Legal measures on vaccination against smallpox in the principality of Serbia in the 1830s–1840s

The paper addresses the legal measures regarding vaccination against smallpox in the Principality of Serbia in the 1830s–1840s. The main focus is on two normative acts – Rules for the inoculation of pox of 1839 and a Supplement to these Rules of 1842. Relying on archive material, the paper strives to show both the normative content of these acts (including a comparison with the Austrian regulations of 1836), as well as the circumstances in which they were passed and their application in practice. Particular attention is paid to the main obstacles to effective vaccination – distrust and fear of the procedure among the general population and insufficient available medical staff – and steps that were taken to overcome these difficulties.

Third Report on the Publication and Conservation of the Tomb of Ramesses III in the Valley of the Kings (KV 11)

Since antiquity, the tomb of Ramesses III (KV 11) has been among the most frequently visited royal tombs in the Valley of the Kings. It was also one of the first to be described and documented in detail by European travellers in the eighteenth to nineteenth centuries. As large parts of the wall decoration of the tomb, especially in its rear, are now destroyed, the drawings, notes and squeezes of those early researchers who saw the site in its former splendour offer an invaluable resource for the reconstruction of the tomb’s unique decoration programme. The collection, revision, and publication of all relevant archive material concerning KV 11 is an important goal of The Ramesses III (KV 11) Publication and Conservation Project. The following article reports on first and preliminary results from the authors’ research in the archives of the British Library and the Victoria and Albert Museum in London, as well as the Bodleian Libraries and the Griffith Institute in Oxford, carried out in September 2019 and made possible through the Centenary Award 2019 of the Egypt Exploration Society.

Zu Zuckers Erwerbung des Verwaltungsarchivs von Theadelphia

This article reconstructs the acquisition of the first lot of the administrative archive of Theadelpheia in the Berlin papyrus collection. The archive material also enables the attribution of further inventory numbers to this purchase.

Blue Pencil

This article aims at analyzing and discussing the proposed objectives and outcomes of a transmedia project that was run in partnership with CICANT/Universidade Lusófona, in Lisbon, Portugal, and the Portuguese media group Impresa, as part of a European Commission-funded project named CIAKL-Cinema and Industry Alliance for Knowledge and Learning. The Blue Pencil project had as its main objective the development of a transmedia narrative that grouped different platforms and technologies, which included intersections inside the narrative within the genres of entertainment and education. Taking as its central theme the censorship in Portugal during the Estado Novo, the narrative extends into a short fiction film, a documentary, a site with archive material, an online game that challenges writing on freedom of the press, an online store, and a school program, in partnership with the network of school libraries, to launch the debate of censorship in schools.

The Collected Works of Charlotte Evans 1841-1882 Introduction and Biography

<p>This thesis provides an introductory view of the life and works of early New Zealand romantic novelist Charlotte Evans 1841-1882. The work is comprised of three separate sections, including two introductions, a biographical essay and footnoting and markup for digitisation. Evans wrote short stories in addition to novels and poetry. I have attempted to create here a useful and informative overview of her two published novels Over the Hills and Far Away: A Story of New Zealand and A Strange Friendship: A Story of New Zealand - each of which were published in 1874. In the biographical essay I include a discussion of Evans’ general works, in particular the collection of poetry published by her husband Eyre Evans in 1917 entitled Poetic Gems of Sacred Thought. An important feature of the thesis has been to establish how Evans’ range of literary output may be cited and contextualised within New Zealand’s literary heritage in more detail than has previously been available. A significant aspect of the research has, in addition, involved examining the social and historical influences surrounding the author, both prior to and at the time of writing. In that respect the discussion has drawn upon available materials, such as book reviews and items published in newspapers. An appendix has been compiled of selected published poetry and articles from the North Otago Times of relevance to the foregoing text discussion. Contemporary photographs of Evans and map material of the ‘Teaneraki’ district are also included. It is hoped that situating the research evidence to specifically New Zealand contexts may provide a basis for positing Evans’ works more fully as New Zealand texts in their overall relation to pioneer period fiction. An important feature of the project has therefore meant developing a foundation of historical work concerning the author, much of which has been sourced from the National Alexander Turnbull Library and recently published family history that draws upon archive material related to the Evans and Lees families. Due reference to a range of recent critical texts has also, it is further hoped, enabled a more in-depth and detailed response to Evans’ contribution to the developing field of New Zealand literature and more specifically, Victorian Studies.</p>

