scholarly journals Abstraction and ineffability in the visual cultural central middle ages and intersubjective apophatic imagination: a first approximation

2021 ◽  
pp. 113-141
Author(s):  
Daniel González Erices
Keyword(s):  
Visual Culture ◽  
Middle Ages ◽  
Eleventh Century ◽  
Religious Images ◽  
Divine Essence ◽  
First Approximation ◽  
The Aesthetic ◽  
Pseudo Dionysius

Abstract and quasi-abstract motifs were widely used in the religious images of the central Middle Ages. In many cases, these were certainly not simple ornamental devices but, on the contrary, they functioned as cognitively challenging semiotic devices affected by complex theological ideas. As this article will suggest, the miniatures discussed here — produced in the Byzantine, Insular, Carolingian, and Ottonian contexts — were created in accordance with apophatic spirituality, using nonfigurative representation to emphasise God’s ineffability. Thus, visual culture from the late seventh to the early eleventh century established an intricate transregional network in which iconic and symbolic contents were communicated rhizomatically. This phenomenon will be described here as the intersubjective apophatic imagination. The aim of this notion is to reflect the influence of important authors, whether closely or distantly associated with the via negativa, such as Pseudo Dionysius Areopagita, Kosmas Indikopleustes, Bede, and Ioannes Scotus Eriugena. Taking these elements into account, the article will argue that the aesthetic and semantic singularities of the images in question would have sought to avoid the presentification of meaning as a way of capturing the incomprehensibility of the divine essence.

Fiona J. Griffiths, Nuns’ Priests’ Tales: Men and Salvation in Medieval Women’s Monastic Life. The Middle Ages Series. Philadelphia, PA: University of Pennsylvania Press, 2018, pp. 360, 29 illus.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 286-288
Author(s):  
Therese Martin
Keyword(s):  
Middle Ages ◽  
Paradigm Shift ◽  
Eleventh Century ◽  
Family Members ◽  
Ninth Century ◽  
Religious Communities ◽  
University Of Pennsylvania ◽  
Medieval Studies ◽  
Monastic Life ◽  
Multiple Levels

The year 2018 saw the publication of two important monographs, each with groundbreaking scholarship on complementary aspects of monasticism; together they offer a clear path forward for Medieval Studies as a whole. While Fiona Griffiths’s Nuns’ Priests’ Tales and Steven Vanderputten’s Dark Age Nunneries approach the essentially interrelated natures of men’s and women’s medieval monasticism from different perspectives, it is by reading them in concert that one becomes aware of the paradigm shift they signal. In a welcome change from a traditional consideration of so-called “double” monasteries as neither fish nor fowl, Griffiths and Vanderputten offer a feast of evidence for the multiple levels of interactions between the genders—including priests and nuns, students and teachers, patrons, family members, and rulers, as well as the conventionally understood mixed religious communities of monks and nuns—at majority female monasteries in Western Christendom from the early through central Middle Ages. Vanderputten starts at the beginning of the ninth century and carries his investigation forward to the mid-eleventh, at which point Griffiths launches her study, moving the matter on from the late eleventh century into the early thirteenth.

The Stigmata in Medieval and Early Modern Europe

2020 ◽  
Author(s):  
Carolyn Muessig
Keyword(s):  
Seventeenth Century ◽  
Middle Ages ◽  
Late Antiquity ◽  
Western Europe ◽  
Eleventh Century ◽  
Seventh Century ◽  
Introductory Overview ◽  
Devotional Practices ◽  
The Face ◽  
Biblical Commentaries

Francis of Assisi’s reported reception of the stigmata on Mount La Verna in 1224 is often considered to be the first account of an individual receiving the five wounds of Christ. The thirteenth-century appearance of this miracle, however, is not as unexpected as it first seems. Interpretations of Galatians 6:17—I bear the stigmata of the Lord Jesus Christ in my body—had been circulating in biblical commentaries since late antiquity. These works explained stigmata as wounds that martyrs received, like the apostle Paul, in their attempt to spread Christianity in the face of resistance. By the seventh century, stigmata were described as marks of Christ that priests received invisibly at their ordination. In the eleventh century, monks and nuns were perceived as bearing the stigmata in so far as they lived a life of renunciation out of love for Christ. By the later Middle Ages holy women like Catherine of Siena (d. 1380) were more frequently described as having stigmata than their male counterparts. With the religious upheavals of the sixteenth century, the way stigmata were defined reflected the diverse perceptions of Christianity held by Catholics and Protestants. This study traces the birth and evolution of religious stigmata as expressed in theological discussions and devotional practices in Western Europe from the early Middle Ages to the early seventeenth century. It also contains an introductory overview of the historiography of religious stigmata beginning in the second half of the seventeenth century to its treatment and assessment in the twenty-first century.

