FRAMEWORKS FOR INTERPRETING FRENCH CARIBBEAN WOMEN'S THEATRE: INA CÉSAIRE'S ISLAND MEMORIES AT THE THÉÂTRE DU CAMPAGNOL
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The plays and performances of French Caribbean women, which have mostly been examined in the French language and in the field of French literary studies, require a new theorization of postcolonial theatre. Highly influenced by what I call French universalism, French Caribbean women's theatre moves continuously between evoking Caribbean and gender difference and mobilizing the concept of the human universal. Their work enacts a restorative postcolonial women's agenda that is specific to the cultural context of the French overseas departments of Martinique and Guadeloupe.
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2019 ◽
Vol 10
(1)
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pp. 1121-1132
2019 ◽
Vol 47
(8)
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pp. 1-12
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2019 ◽
Vol 9
(4)
◽
pp. 279-282
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