scholarly journals Unorthodox: An ancient tradition - A contemporary context

2021 ◽  
Author(s):  
◽  
Anne Isaac
Keyword(s):  
New Zealand ◽  
Large Scale ◽  
Vital Role ◽  
The Body ◽  
Small Scale ◽  
Migrant Communities ◽  
Close Relationship ◽  
Sense Of Identity ◽  
Church Design ◽  
The Impact

<p>For decades, New Zealand historians and architects have sought answers to the question: What is New Zealand architecture? New Zealand longs for a place in the architectural world, seeking the significance of our buildings in the wider realm of world architecture. In 2016, in a presentation based on his book Worship: a history of New Zealand church design, Bill McKay suggested that perhaps, “our most interesting architecture lies in the intersections of our cultures”.  An opportunity is offered by the current shifts of New Zealand society where the impact of immigration on society is one of the most pressing issues that currently needs addressing. This thesis endeavours to explore the specific relationship between the heritage and culture of the existing Assyrian community and its context of Wellington, with reference to McKay’s suggestion that our most interesting architecture is birthed from the intersection of different cultures.  Socially speaking, sense of identity and place attachment play a vital role in the integration of migrant communities into their new home country. Recalling and employing elements of not only tangible Assyrian heritage, but also the intangible qualities found in traditional Assyrian architecture, has the potential to create the connection and enhance the sense of identity which allows for the feeling of belonging in migrants in their host society. This thesis focuses on the space of worship.   This project of an Assyrian Orthodox church building in New Zealand might reflect the life of the migrants who occupy it. Is it a replica of the traditional building in its original context, unchanged and uninfluenced by the shift to a new place? Or is it influenced and integrated; a building which can identify with the soil it stands on? Furthermore, if one considers that architecture reflects society, it is hoped that this design led research will participate in the discussion about New Zealand architecture’s unique identity and emerging new societal makeup.  This design led research discovers that creating a sense of belonging relies on both keeping aspects of the traditional and gaining influence from its new context. As focus shifts from the design of the building at a large scale to details and objects at a small scale, it becomes more important to reflect and retain the traditional qualities of the architecture. At a large scale, the building may be influenced by its context so as to be integrated into its new place, as if it belongs within its new urban fabric. As we move into the smaller scale in design, we draw closer to the body. It is these elements of the design which an occupant experiences more intimately, and through sensory experience and triggering memories of home, can help to create a feeling of belonging. The main findings of this research express the close relationship between architectural scales of intervention and the effects of individual and collective memory.</p>

scholarly journals Unorthodox: An ancient tradition - A contemporary context

2021 ◽  
Author(s):  
◽  
Anne Isaac
Keyword(s):  
New Zealand ◽  
Large Scale ◽  
Vital Role ◽  
The Body ◽  
Small Scale ◽  
Migrant Communities ◽  
Close Relationship ◽  
Sense Of Identity ◽  
Church Design ◽  
The Impact

<p>For decades, New Zealand historians and architects have sought answers to the question: What is New Zealand architecture? New Zealand longs for a place in the architectural world, seeking the significance of our buildings in the wider realm of world architecture. In 2016, in a presentation based on his book Worship: a history of New Zealand church design, Bill McKay suggested that perhaps, “our most interesting architecture lies in the intersections of our cultures”.  An opportunity is offered by the current shifts of New Zealand society where the impact of immigration on society is one of the most pressing issues that currently needs addressing. This thesis endeavours to explore the specific relationship between the heritage and culture of the existing Assyrian community and its context of Wellington, with reference to McKay’s suggestion that our most interesting architecture is birthed from the intersection of different cultures.  Socially speaking, sense of identity and place attachment play a vital role in the integration of migrant communities into their new home country. Recalling and employing elements of not only tangible Assyrian heritage, but also the intangible qualities found in traditional Assyrian architecture, has the potential to create the connection and enhance the sense of identity which allows for the feeling of belonging in migrants in their host society. This thesis focuses on the space of worship.   This project of an Assyrian Orthodox church building in New Zealand might reflect the life of the migrants who occupy it. Is it a replica of the traditional building in its original context, unchanged and uninfluenced by the shift to a new place? Or is it influenced and integrated; a building which can identify with the soil it stands on? Furthermore, if one considers that architecture reflects society, it is hoped that this design led research will participate in the discussion about New Zealand architecture’s unique identity and emerging new societal makeup.  This design led research discovers that creating a sense of belonging relies on both keeping aspects of the traditional and gaining influence from its new context. As focus shifts from the design of the building at a large scale to details and objects at a small scale, it becomes more important to reflect and retain the traditional qualities of the architecture. At a large scale, the building may be influenced by its context so as to be integrated into its new place, as if it belongs within its new urban fabric. As we move into the smaller scale in design, we draw closer to the body. It is these elements of the design which an occupant experiences more intimately, and through sensory experience and triggering memories of home, can help to create a feeling of belonging. The main findings of this research express the close relationship between architectural scales of intervention and the effects of individual and collective memory.</p>

