scholarly journals Book Review: The Routledge International Handbook of Ethnographic Film and Video

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Fernando Nobre Cavalcante

Book review of The Routledge International Handbook of Ethnographic Film and Video edited by Phillip Vannini. It presents theoretical and empirical works on visual ethnography, applied consistently to mediatization studies.

2020 ◽  
Vol 114 (12) ◽  
pp. 896-898
Author(s):  
A L Cremers ◽  
B J Visser ◽  
Z Getahun ◽  
M Borku ◽  
E Meskele ◽  
...  

Abstract Background Ethiopia has one of the worst podoconiosis rates in the world, affecting >1.5 million patients. We present our ethnographic film ‘Tigist, the story of a girl with podoconiosis’ and its potential use in tackling podoconiosis. Methods We conducted visual ethnography, consisting of video-recorded participant observations and interviews with seven patients, three healthcare workers and two podoconiosis experts. Results We acquired video recordings of social moments, the state of podoconiosis patients’ bodies and minds, their emotions and the impact of poverty. Conclusions Our film allows for an intensified understanding of patients’ daily experiences with podoconiosis, potentially impacting care, awareness and medical teaching programs.


Author(s):  
Jonathan Kuuskoski

The title Canvas Detroit fulfills a promise long-understood in the Southeastern Michigan community: the Motor City, despite its rough and tumble journey into the 21st century, is home to a vibrant and flourishing arts scene. Far from a standard coffee table book, though, this rich—yet surprisingly accessible—volume functions as a visual ethnography of the artists who define that scene. Hundreds of beautiful images complement dozens of profiles of natives, adopted locals, and famous visitors, who collectively shape Detroit’s culture while representing the resilience of a population indelibly linked to the city’s Rust Belt origins.


Anthropology ◽  
2020 ◽  
Author(s):  
Stephanie Takaragawa

The Society for Visual Anthropology (SVA) was founded as a section of the American Anthropological Association (AAA) in 1984 to encourage the development and use of visual media in anthropological research and teaching. The adoption of photographic technology, along with film and video, into anthropological practice informed the development of a visual anthropology early on, but visual media were not formally incorporated into anthropological and ethnographic research until the 1970s, through predecessors of SVA to be discussed in depth in this article. SVA was developed largely by North American anthropologists who identified the growing importance of visual media to anthropological studies, and argued for greater critical awareness in the implementation of their use. SVA continues to be an active subsection of the AAA, as well as producing the journal Visual Anthropology Review (VAR). In the journal American Anthropologist (AA), SVA contributed heavily to the ethnographic film section beginning in the 1960s and continues to contribute through the newly renamed Multimodal Anthropology section. In addition to serving as a forum for members interested in visual anthropology, SVA has advocated the use of visual media for satisfying promotion and tenure requirements. In 2001, AAA formally approved guidelines created by SVA for the professional evaluation of ethnographic visual media, to assist in the tenure and promotion processes for anthropologists working with and producing visual materials. Historical documents of the SVA have been archived at the Smithsonian National Anthropological Archives in Suitland, Maryland by SVA Historian Joanna Cohan Scherer. SVA developed from the Society for the Anthropology of Visual Communication (SAVICOM).


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