Il patrimonio bio-culturale alpino: un approccio geografico-storico al pascolo alberato di larici in Trentino (XVIII-XXI sec.)

2021 ◽  
pp. 82-104
Author(s):  
Nicola Gabellieri

Recentemente l'UNESCO ha invitato gli studiosi ad approfondire lo studio delle dinamiche storiche e ambientali che hanno portato nel corso del tempo allo sviluppo di specifici ecosistemi e paesaggi, definiti come ‘bio-cultural heritage'. Raccogliendo questo stimolo, il contributo è dedicato a caratterizzare storicamente i pascoli alberati di larix decidua alpini: a partire dalla bibliografia sulla storia e sull'ecologia del larice, due casi studio di lariceti passati e presenti in Trentino sono approfonditi utilizzando un metodo geostorico che combina analisi di fonti documentali e osservazione di terreno. In conclusione, i lariceti risultano essere un prodotto di pratiche di uso e gestione delle risorse pascolive e forestali, capaci di fornire vari servizi ecosistemici, ma ad oggi a rischio di scomparsa.

1993 ◽  
Vol 88 (1) ◽  
pp. 73-77 ◽  
Author(s):  
Patrick von Aderkas ◽  
Parker Anderson

1997 ◽  
pp. 33-36
Author(s):  
Anatoliy Moskovchuk

Ukraine is the motherland of not only Ukrainians but also of many national minorities with different cultures and traditions. Ukraine is a Christian country in general, with non-Christian and non-Christian religions and confessional currents, along with traditional churches - Orthodox, Catholic, Protestant - rooted and actively developing non-traditional Ukrainian culture and spirituality. In Ukraine there is a complex process of spiritual revival, especially in the intellectual environment. Many are written and talk about the preservation of cultural heritage. Everywhere, monuments of architecture, art, which testify to the generally recognized historical contribution of Christianity to the development of spirituality and morality of the Ukrainian people, are restored. In our eyes, there are changes in social and religious relations.


2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced


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