scholarly journals Numerical Simulations of Flow around Copepods: Challenges and Future Directions

Fluids ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 52
Author(s):  
Iman Borazjani
Keyword(s):  
Numerical Simulations ◽  
Large Scale ◽  
Vital Role ◽  
The Body ◽  
Marine Ecology ◽  
Small Scale ◽  
Mate Finding ◽  
Future Directions ◽  
Form Function ◽  
Different Parts

Copepods are small aquatic creatures which are abundant in oceans as a major food source for fish, thereby playing a vital role in marine ecology. Because of their role in the food chain, copepods have been subject to intense research through different perspectives from anatomy, form-function biology, to ecology. Numerical simulations can uniquely support such investigations by quantifying: (i) the force and flow generated by different parts of the body, thereby clarify the form-function relation of each part; (ii) the relation between the small-scale flow around animal and the large-scale (e.g., oceanic) flow of its surroundings; and (iii) the flow and its energetics, thereby answering ecological questions, particularly, the three major survival tasks, i.e., feeding, predator avoidance, and mate-finding. Nevertheless, such numerical simulations need to overcome challenges involving complex anatomic shape of copepods, multiple moving appendages, resolving different scales (appendage-, animal- to large-scale). The numerical methods capable of handling such problems and some recent simulations are reviewed. At the end, future developments necessary to simulate copepods from animal- to surrounding-scale are discussed.

Towards a Philosophy of Rhythm: Nietzsche’s Conflicting Rhythms

2018 ◽  
Vol 12 (1) ◽  
pp. 151-170
Author(s):  
Hannah Vandegrift Eldridge
Keyword(s):  
Cultural Values ◽  
Cultural Context ◽  
Large Scale ◽  
Ways Of Knowing ◽  
The Body ◽  
Small Scale ◽  
Scientific Paradigms ◽  
Wide Range ◽  
Evolutionary Aesthetics ◽  
The Impact

