

<p>This thesis explores microaggression in New Zealand based on stories of lived experiences written and shared by Asian New Zealanders. It examines how Asian New Zealanders are able to express their feelings, thoughts, and experiences of microaggression through stories in online spaces, and how such narratives are used as performative elements for social change and activism against racism. I show how incredibly hurtful and damaging microaggressions are, by focusing on the stories of my participants, where they expressed feelings of hurt, disappointment, frustration, and anger as well as significant impacts on their sense of identity and belonging in New Zealand. These were largely effects of experiencing multiple, constant, and ongoing acts of microaggression; I argue that this is the predominant type of racism that Asian New Zealanders are facing. The stories and the act of storytelling allowed Asian New Zealanders to initiate discussion and awareness to strive for social change against issues of racism that had persisted and distressed them for so long. Listening to and analysing their voices and the stories has allowed me to deeply engage with the impact of casual racism and also to detect new voices that use storytelling as an empowering device and to gather strength for resistance and speaking back.</p>


2021 ◽  
Author(s):  
◽  
Daniel Kim

<p>This thesis explores microaggression in New Zealand based on stories of lived experiences written and shared by Asian New Zealanders. It examines how Asian New Zealanders are able to express their feelings, thoughts, and experiences of microaggression through stories in online spaces, and how such narratives are used as performative elements for social change and activism against racism. I show how incredibly hurtful and damaging microaggressions are, by focusing on the stories of my participants, where they expressed feelings of hurt, disappointment, frustration, and anger as well as significant impacts on their sense of identity and belonging in New Zealand. These were largely effects of experiencing multiple, constant, and ongoing acts of microaggression; I argue that this is the predominant type of racism that Asian New Zealanders are facing. The stories and the act of storytelling allowed Asian New Zealanders to initiate discussion and awareness to strive for social change against issues of racism that had persisted and distressed them for so long. Listening to and analysing their voices and the stories has allowed me to deeply engage with the impact of casual racism and also to detect new voices that use storytelling as an empowering device and to gather strength for resistance and speaking back.</p>


2007 ◽  
Author(s):  
Sharon B. Hamill ◽  
Tayari Shorter ◽  
Sarah Singleton ◽  
Carrie Page ◽  
Tabitha Pierce
Keyword(s):  

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