scholarly journals How does a student music therapist, working within a multidisciplinary team, address the physical, communication and cognitive needs of two patients who have experienced a left hemisphere mid-cerebral artery (MCA) stroke? An exploratory case study

2021 ◽  
Author(s):  
◽  
Andrea Robinson

<p>This case study describes a student music therapist’s experience in a rehabilitation ward working with two patients who had experienced left hemisphere mid cerebral stroke. Each patient’s individual music therapy sessions were documented during their stay in the rehabilitation unit and for a further two months in the community. A variety of music therapy methods were used which specifically targeted patients’ needs and capabilities. The research focused on methods used to support patients’ physical, communication and cognitive rehabilitation, because these are paramount in patients regaining their independence. The case study involved secondary analysis of data collected over a four month period.  Key findings suggest that music therapy, may have helped these patients with their speech retrieval. Improved gross and fine motor control was demonstrated in one patient using percussion instrument playing and keyboard mastery as the music therapy methods. Breathing exercises enabled phonation in a man who was non-verbal. Other findings suggest that singing familiar songs, listening to self-selected music and moving to music may have aided cognitive recovery in all of these areas. Although the psychosocial areas were not included in the study, both men looked forward to music therapy sessions and demonstrated improved mood when engaged in music therapy. Music therapy seemed to alieviate frustration and anxiety in the rehabilitation setting for one of the men. Further, family involvement in music therapy was positive for both men. This research suggests that music therapy could have contributed positively to the mens’ rehabilitation and further research focussing on the pyschosocial aspects of music therapy in this setting is recommended.</p>

2021 ◽  
Author(s):  
◽  
Andrea Robinson

<p>This case study describes a student music therapist’s experience in a rehabilitation ward working with two patients who had experienced left hemisphere mid cerebral stroke. Each patient’s individual music therapy sessions were documented during their stay in the rehabilitation unit and for a further two months in the community. A variety of music therapy methods were used which specifically targeted patients’ needs and capabilities. The research focused on methods used to support patients’ physical, communication and cognitive rehabilitation, because these are paramount in patients regaining their independence. The case study involved secondary analysis of data collected over a four month period.  Key findings suggest that music therapy, may have helped these patients with their speech retrieval. Improved gross and fine motor control was demonstrated in one patient using percussion instrument playing and keyboard mastery as the music therapy methods. Breathing exercises enabled phonation in a man who was non-verbal. Other findings suggest that singing familiar songs, listening to self-selected music and moving to music may have aided cognitive recovery in all of these areas. Although the psychosocial areas were not included in the study, both men looked forward to music therapy sessions and demonstrated improved mood when engaged in music therapy. Music therapy seemed to alieviate frustration and anxiety in the rehabilitation setting for one of the men. Further, family involvement in music therapy was positive for both men. This research suggests that music therapy could have contributed positively to the mens’ rehabilitation and further research focussing on the pyschosocial aspects of music therapy in this setting is recommended.</p>


2021 ◽  
Author(s):  
◽  
Emma Johnson

<p>The purpose of this research was to understand how a student music therapist was able to facilitate self-expression using specific songwriting techniques, during long term and short term, group and individual music therapy sessions. Long term is considered a four-month period of weekly sessions, and short term is considered a single session. This research took place at an educational facility where I was working with adolescents with various mental health issues. In this exegesis, I discuss the various definitions of self-expressions as defined in literature, and consider the ways this relates to songwriting methods chosen and applied during therapy. A qualitative method of research was used, using secondary analysis of data collected from five months of Music Therapy practice. Thematic analysis was applied to clinical notes from sessions, student review statements and personal reflective practitioner journal. I was guided by music therapy literature discussing songwriting that I had been drawing on for the benefit of my practice. My analysis revealed that I developed specifically tailored methods and techniques for individuals and groups, which would begin with how they would like to approach their songwriting. I also found, that alongside more well documented techniques such as lyric writing and composition, improvisation and song planning were of high value to my practice and therefore were included as therapeutic songwriting techniques in my findings.</p>


2018 ◽  
Vol 10 (2) ◽  
pp. 80
Author(s):  
Amy Clements-Cortes

 The following case study represents an example of music therapy research in palliative care with a focus on relationship completion. This case of ‘Bill’, presents one of the four participant’s experience in the research study on relationship completion in palliative care. The results of Bill’s case are presented in Part II of this paper.(1) Bill received 30 individual music therapy sessions provided at three levels of practice.(2) The music therapy techniques utilized included: song choice; lyric discussion and analysis; songwriting, singing and playing pre-composed songs; life review; and song dedication. Bill’s wife (a study co-participant) also joined in the music therapy sessions towards the end of the process.