Abstract In recent years, theories of rhythm have been proposed by a number of different disciplines, including historical poetics, generative metrics, cognitive literary studies, and evolutionary aesthetics. The wide range of fields indicates the transdisciplinary nature of rhythm as a phenomenon, as well as its complexity, highlighting the degree to which many of the central questions surrounding rhythm remain extraordinarily difficult even to state in terms that can traverse the disciplinary boundaries effortlessly transgressed by rhythm as a phenomenon. In particular, any theory of rhythm, whether in music, dance, sociology, or language, must grapple with two quandaries. First, the precise site of rhythm remains opaque: rhythms occur in, affect, and are produced by all of bodies, cultures, and universals (whether metaphysical or species-physiological). What is the relation between species-wide characteristic, individual body, cultural context, and the history of art making in the experience of rhythm? Second, rhythm is simultaneously a phenomenon of fixed, organizing form and one of dynamic, changing flow. How can rhythm encompass both the measurement of regular recurrences across time and the organizing of temporal phenomena as they unfold? In this article, I draw on Emile Benveniste and Henri Meschonnic to elucidate these quandaries or conflicts before turning to Friedrich Nietzsche’s work on rhythm. I argue that Nietzsche’s work with rhythm provides a historically situated model for how we might continue to take the questions and conflicts within rhythm seriously, rather than privileging an abstract and universally applicable theory of rhythm. This model is especially crucial for our own historical moment, when cultural-political emphasis on science and technology at the expense of aesthetics devalues all insights not presented in the form of countable data points or empirically testable facts. Nietzsche is, of course, one of the great critics of positivist-scientistic epistemologies, part of a long tradition questioning the naturalness of natural-scientific paradigms and alerting us to the metaphors at play even in the ›hard sciences‹. I use rhythm as one paradigmatic place to resist the importation of scientistic thought into discussions of language, literature, and culture. I show how Nietzsche’s writings on rhythm prove illuminating for contemporary understandings of rhythm because the tensions in his work are shaped by the quandaries inherent to rhythm that I have used Benveniste and Meschonnic to elaborate, namely the question of rhythm’s site as individual, cultural, or universal, and the conflict between rhythm as form and as flow. The question of the site of rhythm appears in Nietzsche’s discussions of Greek and Latin meters both in his philological works, in his aphorisms, and in his letters: on the one hand, he argues that Greek and Latin metrical and rhythmic resources are irrevocably lost to modern cultures (indicating that rhythm is a product of culture), while on the other, he emphasizes the impact of rhythm on the body and offers advice for replicating Ancient metrical and rhythmic techniques (suggesting that rhythm is based on physiological universals). And the conflict between flow and form appears as Nietzsche praises both the productive constraint created by large-scale, architectonic, or macro-formal rhythms and the freedom from such constraint enabled by small-scale, leitmotiv-based, or micro-formal rhythms. The conflicts in Nietzsche’s work between the loss and recovery of Ancient rhythms and between rhythm as small scale freedom vs. large scale constraint thus represent one particular unfolding of the dilemmas for rhythmical theory worked out by Benveniste and Meschonnic. The various modern disciplines engaged with rhythm will answer different sets of these questions in different ways. Most practitioners of, e. g., evolutionary aesthetics, neuroaesthetics, or cognitive poetics would no doubt contend that they are using the tools of the natural sciences to investigate long-standing humanistic inquiries. Nietzsche, as a critic of his own era’s scientific positivism who allows tensions inherent in these questions to remain open in his own work, is an ideal interlocutor with whom to ask whether even the adoption of these tools ends up placing excessive faith in natural-scientific paradigms and undercutting other—affective, bodily, metaphorical, poetic, etc.—ways of knowing, as I demonstrate briefly in the examples of evolutionary aesthetics and generative metrics. Because Nietzsche leaves open the conflicts over rhythm’s site and its qualities as form or flow, he can use individual bodily experience to make physiological arguments about the effects of rhythm on culture and vice versa: Nietzsche takes his bodily response to be an index of cultural values inherent to rhythmical practices. The particular values that Nietzsche critiques shift across his career—early on he condemns German musical and poetic rhythms for being too rigid, while later he sees them as pathologically heightening affect and emotion. In both cases, detrimental rhythmic practices lead to detrimental bodily practices and to the degeneration of culture, while rhythmic practices work as a bodily and cultural corrective. In his critiques of German forms and praises of Greek forms, and in the moments in which he brings them together, Nietzsche thus asserts the complex interrelation of culture, body, and history.

scholarly journals Whole-genome sequencing from the New Zealand Saccharomyces cerevisiae population reveals the genomic impacts of novel microbial range expansion

2020 ◽  
Vol 11 (1) ◽  
Author(s):  
Peter Higgins ◽  
Cooper A Grace ◽  
Soon A Lee ◽  
Matthew R Goddard
Keyword(s):  
Saccharomyces Cerevisiae ◽  
New Zealand ◽  
Whole Genome Sequencing ◽  
Genome Sequencing ◽  
Range Expansion ◽  
Copy Number ◽  
Small Scale ◽  
Whole Genome ◽  
Copy Number Changes ◽  
The Impact

Abstract Saccharomyces cerevisiae is extensively utilized for commercial fermentation, and is also an important biological model; however, its ecology has only recently begun to be understood. Through the use of whole-genome sequencing, the species has been characterized into a number of distinct subpopulations, defined by geographical ranges and industrial uses. Here, the whole-genome sequences of 104 New Zealand (NZ) S. cerevisiae strains, including 52 novel genomes, are analyzed alongside 450 published sequences derived from various global locations. The impact of S. cerevisiae novel range expansion into NZ was investigated and these analyses reveal the positioning of NZ strains as a subgroup to the predominantly European/wine clade. A number of genomic differences with the European group correlate with range expansion into NZ, including 18 highly enriched single-nucleotide polymorphism (SNPs) and novel Ty1/2 insertions. While it is not possible to categorically determine if any genetic differences are due to stochastic process or the operations of natural selection, we suggest that the observation of NZ-specific copy number increases of four sugar transporter genes in the HXT family may reasonably represent an adaptation in the NZ S. cerevisiae subpopulation, and this correlates with the observations of copy number changes during adaptation in small-scale experimental evolution studies.

