The Legacies of Memory: The Third Reich in Unified Germany

2003 ◽  
Vol 21 (3) ◽  
pp. 89-100
Author(s):  
Mark A. Wolfgram

Bill Niven, Facing the Nazi Past: United Germany and the Legacy of the Third Reich (London: Routledge, 2002)Siobhan Kattago, Ambiguous Memory: The Nazi Past and German National Identity (Praeger: Westport, Conn., 2001)

Author(s):  
Kate Elswit

Exile has received relatively little attention in dance studies, although forced migration in the mid-twentieth century reconfigured artistic and intellectual landscapes on multiple continents. This chapter turns to German dance during and after the Third Reich, while drawing on theoretical and historical treatments of exile developed in other disciplines, as well as constructions of national identity. Such perspectives on displacement suggest that it is not the place of exiled artists, which needs to be reassessed within national dance histories; rather, these artists offer an opportunity to assess the contours of the historical narrations themselves and, with them, other forms of belonging. The case studies of Valeska Gert and Kurt Jooss highlight the micropolitics of exile’s transnational exchange. These intricate, personalized crosscurrents were catalyzed by survival strategies that registered in the work itself and left traces in history, which can only be seen by engaging with multiple forms of otherness.


1999 ◽  
Vol 8 (2) ◽  
pp. 249-273 ◽  
Author(s):  
GAVRIEL D. ROSENFELD

This article attempts to explain the heated controversy sparked by Daniel Goldhagen's bestselling book Hitler's Willing Executioners, by comparing it with its most obvious precedent: the international furor in 1960–62 over William Shirer's The Rise and Fall of the Third Reich. Through such a comparison, the Goldhagen controversy emerges as a relatively shallow event, largely driven by the book's own weaknesses and by media hype, that provides little of value for a deeper historical understanding of the Holocaust. At the same time, however, Goldhagen's surprising popularity in Germany does, in fact, signal a possible shift in the Germans' long postwar struggle to ‘come to terms' with the Nazi past.


2002 ◽  
Vol 66 (4) ◽  
pp. 1271
Author(s):  
D. R. Dorondo ◽  
Bill Niven

2018 ◽  
pp. 96-121
Author(s):  
A. Kudryachenko

The article analyzes the processes of postwar development of Germany from the point of view of implementing measures to denazify and disqualify persons who have tarnished themselves under theHitler regime, the specifics of the formation and stages of the formation of the policy of “overcoming the past” in the national memory of postwar Germany. The author, singling out four different stagesand depths of understanding, clarifies the problems of the formation and development of this policy from posing the “problem of guilt”, the differentiation of its types with respect to the common andexcellent policies of the two German states, the role of the international political context and the reconstruction of the historical truth regarding the Third Reich and conditions for the formation ofculture of memory in modern Germany. The strengths and weaknesses of West Germany’s ambivalent policy with regard to its identity are analyzed through clear disassociation from the Nazi past and, on the other hand, the broad integration of former Nazis into new public institutions as an option to win democracy in Germany despite the post-war moods of most of its citizens. The immediate significance of the succession of generations in the political arena, the public study of the Nazi past and the establishment of a new political culture in public discourse are underlined. Its main elements were the memory and responsibility of generations for the Holocaust and the strengthening of the national identity of the Germans through “constitutional patriotism”. In the united Germany, the comprehension of the totalitarian past, which took place quite intensively and resulted not only in public discussions, but also contributed to the memorialization and commemoration of historical memory, the reparation to victims of Nazism and forced workers of the Third Reich from different countries and the restoration of justice to all those affected by the so-called policy “Arization” and measures to return property and cultural values to their heirs, is fairly effective. The policy of “overcoming the past” contributed to the achievement of a public consensus of the national memory of the modern FRG regarding the recognition of the crimes of the Nazi period and the making of lessons from the past. As in any other Western society, in Germany the attitude towards the Holocaust is the cornerstone of the memory of the Second World War and the symbol of the crimes of Nazism, as well as the central historical event of the XX century.


Author(s):  
Natal'ya V. Rostislavleva ◽  

The article examines the perception of biographies and heritage of the brothers Wilhelm and Alexander von Humboldt in National Socialist Germany. In the historical memory of modern Germany, their images have become one of the bases of German national identity, and the Humboldt-Forum – a platform for the connection of science and culture. In collective memory of the Third Reich, the brothers held unequal positions. The 100th anniversary of the death of W. von Humboldt caused a surge of interest in him, but his image was reformatted and inscribed in the racial parameters of Nazism: his interest in the issues of the German nation was emphasized, his commitment to liberal ideas was explained by criticism of absolutism, attempts were made to attract his image to Nazi anti-Semitic paradigm. However, there were some researchers of his heritage who retained scientific objectivity. Alexander von Humboldt was paid much less attention: the ideologists of the Third Reich hated his cosmopolitanism. But as he was the brother of W. von Humboldt and a world-famous scientist, it was impossible to forget about his merits. The collective memory kept an image of a traveler naturalist whose greatness the Third Reich did not deny. Commemoration is closely associated to the identity formation. For the construction of national identity in National Socialist Germany their images were practically not required.


2000 ◽  
Vol 43 (2) ◽  
pp. 543-564
Author(s):  
ULRICH SCHLIE

This review summarises the current state of knowledge and present trends in German historiography on the Third Reich. In Germany, assessment of the Nazi past has moved first from silence, and then from an emotionally charged engagement, to the more critical analyses of today. There has been a closer examination of the involvement of particular professional groups during the Nazi era, such as historians and lawyers. The ideological background of Hitler and the Nazi elite are being examined closely. Particular interest has also been shown in the ordinary aspects of living and coping in Hitler's Germany, the daily struggle and the moral dilemmas. An enormous interest in the German opposition against Hitler continues. In unified Germany, the memory of the struggle of the German resistance is kept alive in public consciousness as a positive line of continuity.


2017 ◽  
Vol 14 (1) ◽  
pp. 49-63 ◽  
Author(s):  
MARTHA SPRIGGE

ABSTRACTSonic traces of the Third Reich have held significant memorial power in post-war Germany. This article traces three works that sample one of the most well-known recordings from the Nazi period: Joseph Goebbels's declaration of Total War, delivered on 18 February 1943, and broadcast on newsreel and radio the following week. In both message and material, this recording epitomizes Friedrich Kittler's claim that tape is a military technology. The works examined span different memory debates in post-war Germany: Bernd Alois Zimmermann realized Requiem für einen jungen Dichter (1967–9) as West Germans were engaging in the first public discussions of the Holocaust, Georg Katzer's Mein 1989 (1990) is an East German composer's early response to the fall of the Berlin Wall, while Marcel Beyer's novel Flughunde (The Karnau Tapes, 1995) reveals the continued attempt to address the legacy of the Third Reich after German Reunification. Analysed together, these works create new configurations of discourse about wartime memory, moving away from geopolitical contours. Each of these artists transforms tape's wartime uses – namely dissemination and encryption – into forms of memorial labour. Through their physical and conceptual manipulations of tape, these artists create less deterministic readings of the Nazi past.


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