The Collected Works of Charlotte Evans 1841-1882 Introduction and Biography

<p>This thesis provides an introductory view of the life and works of early New Zealand romantic novelist Charlotte Evans 1841-1882. The work is comprised of three separate sections, including two introductions, a biographical essay and footnoting and markup for digitisation. Evans wrote short stories in addition to novels and poetry. I have attempted to create here a useful and informative overview of her two published novels Over the Hills and Far Away: A Story of New Zealand and A Strange Friendship: A Story of New Zealand - each of which were published in 1874. In the biographical essay I include a discussion of Evans’ general works, in particular the collection of poetry published by her husband Eyre Evans in 1917 entitled Poetic Gems of Sacred Thought. An important feature of the thesis has been to establish how Evans’ range of literary output may be cited and contextualised within New Zealand’s literary heritage in more detail than has previously been available. A significant aspect of the research has, in addition, involved examining the social and historical influences surrounding the author, both prior to and at the time of writing. In that respect the discussion has drawn upon available materials, such as book reviews and items published in newspapers. An appendix has been compiled of selected published poetry and articles from the North Otago Times of relevance to the foregoing text discussion. Contemporary photographs of Evans and map material of the ‘Teaneraki’ district are also included. It is hoped that situating the research evidence to specifically New Zealand contexts may provide a basis for positing Evans’ works more fully as New Zealand texts in their overall relation to pioneer period fiction. An important feature of the project has therefore meant developing a foundation of historical work concerning the author, much of which has been sourced from the National Alexander Turnbull Library and recently published family history that draws upon archive material related to the Evans and Lees families. Due reference to a range of recent critical texts has also, it is further hoped, enabled a more in-depth and detailed response to Evans’ contribution to the developing field of New Zealand literature and more specifically, Victorian Studies.</p>

Boltanski’s dilemma: Mimetics, distance and spectating suffering

Working from the Crucifixion episode or pageant from the York Corpus Christi Play, two questions were asked of the spectator: <list list-type="simple"> <list-item><label>1.</label>How do they look at such a theatre (scene) from their own time and culture and experiences?</list-item> <list-item><label>2.</label>How do we look at such a theatre (scene) from our own time and culture and experiences?</list-item></list>A third question may now be asked by following what we may call ‘Boltanski’s dilemma’: what sort of pity can we really feel for an imaginary scene on the stage? This article will revisit the earlier piece (2010) as archive material to develop key themes now encapsulated by Boltanski’s question and challenge. The article will draw on current neuro-cognitive research that challenges and re-grounds our understanding of empathy and projection of self in the embodied mind. This informs the spectatorial experience, the spectator’s ability to see and accept the ‘double reality’ of the theatre and other visual (mimetic) experience, and the issues of ‘moral distance’ represented by Boltanski, Bandura and others. Boltanski’s dilemma confronts us as knowing spectators with the inherent ethical paradox of any and all representations of suffering in any given cultural and social context. The article will draw on case studies from theatre(s), film and art to illustrate and exemplify the position of the spectator: in the spirit of ethos, a series of musings, of questions and signposts as well as arguments.

NEUSPEH ŽENEVSKIH PREGOVORA O PREKIDU RATA U BOSNI I HERCEGOVINI JANUARA 1993.

The International Conference on the Former Yugoslavia was created in London in August of 1992 as an instrument for the negotiations conducted by the United Nations and the European Community, represented by Cyrus Vance and Lord David Owen. Until the end of the year, they developed a detailed proposal to settle the Bosnian conflict, known as the Vance-Owen Peace Plan (VOPP). The VOPP was presented to the leaders of the warring factions in Geneva during the first session of talks in January of 1993. On the basis of archive material, judicial records, published documents, and memoirs of the participants, this article aims to reconstruct the dramatic negotiation process, which consisted of several rounds. An analysis of the declared Bosnian, Serbian, and Croatian positions during the negotiations, as well as the interactions among the delegations and relations within them, reveals that all the parties were had been deeply engaged in double dealing. The Croatian side was seemingly ready to sign the VOPP but was undermining it by launching a conflict in the field at the same time. The Serbian side was escalating as well, the Bosnian Serb leaders were not ready to accept the plan, despite the suggestions they had received from Belgrade. Sarajevo was procrastinating, hoping for a direct US involvement in the crisis following the inauguration of the new Clinton Administration. That administration did undermine the plan, which damaged the credibility of the international negotiators. In such circumstances, the plan had slim chances of succeeding. Although a ceasefire would have shortened the Bosnian war by almost three years and cut human losses by at least half, the main negotiators found a compromise solution to be unacceptable. As they defined and propagated maximalist goals, acceptance of a compromise was both damaging their grip on power and defying their worldview.

Organising terminology work in Sweden from the 1940s onwards

The present study deals with organised terminology work in Sweden from the 1940s to the late 2010s. Using archive material, we describe how practical terminology work was carried out in Sweden during the period 1941–2018/2019, when the Swedish Centre for Technical Terminology/the Swedish Centre for Terminology (TNC) was the central actor. Thereafter, we discuss models for building a new infrastructure for terminology work after the closure of the TNC in 2018/2019. This discussion is based on interviews and analyses of articles and current reports. The study shows that multifaceted contacts with experts, academia, industry and society have played an essential role for terminology work in Sweden since the 1930s. In the current situation (2019), the activities are being reorganised and responsibility for terminology work is distributed between several actors. A new main actor is the government agency known as the Institute of Language and Folklore (Isof). Finally, we discuss future visions for terminology work in Sweden.

From a National University to a National Higher Education System

The article analyses the conceptualisations and gradual transformation of higher education in Slovenia from the 1980s to the early 1990s, i.e., during the period of profound social and political changes leading to the proclamation of the independent Republic of Slovenia in 1991. The broad public debate on the future of education in general was an important part of the awakening of civil society in the 1980s. In the specific field of higher education, intensive discussions led to the demand for a new and comprehensive development strategy. Given the profound transformation of higher education that took place during this period, this subject has been unjustifiably poorly researched. The article therefore tries to contribute to partially filling the gap, and at the same time to stimulating further research. Based on the study of archive material, the present analysis concludes that the most important innovation of this period can be defined as a gradual conceptual and then normative shift from a national university to a national higher education system.