scholarly journals Climate SPHINX: evaluating the impact of resolution and stochastic physics parameterisations in the EC-Earth global climate model

2017 ◽  
Vol 10 (3) ◽  
pp. 1383-1402 ◽  
Author(s):  
Paolo Davini ◽  
Jost von Hardenberg ◽  
Susanna Corti ◽  
Hannah M. Christensen ◽  
Stephan Juricke ◽  
...  
Keyword(s):  
High Resolution ◽  
Large Scale ◽  
Climate Model ◽  
Global Climate ◽  
Rainfall Variability ◽  
Global Climate Model ◽  
Small Scale ◽  
Low Resolution ◽  
The Impact ◽  
Stochastic Physics

Abstract. The Climate SPHINX (Stochastic Physics HIgh resolutioN eXperiments) project is a comprehensive set of ensemble simulations aimed at evaluating the sensitivity of present and future climate to model resolution and stochastic parameterisation. The EC-Earth Earth system model is used to explore the impact of stochastic physics in a large ensemble of 30-year climate integrations at five different atmospheric horizontal resolutions (from 125 up to 16 km). The project includes more than 120 simulations in both a historical scenario (1979–2008) and a climate change projection (2039–2068), together with coupled transient runs (1850–2100). A total of 20.4 million core hours have been used, made available from a single year grant from PRACE (the Partnership for Advanced Computing in Europe), and close to 1.5 PB of output data have been produced on SuperMUC IBM Petascale System at the Leibniz Supercomputing Centre (LRZ) in Garching, Germany. About 140 TB of post-processed data are stored on the CINECA supercomputing centre archives and are freely accessible to the community thanks to an EUDAT data pilot project. This paper presents the technical and scientific set-up of the experiments, including the details on the forcing used for the simulations performed, defining the SPHINX v1.0 protocol. In addition, an overview of preliminary results is given. An improvement in the simulation of Euro-Atlantic atmospheric blocking following resolution increase is observed. It is also shown that including stochastic parameterisation in the low-resolution runs helps to improve some aspects of the tropical climate – specifically the Madden–Julian Oscillation and the tropical rainfall variability. These findings show the importance of representing the impact of small-scale processes on the large-scale climate variability either explicitly (with high-resolution simulations) or stochastically (in low-resolution simulations).

Control of chironomid midge larvae in wastewater stabilisation ponds: comparison of five compounds

2005 ◽  
Vol 51 (12) ◽  
pp. 191-199 ◽  
Author(s):  
R. Craggs ◽  
L. Golding ◽  
S. Clearwater ◽  
L. Susarla ◽  
W. Donovan
Keyword(s):  
New Zealand ◽  
Bacillus Thuringiensis ◽  
Urban Areas ◽  
Large Scale ◽  
Adult Emergence ◽  
Small Scale ◽  
Slight Reduction ◽  
Organic Loading ◽  
Valuable Component ◽  
Pre Treatment

Chironomid midge larvae are a valuable component of wastewater stabilisation pond (WSP) ecology. However, in high numbers, adult midge swarms can be a nuisance to near-by urban areas. Improving WSP treatment by incorporating aerobic or maturation ponds or by the addition of pre-treatment to reduce organic loading also increases the availability of aerobic sediment (midge larva habitat) in the pond system and the potential for midge nuisance problems. The efficacy of Maldison, an organophosphate traditionally used to control midge larvae in New Zealand WSPs, was compared to Bacillus thuringiensis var. israelensis (Bti), Methoprene, Pyriproxyfen and Diflubenzuron which are all more specific to insects and have fewer adverse environmental effects. Initial laboratory trials established the concentration of each compound required to achieve 95% control of the midge population. During 21-day small-scale trials within the WSP, Bti, Diflubenzuron and Maldison reduced live larvae numbers substantially (80–89%) compared to controls and adult midge emergence was markedly reduced by all compounds (72–96%). Large-scale trials with Bti (Vectobac® WG) powder (1000 μg/L) only caused a slight reduction in midge larvae numbers compared to controls and had little effect on adult emergence, however, Methoprene (Prolink XRG granules) (50 μgAI/L) reduced midge adult emergence by ∼80% over 25 days and has been used successfully to control several midge nuisance outbreaks.

scholarly journals Geographical and logistical factors of sustainable development of rural tourism in the context of regional economy