Stages in Diplomatic Production

2020 ◽  
pp. 610-618
Author(s):  
Olivier Guyotjeannin
Keyword(s):  
Middle Ages ◽  
Eleventh Century ◽  
The Church ◽  
The Middle Ages

This chapter examines administrative documents of the Middle Ages and the major scholarly studies of them. It surveys the number of preserved documents and the problems surrounding the lack of documents in different periods and places. The author discusses the role and influence of the Church in the increased production and preservation of documents beginning in the eleventh century, leading to an enormous increase in the production of documents during the last three centuries of the Middle Ages.

Byzantine Religious Law in Medieval Italy

2021 ◽  
Author(s):  
James Morton
Keyword(s):  
Middle Ages ◽  
Canon Law ◽  
Eleventh Century ◽  
Southern Italy ◽  
Historical Study ◽  
Norman Conquest ◽  
Medieval Italy ◽  
Religious Law ◽  
History Of ◽  
Byzantine Church

This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.

scholarly journals Las técnicas constructivas en las murallas medievales de Almería

X ◽  
2020 ◽  
Author(s):  
Pedro Gurriarán Daza
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Eleventh Century ◽  
Tenth Century ◽  
Rammed Earth ◽  
Construction Techniques ◽  
Typical Scheme ◽  
The Creation ◽  
The Middle Ages

Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this work we will analyse the construction techniques used in these military works, which cover a wide period from the beginning of the tenth century until the end of the fifteenth century. Although ashlar stone was used in the Caliphate fortification, in most of these constructions bricklayer techniques were used, more modest but very useful. In this way, the masonry and rammed earth technique were predominant, giving rise to innumerable constructive phases that in recent times are being studied with archaeological methodology, thus to know better their evolution and main characteristics. 

scholarly journals Decoding the Visual Characteristics of Chinese Painting Strokes-A Study on Gao Gu You Si Stroke

2021 ◽  
Vol 236 ◽  
pp. 05093
Author(s):  
Xue Hu ◽  
Eakachat Joneurairatana ◽  
Sone Simatrang
Keyword(s):  
Visual Culture ◽  
Le Corbusier ◽  
Visual Design ◽  
Chinese Painting ◽  
Cultural Characteristics ◽  
Local Characteristics ◽  
Visual Characteristics ◽  
The Aesthetic ◽  
The One ◽  
Aesthetic Characteristics

The architect Le Corbusier once said this theory: Design has local characteristics and universal characteristics. Local characteristics are greatly influenced by culture. The strokes are the one essence of Chinese painting that characteristics of the strokes are unique to Chinese visual culture. Among Chinese painting strokes, Eighteen Strokes are the typical representative of the aesthetics of Chinese visual culture. However, the current research on the cultural characteristics of Eighteen Strokes is insufficient. The objective of this article is taking Xie He’s Six Canons as the theory to decode the content of the aesthetic characteristics of the Gao Gu You Si Stroke (one of the Eighteen Strokes), then to get the visual cultural characteristics of Chinese painting strokes and the fundamental perspective characteristics of the inheritance visual cultural. Based on this, this article will use the Content Analysis Approach to conduct research, by decoding the aesthetic content of the Chinese painting strokes to construct the personality and characteristics required by Chinese visual design.

Muslim Roma in the Balkans

2000 ◽  
Vol 28 (1) ◽  
pp. 93-128 ◽  
Author(s):  
David M. Crowe
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Eleventh Century ◽  
Word Meaning ◽  
Ninth Century ◽  
Byzantine Empire ◽  
Wild Animals ◽  
The Balkans ◽  
The Middle Ages

The Roma entered the Balkans from India during the Middle Ages. They reached Persia sometime in the ninth century and by the eleventh century had moved into the Byzantine Empire. According to the eleventh-century Georgian Life of Saint George the Athonite, the Emperor Constantine Monomachus asked the Adsincani to get rid of wild animals preying on the animals in his royal hunting preserve. Adsincani is the Georgian form of the Greek word Atsínganoi or Atzínganoi, from which the non-English terms for Roma (cigán, cigány, tsiganes, zigeuner) are derived. Adsincani means “ner-do-well fortune tellers” or “ventriloquists and wizards who are inspired satanically and pretend to predict the unknown.” “Gypsy” comes from “Egyptian,” a term often used by early modern chroniclers in the Balkans to refer to the Roma. Because of the stereotypes and prejudice that surround the word “Gypsy,” the Roma prefer a name of their own choosing from their language, Romani. Today, it is preferable to refer to the Gypsies as Rom or “Roma,” a Romani word meaning “man” or “husband.” Byzantine references to “Egyptians” crop up during this period as Byzantine political and territorial fortunes gave way to the region's new power, the Ottomans. There were areas with large Roma populations in Cyprus and Greece which local rulers dubbed “Little Egypt” in the late fourteenth century.

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