2021 ◽  
Author(s):  
◽  
Conor Clerkin

<p>This exploratory study sought to uncover the methods and techniques a student music therapist employed to support the participation of young people with complex needs in a school setting. Individual music therapy sessions were carried out over nine months, and clinical documentation was generated throughout this period. Data sources included clinical notes, a reflective journal, and audiovisual recordings from music therapy sessions. Once a research question had been established, the existing data was reviewed retrospectively through a process of secondary analysis, and both inductive and deductive methods of analysis were employed to enable meaningful interpretations of the data to occur. A process of coding and thematically linking elements of music therapy practice allowed for a model of understanding to emerge, and findings suggest that the behaviours and strategies utilised by the student music therapist to support the young people’s participation in music therapy fell into three thematic groupings: creating a collaborative environment; following and leading; and dynamic flow. Themes are defined and the codes within elaborated upon, with case examples from the data included as appropriate to illustrate their meaning. Findings are discussed, and links are made to the literature in relevant fields. While results cannot be generalised to other settings, it is hoped that the detail and in depth analysis of practice provide a thorough and meaningful insight into the types of interaction that can occur in music therapy with young people with complex needs, and the value of specific supports to participation identified in this research.</p>


2021 ◽  
Author(s):  
◽  
Yutong Gao

<p>The objective of this thesis was to explore the role of using technology within music therapy sessions for children who have physical disabilities. This research used secondary secondary analysis of clinical data to find the role of technology within mu clinical practice. Data included clinical notes, and my own reflective journal from February to September in 2018. I used thematic analysis to uncover themes from my data.  Five themes were found that indicate that technology can positively contribute to music therapy sessions. In particular, the research has identified that technologies can be used to support cognitive development, communication efforts, emotional reactions, motor skills, and sensory stimulation for children. The research will contribute to current debates around the role of technology in music therapy sessions to further support children with physical disabilities.</p>


2021 ◽  
Author(s):  
◽  
Yutong Gao

<p>The objective of this thesis was to explore the role of using technology within music therapy sessions for children who have physical disabilities. This research used secondary secondary analysis of clinical data to find the role of technology within mu clinical practice. Data included clinical notes, and my own reflective journal from February to September in 2018. I used thematic analysis to uncover themes from my data.  Five themes were found that indicate that technology can positively contribute to music therapy sessions. In particular, the research has identified that technologies can be used to support cognitive development, communication efforts, emotional reactions, motor skills, and sensory stimulation for children. The research will contribute to current debates around the role of technology in music therapy sessions to further support children with physical disabilities.</p>


2015 ◽  
Vol 15 (1) ◽  
Author(s):  
Joy L. Allen

Music therapy is unique in its ability to address physical issues such as pain along with emotional and spiritual issues faced when living with a chronic illness.  This case study describes in-patient music therapy sessions with Kenneth, a 31-year-old man diagnosed with Burkett’s lymphoma and HIV. A biopsychosocial approach was taken throughout the seven months of recurrent music therapy sessions, focused on pain management, emotional and spiritual healing., and family dynamics.  Phases in the treatment process with Kenneth and his family are described along with personal thoughts and feelings of the therapist.  As working with medical patients is often supportive in nature, boundaries can become fluid.  The inherent parallel process became a powerful tool to facilitate awareness and healing for both client and therapist.


2021 ◽  
Author(s):  
◽  
Colette Jansen

<p>Abstract  This study is submitted in part fulfilment of a Master of Music Therapy degree through Victoria University of Wellington (VUW). Group and individual music therapy sessions were undertaken within a rest home and hospital environment in response to the rest home managers request to bring residents out of isolation and increase socialisation. Facility notes, plans and observations, meeting notes, and reflective and reflexive journaling were written during a six-month period from February to July 2019. This clinical data was then used, with informed consent, to investigate how music therapy was used to foster connections between residents, and between residents and others within the rest home and hospital environment. Findings from Secondary Analysis of the data showed the overarching category of rapport led to the interplay of four main themes: interdisciplinary collaboration and teamwork, therapeutic approaches, physical and musical resources, and environmental conditions. The Community Music Therapy (CoMT) ethos supported the flexible work within the context to achieve the manager’s goals resulting in increased connection between residents, and residents and others. The use of reflexivity enabled the development of richer therapeutic relationships and helped align the researcher’s community musician skills to those of a community music therapist. Further studies which focus on rapport, connection and relationships, in music therapy with older people, are needed.</p>


1988 ◽  
Vol 2 (1) ◽  
pp. 17-23 ◽  
Author(s):  
Anthi Agrotou

This paper is an abbreviated version of a longer study concerning the first fourteen music therapy sessions with a ten-year old girl displaying autistic tendencies. The reason for the girl's referral for music therapy — and the main area of work during the sessions — was to help her in her difficulties in initiating, responding and maintaining an interactional activity wherein she could communicate her needs and desires. The paper discusses how the girl's own spontaneous organisation of sound into bursts and pauses — with a longer general cessation marking her time of non-engagement —facilitated the evolution of an interactional musical relationship with the therapist within which she spontaneously communicated her affective experiences.


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