2016 ◽  
pp. 9-14
Author(s):  
I. Smyrnov
Keyword(s):  
Sustainable Development ◽  
Large Scale ◽  
Regional Economy ◽  
Local Economy ◽  
Rural Tourism ◽  
Small Scale ◽  
Resource Base ◽  
Tourist Flows ◽  
Definition Of ◽  
The Impact

Rural tourism is now seen as an important direction of development of the regional economy. From the perspective of sustainable development rural tourism affects the economic, social and environmental aspects of the regional and local economy. Rural tourism is closely linked with agrotourism, eco-tourism, natural tourism and so on. Sustainable rural tourism can be realized by applying logistic, geographic and marketing approaches as components of sustainable development strategies. Logistics approach is determined by logistic potential of resource base of rural tourism and appropriate tourist flows regulation. In this context in the article the concept of tourism capacity or capacity of the resource base of rural tourism is used. The problem of the definition of tourism pressure on the resource base of rural tourism, particularly in natural landscapes is disclosed. Unlike environmental and recrealogical sciences, which stop at the capacity definition of the resource base of tourism, tourism logistics compares this figure with the existing tourist flows and accordingly determines the safe way of tourism management to ensure its sustainable nature. It was shown that these strategies boil down to two basic types – the further development of tourism in a particular area or limit such activities to conserve the resource base of tourism. Recreational (travel) load is the indicator that reflects the impact of tourism on the resource base of tourism (especially landscape complex), expressed by the number of tourists or tourists-days per area unit or per tourist site for the certain period of time (day, month, season year). There are actual, allowable (the maximum) and destructive (dangerous) types of travel load. The latter can lead recreational area or resource base of rural tourism to destruction. Thus, depending on the intensity of tourism resource base using in rural tourism it may change – according to tourist consumption. Large number of tourists affects the entire range of recreational destinations and their individual components. The most vulnerable part of the environment in this sense is vegetation, except that significant changes may occur with soil, water bodies, air and so on. The geographic dimension of the problem of rural tourism sustainable development includes the concept of zoning, ie the division of the territory, offering to develop rural tourism in several zones with different modes of travel usage – from a total ban (in protected areas) for complete freedom with transitional stages, involving various limit degrees in the development of rural tourism. Marketing approach reflects the application of the curve R. Butler to the stages of development of rural tourism destinations with the release of such steps as: research, involvement, development, consolidation, stagnation (also called “saturation”), revival or decline. Shown the models that link the stage of resource base tourist development (under “Curve Butler”), strength of tourism consumption the magnitude of such effects (eg weak (disperse) impact in large scale, strong (concentrated) impact in large scale, strong (concentrated) impact in small scale, weak (disperse) impact in small scale), dynamics of tourism development at the territory.

scholarly journals George French Angas and the Creation of Colonial Knowledge in New Zealand

2021 ◽  
Author(s):  
◽  
Catherine Falconer-Gray
Keyword(s):  
New Zealand ◽  
Vital Role ◽  
The Body ◽  
Middle Ground ◽  
Cultural Encounter ◽  
The Creation ◽  
The Aesthetic ◽  
Natural Historian ◽  
British Culture ◽  
New Zealanders

<p>In 1844, George French Angas, the English traveller, artist, natural historian and ethnographer spent four months travelling in New Zealand. He sought out and met many of the most influential Maori leaders of the time, sketching and recording his observations as he went. His stated intention was to provide a ‘more correct idea’ of New Zealand and the New Zealanders. In Australia and then Britain he held exhibitions of his work and in 1847 he published two works based on this time in New Zealand: a large volume of full-colour lithographs, The New Zealanders Illustrated and a travel narrative based on his journal, Savage Life and Scenes in Australia and New Zealand. These exhibitions and publications comprised the nineteenth century’s largest collection of works about Maori and Maori culture. This thesis is a study of the ‘more correct idea’ that Angas sought to provide: his creation of colonial knowledge about Maori. Angas is most commonly described in New Zealand as being an unremarkable artist but as providing a window onto New Zealand in the 1840s. This thesis opens the window wider by looking at Angas’s works as a record of a cultural encounter and the formation of a colonial identity. The works were shaped by numerous ideological and intellectual currents from Britain and the empire, including humanitarianism and the aesthetic of the picturesque. Ideas about gender and the body form a central part of the colonial knowledge created in Angas’s work. Particularly notable is what this thesis terms ‘sartorial colonisation’ – a process of colonisation through discourse and expectations around clothes. Angas also travelled and worked in a dynamic middle ground in New Zealand and Maori played a vital role in the creation of his works. Angas represented Maori in a sympathetic light in many ways. Ultimately however, he believed in the superiority of the British culture, to the detriment of creating colonial knowledge that placed Maori as equal partners in the recently signed Treaty of Waitangi. This thesis also examines the ways in which Angas’s body of work has been engaged with by the New Zealand public through to the present. As a study of the products of a British traveller who spent time in other parts of the empire as well as in New Zealand, this thesis contributes to histories of New Zealand, and British imperial and transcolonial history.</p>

