The Ambiguity of Subversion

Theoria ◽  
2020 ◽  
Vol 67 (165) ◽  
pp. 65-91
Author(s):  
Gisli Vogler
Keyword(s):  
Twentieth Century ◽  
South African ◽  
The South ◽  
Radio Broadcasting ◽  
Everyday Resistance ◽  
Apartheid Regime ◽  
Directing Attention ◽  
Specific Radio ◽  
Important Site

This article explores subversion as a practice of resistance and draws on the example of subversive radio for illustration. Radio became an important site of power struggles in the twentieth century, often placed in the service of both resistance and oppression. An examination of subversive acts in radio broadcasting, I argue, helps shift the focus away from the myths of heroic resistance, directing attention to the uncertainties encountered by the subversive actor. To make this argument, I build on Frantz Fanon’s influential work on the resistant potential of radio and engage with literature on subversion and everyday resistance. The article illustrates the ambiguity of subversion on the case study of Radio Bantu, a broadcaster of ethnic-specific radio programmes established by the South African apartheid regime.

Opera and the South African Political

2019 ◽  
pp. 289-311
Author(s):  
Christopher Ballantine
Keyword(s):  
South Africa ◽  
South African ◽  
Singing Voice ◽  
The South ◽  
Sociopolitical Context ◽  
Creating Meaning ◽  
Empirical Means

Christopher Ballantine’s focus is on timbre, in particular the timbre of the singing voice, and how this combines with the imagination to create meaning. His investigation is largely philosophical; but the growth in popularity of opera in post-apartheid South Africa provides empirical means for Ballantine to indicate this powerful but analytically neglected way of creating meaning in the performance of music. His case study shows how timbre can produce musical experiences that have a particular, and often surprising, resonance. Through interviews with leading figures in South African opera, Ballantine demonstrates that timbre is a vital wellspring of imagined meaning; it should especially be seen thus if we seek to understand the singing voice in a sociopolitical context such as that of South Africa during and after apartheid.

scholarly journals Investigating temperature breaks in the summer fruit export cold chain: A case study

2013 ◽  
Vol 7 (1) ◽  
Author(s):  
Heinri W. Freiboth ◽  
Leila Goedhals-Gerber ◽  
F. Esbeth Van Dyk ◽  
Malcolm C. Dodd
Keyword(s):  
Temperature Variation ◽  
South African ◽  
Temperature Data ◽  
Added Value ◽  
Cold Chain ◽  
The South ◽  
Export Supply ◽  
Cold Store ◽  
Summer Fruit

There is concern in the South African fruit industry that a large amount of fruit and money is lost every season due to breaks in the fruit export cold chain. The possibility of a large percentage of losses in a significant sector of the economy warranted further investigation. This article attempted to highlight some of the possible problem areas in the cold chain, from the cold store to the port, by analysing historic temperature data from different fruit export supply chains of apples, pears and grapes. In addition, a trial shipment of apples was used to investigate temperature variation between different pallets in the same container. This research has added value to the South African fruit industry by identifying the need to improve operational procedures in the cold chain.

scholarly journals The Bantu Presbyterian Church of South Africa and Ecumenism: 1923–1939

2017 ◽  
Vol 43 (3) ◽  
Author(s):  
Graham Duncan
Keyword(s):  
South Africa ◽  
Twentieth Century ◽  
South African ◽  
General Assembly ◽  
The South ◽  
Main Thrust ◽  
Church Of Scotland ◽  
Presbyterian Church ◽  
Free Church ◽  
Presbyterian Churches

The Bantu Presbyterian Church of South Africa (BPCSA) was birthed out of a quest for union amongst Presbyterians, which began in the 1890s more than 30 years before it was actually established as the fruit of the mission of the United Free Church of Scotland in 1923. From that date onwards church union hardly ever disappeared from the agenda of the highest court of the denomination, the General Assembly. During the twentieth century such discussions involved two of the three other Presbyterian churches and the Congregational Union of South Africa. In addition, the BPCSA has maintained a high ecumenical profile in both the South African and global contexts. The main thrust of this article describes and analyses the vicissitudes of Presbyterian conversations during the period 1923–39

From Ajanta to Sydenham: ‘Indian’ art at the Sydenham Palace

After 1851 ◽  
2017 ◽  
Author(s):  
Sarah Victoria Turner
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
The South ◽  
Crystal Palace ◽  
A Site ◽  
Victoria And Albert Museum ◽  
Great Exhibition ◽  
Indian Art

Discussions about the display of Indian art and material culture in the Victorian imperial metropolis have largely focused on the Great Exhibition of 1851 and its progeny, the South Kensington Museum (now the Victoria and Albert Museum). However, the Crystal Palace at Sydenham Hill was an important, but much overlooked, location of imperial and colonial display well into the twentieth century. This essay begins by examining the Sydenham Palace at a site of imperial spectacle from its opening in 1854 and well into the twentieth century. Relevant events included the African Exhibition of 1895, the opening of the Victoria Cross Gallery in the same year and the Colonial Exhibition of 1905, and the display of Major Robert Gill’s copies of the frescoes from the Buddhist rock-cut temples at Ajanta in India (until they were destroyed by fire in 1866). The crowning occasion in the Sydenham series of imperial events was the Festival of Empire in 1911 which celebrated the ascension of George V as ‘King-Emperor’. Taking the 1911 Festival as a case study, this essay explores the complex and often conflicting narratives of empire that were communicated through the courts and grounds at Sydenham.

PALESTINE, APARTHEID, AND THE RIGHTS DISCOURSE

2004 ◽  
Vol 34 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Raef Zreik
Keyword(s):  
South Africa ◽  
South African ◽  
Historical Context ◽  
The South ◽  
Occupied Territories ◽  
Rights Discourse ◽  
Apartheid Regime ◽  
Main Components

Since the fall of the apartheid regime in South Africa, the oft-made analogy between the South African and Israeli cases has been extended to suggest the applicability to the Palestinian quest for justice through the rights discourse, arguably the most effective mobilizing tool in the anti-apartheid struggle. This essay explores the suitability of the rights approach by examining the South Africa––Israel analogy itself and the relevance of the anti-apartheid model to the three main components of the Palestinian situation: the refugees, the Palestinians of the occupied territories, and the Palestinian citizens of Israel. It concludes that while the rights discourse has many advantages, it cannot by its very nature——the focus on law at the expense of historical context——address the complexity of the Palestinian problem.

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