scholarly journals A History of the Studies on Removal Times of Shored Formwork in Multistory Building Construction

1987 ◽  
Vol 25 (9) ◽  
pp. 14-27 ◽  
Author(s):  
Motoki Kondoh
2020 ◽  
Vol 9 (1) ◽  
pp. 41-47
Author(s):  
Febry Ramadan Saifudin ◽  
Ira Mentayani

Banjar Architecture Gallery is one of the solutions to increase the interest of the people of Banjarmasin city for the benefit of developing their own city. The essence needed about building construction can be a creative and educative socialization agent to make visitors understand Banjarmasin city architecture. In the end, the Architectural Gallery Design can be realized as a single mass building by presenting a Banjar house holographic collection presented from the house, the history of the house's hierarchy, and the initial process of making a house. On the 1st floor tells the history and process of making banjarise house. The second floor is where we proceed with hologram technology.


2012 ◽  
Vol 19 (1) ◽  
pp. 50-74
Author(s):  
Donald Watson

Some years ago, when South-East Queensland was threatened with being overrun with Tuscan villas, the Brisbane architect John Simpson proposed that revenge should be taken on Italy by exporting timber and tin shacks in large numbers to Tuscany. The Queenslanders would be going home – albeit as colonial cousins – taking with them their experience of the sub-tropics. Without their verandahs but with their pediments intact, the form and planning, fenestration and detailing can be interpreted as Palladian, translated into timber, the material originally available in abundance for building construction. ‘High-set’, the local term for South-East Queensland's raised houses, denotes a feature that is very much the traditional Italian piano nobile [‘noble floor’]: the principal living areas on a first floor with a rusticated façade of battens infilling between stumps and shaped on the principal elevation as a superfluous arcade to a non-existent basement storey. Queensland houses were very Italianate.


2022 ◽  
Author(s):  
Hüseyin Emre Ilgın ◽  
Markku Karjalainen ◽  
Olli-Paavo Koponen

Adhesives and metal fasteners have an important place in the content of engineered wood products (EWPs). However, adhesives may cause toxic gas emissions due to their petroleum-based nature, while metal fasteners may adversely affect the reusability of these products. These issues also raise important questions about the sustainability and environmental friendliness of EWPs. Thus, there is still room for a solution that is solid and completely pure wood, adhesive- and metal-connectors-free dovetail wood board elements (DWBEs). There are many studies on the technological, ecological, and economic aspects of these products in the literature, but no studies have been conducted to assess the technical performance of DWBEs. This chapter focuses on DWBEs by proposing various geometric configurations for horizontal structural members in multistory building construction through architectural modeling programs. In this architectural design phase, which is one of the first but most important stages, the proposed configurations are based on a theoretical approach, considering contemporary construction practices rather than structural analysis or mechanical simulation. Further research, including technical performance tests, will be undertaken after this critical phase. It is believed that this chapter will contribute to the dissemination of DWBEs for innovative architectural and structural applications, especially in multistory wooden structures construction.


1990 ◽  
Vol 49 (1) ◽  
pp. 90-95 ◽  
Author(s):  
Sally A. Kitt Chappell

Conventional opinion has held that the Equitable Building (1912-1915) at 120 South Broadway in New York was the embodiment of all that was wrong with skyscrapers, and that it was thus a major cause of the 1916 zoning ordinance which restricted the height, size, and arrangement of buildings in the city. A closer look at the evidence reveals that a blueprint for the zoning regulation was complete in 1913 when the Equitable had just been begun. In the clash of conflicting ideologies surrounding the zoning movement, the Equitable was more a convenient symbol, a handy scapegoat in the heat of contemporary rhetoric, than a principal cause of the new ordinance. The earlier misjudgment has obscured the building's place in two other areas in the history of architecture: elevator engineering, and the adaptation of management techniques to building construction.


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