scholarly journals Climate SPHINX: evaluating the impact of resolution and stochastic physics parameterisations in climate simulations

2016 ◽  
Author(s):  
Paolo Davini ◽  
Jost von Hardenberg ◽  
Susanna Corti ◽  
Hannah M. Christensen ◽  
Stephan Juricke ◽  
...  
Keyword(s):  
High Resolution ◽  
Large Scale ◽  
Rainfall Variability ◽  
Pilot Project ◽  
Small Scale ◽  
Low Resolution ◽  
Climate Simulations ◽  
Advanced Computing ◽  
The Impact ◽  
Stochastic Physics

Abstract. The Climate SPHINX (Stochastic Physics HIgh resolutioN eXperiments) project is a comprehensive set of ensemble simulations aimed at evaluating the sensitivity of present and future climate to model resolution and stochastic parameterisation. The EC-Earth Earth-System Model is used to explore the impact of stochastic physics in a large ensemble of 30-year climate integrations at five different atmospheric horizontal resolutions (from 125 km up to 16 km). The project includes more than 120 simulations in both a historical scenario (1979–2008) and a climate change projection (2039–2068), together with coupled transient runs (1850–2100). A total of 20.4 million core hours have been used, made available from a single year grant from PRACE (the Partnership for Advanced Computing in Europe), and close to 1.5 PBytes of output data have been produced on SuperMUC IBM Petascale System at the Leibniz Supercomputing Center (LRZ) in Garching, Germany. About 140 TBytes of post-processed data are stored on the CINECA supercomputing center archives and are freely accessible to the community thanks to an EUDAT Data Pilot project. This paper presents the technical and scientific setup of the experiments, including the details on the forcing used for the simulations performed, defining the SPHINX v1.0 protocol. In addition, an overview of preliminary results is given: an improvement in the simulation of Euro-Atlantic atmospheric blocking following resolution increases is observed. It is also shown that including stochastic parameterisation in the low resolution runs helps to improve some aspects of the tropical climate – specifically the Madden-Julian Oscillation and the tropical rainfall variability. These findings show the importance of representing the impact of small scale processes on the large scale climate variability either explicitly (with high resolution simulations) or stochastically (in low resolution simulations).

Effects of interactions between transient granular flows and macroscopically rough beds and their implications for bulk flow dynamics

2021 ◽  
Author(s):  
Clarence E. Choi ◽  
George Robert Goodwin
Keyword(s):  
Bulk Density ◽  
Large Scale ◽  
The Body ◽  
Flow Dynamics ◽  
Small Scale ◽  
Mobility Models ◽  
Flow Front ◽  
Physical Tests ◽  
Unit Depth ◽  
Rough Beds

Steep-creek beds are macroscopically rough. This roughness causes channelised flow material to decelerate and dissipate energy, which are accounted for by depth-averaged mobility models (DMM). However, practical DMM implementations do not explicitly account for grain-scale basal interactions which influence macroscopic flow dynamics. In this study, we model flows using physical tests with smooth and macroscopically rough bases, and hence evaluate Discrete Element Method (DEM) and DMM models. A scaling effect is identified relating to roughened beds: increasing the number of grains per unit depth tends to suppress dispersion, such that small-scale flows on smooth beds resemble large-scale flows on roughened beds, at least in terms of bulk density. Furthermore, the DEM shows that rougher beds reduce the peak bulk density by up to 15% compared to a smooth bed. Rough beds increase the vertical momentum transfer tenfold, compared to smooth ones. The DMM cannot account for density change or vertical momentum, so DMM flow depths are underestimated by 90% at the flow front and 20% in the body. The Voellmy model implicitly captures internal energy dissipation for flows on rough beds. The parameter ξ can allow velocity reductions due to rough beds observed in the DEM to be captured.

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