scholarly journals Sappho is Worth More Than A Discussion of Her Sexuality

Spectrum ◽  
2021 ◽  
Author(s):  
Julia De Milliano

Previous scholarship has overanalyzed Sappho’s object preference more than her male counterparts. By examining the historiographical analyses of Sappho, as well as the progression of ideas throughout these analyses, we can easily see what past scholars have focused on, Sappho’s sexuality, and the inherent biases they have brought to the table. Sappho is worth more than her sexuality; it is important to study Sappho’s work within her social and cultural context in order to examine how her poetry was received in her own time as well as how her writing may reflect the values of her society. The methodology we use when we approach Sappho must be altered. Rather than debating Sappho’s sexuality based on modern biases, it is important to examine the language used within her poems to understand Sappho in her own context. The goal of this article is not to analyze a different aspect of Sappho. Rather, it aims to review past literary studies to show how there has been a problematic focus on Sappho’s sexuality, and that there is more knowledge to glean regarding antiquity if such focus is set aside.

Author(s):  
Christopher Stroup

This chapter situates Acts of the Apostles historically and examines previous scholarship on Jewish identity and Acts. It argues that Lukan ethnic reasoning—as mediated by the cultural context of Greek cities under Roman rule—sought to create an alternate construal of Jewish and Christian identity. This alternate identity integrated Christian non-Jews into the civic hierarchy. The chapter then surveys the scholarship on Jews and Judaism in Acts and looks at recent developments in interpretation that have emphasized the author's rhetoric rather than “attitude.” It also discusses four texts that highlight the value of ethnic reasoning and, scholar of ancient Christianity, Denise Kimber Buell's discussion of four uses of religious rhetoric in ethnic reasoning. Ultimately, Acts leverages the connection between gods, people, and places in its depiction of Jewish identity. It employs ethnic rhetoric in order to present all Christians as Jews and to privilege Christians as an ideal embodiment of Jewishness for the Roman-era polis.


2020 ◽  
pp. 25-61
Author(s):  
Sam Hole

Chapter 1 examines the intellectual, ecclesial, and wider cultural context underpinning the diverse modern interpretations of John’s thought. Twentieth-century studies of John, for all their methodological variety, have been dominated by three traditions of interpretation that have only grasped partial elements in his teaching, important though these elements are. These traditions have emphasized the importance of ‘affectivity’ in the spiritual life, the meanings of ‘mysticism’ or ‘mystical experience’, and the theological significance of John’s poetic language. Each strand of thought, however, originates from particular early twentieth-century theological and philosophical commitments whose legacy continues to inform present-day reading of John. Recognition of the extent to which previous works have been shaped by disciplinary boundaries that took their shape in the last century enables a renewed appreciation of John’s theology on its own terms. Through this insight aspects of his work that have all too often been split between spirituality, mysticism, literary studies, and theological anthropology—in particular, his creative reworking of the notion of desire—may be better appreciated.


2016 ◽  
Vol 141 (1) ◽  
pp. 61-112
Author(s):  
Martin Čurda

ABSTRACTIt has been claimed that Pavel Haas's string quartet ‘From the Monkey Mountains’ (1925) demonstrates the composer's alignment with the ‘Western’ musical avant-garde of the 1920s. However, Haas's avant-garde affiliations remain largely unexplained, as does the influence of Leoš Janáček, with whom Haas studied. Combining the methods of music analysis, semiotics and discourse analysis, I explain how Haas reconciled Janáčekian compositional technique with the ideas underpinning the contemporary Czechoslovak avant-garde movement known as Poetism. Focusing particularly on notions of the body, the grotesque and carnival, I propose an interpretative framework for and a reading of Haas's quartet ‘From the Monkey Mountains’. In doing so, I also illuminate the aesthetic and cultural context of Haas's music from the 1920s, which has received little attention in previous scholarship.


Arts ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 2
Author(s):  
Diana Rodríguez Pérez

Despite playing no meaningful practical role in the lives of the ancient Greeks, snakes are ubiquitous in their material culture and literary accounts, in particular in narratives which emphasise their role of guardian animals. This paper will mainly utilise vase paintings as a source of information, with literary references for further elucidation, to explain why the snake had such a prominent role and thus clarify its meaning within the cultural context of Archaic and Classical Greece, with a particular focus on Athens. Previous scholarship has tended to focus on dualistic opposites, such as life/death, nature/culture, and creation/destruction. This paper argues instead that ancient Greeks perceived the existence of a special primordial force living within, emanating from, or symbolised by the snake; a force which is not more—and not less—than pure life, with all its paradoxes and complexities. Thus, the snake reveals itself as an excellent medium for accessing Greek ideas about the divine, anthropomorphism, and ancestry, the relationship between humans, nature and the supernatural, and the negotiation of the inevitable dichotomy of old and new.


2020 ◽  
pp. 129-139
Author(s):  
M.A. Dudareva

The paper presents a coherent analysis of the famous poem by Alexander Blok «A Girl Was Singing in a Church Choir...» in an extensive historical and cultural context. Much attention is paid to the poetics of color, the colorative «white», which is characterized by semantic tension and brings the reader into the ontological space of the text. In the poem, the image of the girl is associated with white color and light, which shows that the heroine belongs to the higher, heavenly world and is opposed to «everyone» from the temple, which is in darkness. The play of light and shadow acquires a sacred nature and makes it possible to raise the question of the apophatic tradition, the appearance of «evening light» and «unfading light». The image of the heroine is also viewed from the perspective of the teaching on Sophia by Vladimir Solovyov, whose legacy was addressed by the poet. Blok draws parallels with the Russian folklore tradition, analyzing the last stanza, the image of a crying child. The appeal to folklore is fruitful, since Blok was well acquainted with oral folk art, as evidenced by the fact that he was the author of the article «Poetry of Conspiracies and Spells», written in the same period as the object of the current study, the poem «A Girl Was Singing in a Church Choir...». However, the authors of this paper interpret folklore not narrowly, but include in its field rituals, ceremonies, and pre-genre formations. The work is based on a holistic analysis of the artistic text using structural-typological, comparative, and systematic-comprehensive (culturological) research methods. These methods allow highlighting the ontological dimension in the poem, revising the views on the images of the girl and the child that have established in literary studies, avoiding unambiguousness in interpretation.


