Music Appreciation Through Animation: Percy Scholes’s ‘AudioGraphic’ Piano Rolls

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Stephanie Probst

From 1925-30, British music educator Percy A. Scholes spearheaded an initiative for music appreciation by means of the player piano. The series “AudioGraphic Music” featured select works from the musical canon on the Aeolian Company’s piano rolls. In addition to their function as sound recordings, Scholes prepared the rolls as visual artefacts with introductory texts, pictures, and analytical commentary. This video article explores the analytical and pedagogical potential of these rolls as tools for music listeners and highlights how they foreshadowed recent innovation in musical animation.

2021 ◽  
Vol 9 (1) ◽  
pp. 75-88
Author(s):  
Alan Munshower ◽  
Greg Johnson

Before online forums and social media groups allowed spaces for blues fans to share their love of the music, newsletters and periodicals created by blues societies and fans provided outlets for blues aficionados to connect with other fans, discographers, musicians and scholars through performance and album reviews, pilgrimage storytelling, descriptions of recent discoveries of rare sound recordings and much more. The University of Mississippi Blues Archive holds a large collection of blues periodicals, covering over 1000 unique titles, from over 25 countries, with a bulk date of 1963 to the present. Historically of interest to researchers of blues performance history, the collection also contains a wealth of insight to blues fandom and communities of music appreciation worldwide. This article explores pathways for examining blues fandom studies through the newsletter collection and highlights unique issues and perspectives found in the collection.


Muzikologija ◽  
2019 ◽  
pp. 221-250
Author(s):  
Biljana Milanovic ◽  
Marija Maglov

Starting with the hypothesis that sound recordings published by the Serbian/ Yugoslav record label PGP-RTB/RTS dominated programmes of the Radio Television Belgrade/Radio Television Serbia during most of the twentieth century (while declining in this century), and that decisions made within the label on which composers? works were going to be (repeatedly) present in its catalogue consequently had significant impact on overall music and media culture in Serbia/Yugoslavia, our goal was to examine how the central composer figure of Serbian music, Stevan Stojanovic Mokranjac, was represented in this catalogue. Research methods were based primarily on analysis of archive material gathered in documentation of the label itself, data on recordings available via online music databases, and recordings themselves, while relying on theoretical notions of canon in music, with the accent on the performing canon.


1995 ◽  
Vol 43 (1) ◽  
pp. 60-83 ◽  
Author(s):  
Jane Southcott

Daniel Batchellor, British music educator, immigrated to America in 1877. A nonconformist minister, he was a capable, enthusiastic proponent of the Tonic Sol-fa system. He knew that opportunities were available in Boston to a determined, energetic teacher of the method. In America, Batchellor worked hard to establish the method in conjunction with dedicated Tonic Sol-faists already active in the Eastern states. Despite considerable activity on the part of its proponents toward the end of the nineteenth century, the system did not become established. Batchellor's career in many ways paralleled the progress of the Tonic Sol-fa method in America. His income was derived from teaching private classes, sessional work for various institutions, and summer schools. The financial rewards of such work would have fluctuated with the status of his somewhat specialized method. By the end of his life, Batchellor, like the Tonic Sol-fa system, had sunk into obscurity. As a representative of an important method and its progress in America, Batchellor deserves our attention.


2017 ◽  
Vol 39 (3) ◽  
pp. 296-302
Author(s):  
Dao Nhan Loi ◽  
Vu Dinh Thong

The internationally renowned Muong Phang Cultural and Historical Site is located in the Dien Bien Phu region, northwestern Vietnam, and has received special attention from the public because of its great biodiversity. This site has a large forest area and other habitats including lakes, streams, rivers and paddyfield. These habitats would be ideal homes for bats and other biological taxa. However, in general, the wildlife of the Muong Phang Cultural and Historical Site receives little attention from scientists and authorities. Between 2014 and 2016, we conducted  series of surveys for bats in Muong Phang. Bat capture and sound recordings were the main procedure to obtain materials and data necessary for the assessment of diversity and conservation status. The results of the surveys this time revealed that there are 19 species of bats belonging to 7 genera, 5 families in the study area. Of these, a Myotis sp. is different from all the previously recorded Myotis bats from Vietnam, and, a Rhinolophus sp. is different from every described species of the family Rhinolophidae. This paper provides the first records of bats from Muong Phang with remarks on their taxonomy and conservation status.   Citation: Dao Nhan Loi, Vu Dinh Thong, 2017. First records of bats (Mammalia: Chiroptera) from Muong Phang cultural and historical site, Dien Bien province, Northwestern Vietnam. Tap chi Sinh hoc, 39(3): 296-302. DOI: 10.15625/0866-7160/v39n3.10641. *Corresponding author: [email protected]. Received 29 August 2017, accepted 10 September 2017 


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