Who, what, to whom and on what language speaks? Polish-Ukrainian borderland in the 1940s: from the history of a family

Author(s):  
Anna R. Lagno ◽  

Polish-Ukrainian borderland is commonly associated with Austrian Eastern Galicia. The river San marked the western border, and the river Zbruch marked the eastern one. It was multiethnic and multicultural land. At the beginning of the twentieth century Eastern Galicia acquired an exceptional symbolic meaning, becoming the place of collision of two state projects - Polish and Ukrainian. The complex relationship between Ukrainians and Poles was escalated by the Second World War. The problem of national minorities was to be solved by resettlement, that took place from 1944 to 1946. So during and after World War II, this region lost their traditional multiethnic character. Poles, Jews, and smaller numbers of Germans were replaced by Ukrainians from those territories that became part of the new Polish state. From this period Eastern Galicia became the part of the Ukrainian Soviet Republic. This article centers on the question of what were the essential features that delimit the identity of Poles and Ukrainians in the mid-1940s? For answering on this question, I have chosen unpublished memoires of a man who was born in 1913 in Austrian Galicia, lived in Lviv voivodeship of the Second Polish Republic and died in Soviet Ukraine; I also use oral conversations with his children. Methodologically this paper is based on the work of Frederick Barth and Iver Neumann, who concluded that the most effective way of studying identity is to investigate the significant markers of identity that delimit the culture of this group from the culture of the «Other». Thus, it has been noted by many authors, identity is a very complex subject, that is difficult to study. The historical sources used in this article, shows that identity of the Polish-Ukrainian borderland population is ambivalent, blurred. The most significant marker of ethnic identity - language - does not «work» for the population of the Polish-Ukrainian borderland due to the widespread bilingualism. Difficulties arise with another markers - differences in denomination affiliation and the territory.

2020 ◽  
Vol 4 (3) ◽  
pp. 243-249
Author(s):  
Mahmud Zaynievich Orziev ◽  
◽  
Ahmadjon Asror ogli Ahmadov

This article highlights the activities of foreign spies and Turkestan immigrants in Afghanistan during World War II by analyzing historical sources and literature. Also, the National Organization of Bukhara and Bukhara residents in the territory of Afghanistan and the issues of its activities and fate were analyzed on the basis of primary sources. In addition, the causes and factors of the defeat of the German and Japanese espionage in Afghanistan have been covered


2021 ◽  
Author(s):  
Ku Daeyeol

This important new study by one of Korea’s leading historians focuses on the international relations of colonial Korea – from the Japanese rule of the peninsula and its foreign relations (1905–1945) to the ultimate liberation of the country at the end of the Second World War. In addition, it fills a significant gap – the ‘blank space’ – in Korean diplomatic history. Furthermore, it highlights several other fundamental aspects in the history of modern Korea, such as the historical perception of the policy-making process and the attitudes of both China and Britain which influenced US policy regarding Korea at the end of World War II.


2004 ◽  
Vol 11 (2) ◽  
pp. 41-57
Author(s):  
Patricia Clarke

There have been several anecdotal accounts of the literary scene in Brisbane during World War II and numerous references in more general works. In 2000,Queensland Reviewpublished some reminiscences of writers Estelle Runcie Pinney, Don Munro, Val Vallis and David Rowbotham, under the title ‘Writing in Brisbane during the Second World War’. Some of the more important general works include Judith Wright's ‘Brisbane in Wartime’, Lynne Strahan's history ofMeanjinand Judith Armstrong's biographical work on the Christesens,The Christesen Romance. My interest in this subject arose from editing Judith Wright's autobiography,Half a Lifetime, published in 1999, and recently in editing, with her daughter, letters between Judith Wright and Jack McKinney which were mainly written in Brisbane in the later years of the war and the immediate postwar period. Initially my purpose was to gather information to elucidate people or events mentioned in these writings, but my interest widened to embrace more general information about the period. My research led me to the conclusion thatMeanjinand its editor Clem Christesen were catalysts for many of the literary activities in Brisbane during World War II, not just among resident Australians, but among troops temporarily stationed in Brisbane — particularly Americans, whom Christesen cultivated and published. This article records a few glimpses of literary life in Brisbane, and incidentally in the rest of the country, during a period described by Patrick Buckridge as never having been researched ‘in enough detail’.


2014 ◽  
Vol 32 (1) ◽  
pp. 74-93
Author(s):  
Alexander Badenoch

Until recently, broadcasting in Europe has been seen by historians and broadcasters alike as intricately related to national territory. Starting immediately after the Second World War, when West German national territory was still uncertain, this article explores how the broadcasting space of the Federal Republic (FRG) shaped and was shaped by material, institutional, and discursive developments in European broadcasting spaces from the end of World War II until the early 1960s. In particular, it examines the border regimes defined by overlapping zones of circulation via broadcasting, including radio hardware, signals and cultural products such as music. It examines these spaces in part from the view of the European Broadcasting Union (EBU), the federation of (then) Western public service broadcasters in Europe. By reconstructing the history of broadcasting in the Federal Republic within the frame of attempts to regulate European broadcasting spaces, it aims to show how territorial spaces were transgressed, transformed, or reinforced by the emerging global conflict.