2021 ◽  

Within literary studies, the term metaphor has a variety of uses. Most narrowly, the term refers to the symbolic use of a word or phrase, applying a nonliteral meaning to a concrete group or object in order to express an abstract concept. For the purposes of this bibliography, a broader approach is applied, understanding child metaphors to encompass both figurative uses of the term child and related images and the role that child-centered readings can play in shaping the understanding of abstractions such as discipleship and the kingdom of God portrayed in the New Testament. Given this broad starting place, it should come as no surprise that exegetical study of metaphor in general, and of child metaphors in particular, is prolific. Extended studies of the use of metaphor in the Bible date to the middle of the 20th century, as Western literary studies began to influence the practice of exegesis and, in some cases, even before narrative criticism fully took hold. Nevertheless, awareness of the use of metaphor, symbol, and analogy to convey ideas about God and God’s relationship with humanity can be traced back to the earliest allegorical interpretations of Scripture performed by Paul himself. What is unique about more recent scholarship on child metaphors in the New Testament, then, is not attention to these passages as metaphors, but rather increased precision in understanding the use of the child as a metaphorical frame to understand such concepts and attention to the role that real children themselves can offer in terms of understanding child-related metaphors in their cultural contexts. To this end, Halvor Moxnes’s 1997 volume Constructing Early Christian Families: Family as Social Reality and Metaphor (Moxnes 1997, cited under General Overviews) was groundbreaking in its attention to social and cultural trends around family and children in the 1st-century Mediterranean world in order to better understand and interpret metaphors of family and children used by biblical authors embedded in this culture. Over the past thirty years, scholarly attention to the metaphorical frames of children and childhood has expanded as scholars seek to understand these frames within their cultural context and with more specific attention to the real children associated with them. This latter approach has been variously described as child-centered or childist. Child-centered interpretations employ interdisciplinary tools to focus on the socially constructed nature of childhood, while childist interpretations describes an ideological approach that touches upon “assigning voice to the (silent) child, asserting agency and filling in the gaps in a child’s narrative, pointing to the adult-centric nature or interpretation, . . . and, finally, noting the interplay between the value and vulnerability that children experience” (Kristine Henriksen Garroway and John W. Martens, “Introduction: The Study of Children in the Bible: New Questions or a New Method?,” in Children and Methods: Listening To and Learning From Children in the Biblical World, edited by Kristine Henriksen Garroway and John W. Martens [Leiden: Brill, 2020]). Across these approaches, three major modes of interpreting child and childhood metaphors in the New Testament texts have emerged, with attention to the attributes of childhood, family structure, and the spiritual application of child metaphors.


2018 ◽  
Vol 68 (1) ◽  
pp. 55-67
Author(s):  
Ping-cheung Lo

Yang Huilin is famous for his pioneering work in integrating theology with literary studies in China. To fully elucidate the significance of his work, in this article I analyze the early thought of Yang against the cultural context of his time. I submit that there are profound similarities and interesting differences between the American post-secular approach and the Chinese theological approach in literary studies.


2009 ◽  
Vol 50 (1) ◽  
pp. 67-90
Author(s):  
Emily Sahakian

The plays and performances of French Caribbean women, which have mostly been examined in the French language and in the field of French literary studies, require a new theorization of postcolonial theatre. Highly influenced by what I call French universalism, French Caribbean women's theatre moves continuously between evoking Caribbean and gender difference and mobilizing the concept of the human universal. Their work enacts a restorative postcolonial women's agenda that is specific to the cultural context of the French overseas departments of Martinique and Guadeloupe.


2021 ◽  
Vol 3 (26) ◽  
pp. 165-171
Author(s):  
Aleksandr V. Brezgunov ◽  

The aim of the article is to substantiate the presence of implicit forms expressing the author's self-awareness in the works of Francysk Skaryna, the most prominent representative of the 16th century Belarusian culture. The choice of this personality is connected with the fact that the earliest manifestations of the author's self-awareness in Belarusian literature can be found in his works. The analysis is preceded by an introductory section, which provides a brief overview of the extent to which the concept of «the author's self-awareness» has been developed in contemporary literary studies. In the first part of this article we consider the problems through the prism of F. Skaryna's poetic experiments, which were found in the prefaces to his translations of the Bible. Poetry as a specific field of creativity allows us to most accurately reveal the hidden signs of the author's self-awareness. In the second part the author’s self-awareness is regarded through a popular genre of church lyrics – the akathist, namely, its kontakion part. Despite the canonical status of the akathist, due to its poetic and melodic nature, it allowed a certain freedom in organizing the material. The author comes to a number of conclusions. The author of the article made a number of conclusions. First-ly, the implicit manifestations of the author's self-awareness in F. Skaryna's works are dualistic in nature, their adequate interpretation is only possible in combination with extra-textual information of the cultural context. Secondly, in his prefaces F. Skaryna uses the methods of tonic and syllabic verse which not only allows him to focus the reader's atten-tion on the important meanings, but also reveals the author's attitude to spoken accented verse, traditional for common people. Thirdly, in the kontakion verse of acathistus F. Skaryna deals exclusively with the rhythmic experiments.


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