1994 ◽  
Vol 20 (1) ◽  
pp. 97-106 ◽  
Author(s):  
Alex Danchev

Historical analogiesOn 2 August 1990, much to everyone's surprise, Hitler invaded Kuwait. The ensuing conflict was mired in history—as Francis Fukuyama might say—or at least in historical analogy. The ruling analogy was with the Second World War; more exactly, with the origins and nature of that war. George Bush's constant reference during the Second Gulf War was Martin Gilbert's Second World War, a monumental construction well described as ‘a bleak, desolate evocation of the horrors of war, a modern Waste Land, an unremitting catalogue of killing, atrocity and exiguous survival’. The paperback edition of this exacting volume weighs three pounds. The text runs to 747 pages. Understandably, the President stashed his copy on board Air Force One. ‘I'm reading a book’, he informed an audience in Burlington, Vermont, in October 1990, ‘and it's a book of history, a great, big, thick history of World War II, and there's a parallel between what Hitler did to Poland and what Saddam Hussein has done to Kuwait’. As Paul Fussell has reminded us, the wartime refrain was Remember Pearl Harbor. “ ‘No one ever shouted or sang Remember Poland’? Not until 1990, that is. Of course, Bush himself had served in that war, as he was not slow to remind the electorate: he flew fifty-eight missions as a pilot in the Pacific. For those who wondered what he knew of Poland, Gilbert's book—at once a chronicle of remembrance and an indictment—told him this:


2015 ◽  
Vol 25 (44) ◽  
pp. 312-342
Author(s):  
Luiz Eduardo Panisset Travassos ◽  
Pablo Cristiano Alves Coelho ◽  
Bruno Durão Rodrigues ◽  
Larissa Duarte Araújo Pereira

O trabalho apresenta uma reflexão sobre a atual exploração turística do carste do norte da França, em locais remanescentes e pontos estratégicos utilizados no Teatro de Operações durante o desembarque Aliado nas praias da Baixa Normandia na Segunda Guerra Mundial. Por meio de fundamentação teórica e pesquisa de campo foi possível observar a paisagem cárstica e ponderar sobre o uso dos marcos históricos, cemitérios, museus e modificações na paisagem como suporte ao Turismo Histórico-Cultural. Observa-se que o cenário em questão visa promoção e valorização da história, bem como propõe o resgate da memória através do desenvolvimento turístico regional.Palavras-chave: Carste; Turismo; Baixa Normadia; Segunda Guerra Mundial; Dia D Abstract This work presents a discussion on the current tourist use of the karst from northern France in remaining places and strategic points used in the theater of operations during the Allied landings on the beaches of Lower Normandy in World War II. By means of theoretical basis and fieldwork it was possible to observe the karst landscape and consider its use as historic landmarks, cemeteries, museums and changes in the landscape as support for the historical and cultural tourism. One observes that the scenario is used as a way of enforcing and preserving history as well as proposes the rescue of memory through the development of regional tourism.Keywords: Karst; Tourism; Lower Normandy; Second World War; D-Day.


Author(s):  
Konstantin G. Malikhin ◽  
Oleg V. Schekatunov

The article is devoted to the assessment of the results of the Bolshevik modernization of Russia in the 20-30s of the 20th century in its military-technological, personnel and political aspects on the example of the struggle of Soviet Russia with Nazi Germany in the first years of World War II and the Great Patriotic War. The relevance of the topic is due to the contradictions in the assessments of the Bolshevik transformations of the 20-30s. In historiography and in the public mind, disputes about the role of these transformations for victory in the Second World War and WWII are not abating. This is especially true of the first years of the Second World War, which led the USSR to disaster. This problem was analyzed by an outstanding theoretician, leader of the Socialist-Revolutionaries and a figure of the Russian intellectual emigration V.M. Chernov. As historical sources, the article considers a number of such interesting documents as the letter of V.M. Chernov to I. V. Stalin in 1942 and issues of the emigre magazine “For Freedom!ˮ published in the USA. Using these sources as an example, the position of V.M. Chernov on the successes and failures of the Bolshevik reform of Russia and the related victories and defeats of the Red Army in the early years of the War. It is proved that the failures of the USSR in the first years of the War were the result of a number of political and personnel problems, some of which were caused by the accelerated "assault" nature of the Bolshevik modernization of the 1920s and 1930s.


2021 ◽  
Vol 4 (8) ◽  
pp. 27-38
Author(s):  
Dilshod P. Komolov ◽  

This article describes the history of the judicial system of the Uzbek SSR in 1939-1945 on the basis of a comparative analysis of a large number of historical sources and legal documents. According to the Stalinist Constitution and the law on the judicial system adopted in 1938, changes in the judicial system of the Uzbek SSR, the national composition of judges, staff turnover and the factors that led to this were discussed. The article also describes the mobilization of judges from Uzbekistan to the front after the invasion of the Soviet Union by fascist Germany, increasing the competence of military tribunals, types of criminal and civil cases considered by courts of general jurisdiction, activities carried out in the field of training lawyers


Popular Music ◽  
2006 ◽  
Vol 25 (3) ◽  
pp. 347-368 ◽  
Author(s):  
CHRISTINA BAADE

This paper offers a case history of the BBC's ambivalent engagement with dance music during the Second World War. It examines what ‘dance music’ meant to the BBC, musicians, and the public, and how they contested and performed those meanings in the context of new social dance practices and the growing popularity of what became known as ‘swing’ in Britain. Although broadcasting in effect disembodied music closely associated with the physical, the BBC was a primary way for people to access dance music which supported their bodily acts of leisure and regimentation. The BBC's study and regulation of dance music centred around two goals: pleasing important groups in national service and broadcasting morale-boosting music. The problem of whether these goals were congruent lay at the heart of the issue, for the youth active in national service emerged as the primary audience for the two genres – ‘swing’ and ‘sentimentality’ – about which the BBC felt most dubious.


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