Adventism in Ukraine: Attitude to national and cultural traditions, phenomena of the present

1997 ◽  
pp. 33-36
Author(s):  
Anatoliy Moskovchuk

Ukraine is the motherland of not only Ukrainians but also of many national minorities with different cultures and traditions. Ukraine is a Christian country in general, with non-Christian and non-Christian religions and confessional currents, along with traditional churches - Orthodox, Catholic, Protestant - rooted and actively developing non-traditional Ukrainian culture and spirituality. In Ukraine there is a complex process of spiritual revival, especially in the intellectual environment. Many are written and talk about the preservation of cultural heritage. Everywhere, monuments of architecture, art, which testify to the generally recognized historical contribution of Christianity to the development of spirituality and morality of the Ukrainian people, are restored. In our eyes, there are changes in social and religious relations.

Author(s):  
CAMA JULI RIANINGRUM

Harmoni adalah suatu kondisi yang serasi dari perbedaan dan pluralitas yang kemudian dengan bentukaslinya masing-masing dapat saling menyesuaikan dan menyatu dengan seimbang. Dalam Budaya jawadisebut selaras, yaitu terciptanya kehidupan yang nyaman dan indah dalam keragaman. Salah satu wujudharmoni Jawa secara visual dapat terlihat di sebuah permukiman di Yogyakarta, yang merupakan suatuwilayah permukiman warisan budaya Jawa dari abad ke-17. Digunakan metode analisis deskriptif kualitatifyang bertujuan untuk memaparkan keterkaitan dan jalinan semua aspek pembentuk yang mencerminkanproses adaptasi sehingga terbentuk harmonisasi permukiman. Pada masa kini, permukiman ini memilikikeunikan yang khas yaitu sebuah bentuk permukiman yang merupakan perpaduan yang harmonis daritiga budaya, yaitu budaya Jawa, Islam, dan budaya modern. Kondisi yang terbangun karena masyarakatnyataat pada tradisi budaya Jawa dalam melakukan adaptasi terhadap perubahan dan perkembangan jaman. Harmony is a synchronous integration of differences and pluralities which in their respective original statessucceed in adjusting to each other thereby forming a balanced union. In the context of Javanese culturecalled selaras, namely is the creation of a comfortable and beautiful existence within a diversity. One ofthe visual forms of Javanese harmony can be observed in a residential settlement in Yogyakarta, an areaof Javanese cultural heritage from the 17th century. A qualitative descriptive analysis method was usedaimed to describe the interrelationships and interweaving of all forming aspects reflecting the adaptationprocess which enabled the creation of such harmonious condition in a residential settlement. Today, thissettlement possesses a unique characteristic, that takes the form of a residential settlement where threecultures, namely the Javanese, Islamic, and modern cultures, are blended in harmony. This conditiondeveloped as a result of the community’s adherence to Javanese cultural traditions during their adaptionto changes and developments over the course of time.


2021 ◽  
Vol 202 (4) ◽  
pp. 719-733
Author(s):  
Elżbieta Szyszlak

The main objective of the article is to analyse the state of cultural security of the Uyghur minority. Due to the fundamental significance of identity and culture for the functioning of national minorities, it belongs from their perspective to the most crucial sectors of security, especially since a whole range of threats concerns it. The text uses the case study method, and the situation of the Uyghur minority in the People’s Republic of China has been chosen as an example. The following parts of the study define the terms used in the article, characterize the Uyghur minority, and indicate the most critical threats to its cultural security. These include the processes of migration together with the accompanying processes of urbanization and industrialization, the destruction of cultural heritage, threats in the area of culture and education, and dangers related to the state’s policy towards Islam and the potential radicalization of its Uyghur followers.


2006 ◽  
Vol 31 (4) ◽  
pp. 90-94
Author(s):  
Adli Qudsi

The Old City of Aleppo, a UNESCO World Cultural Heritage site, a living town of 110,000 inhabitants residing in thousands of historical courtyard houses and an important commercial centre is now the subject of an internationally recognized rehabilitation scheme. This paper describes the history of this project and identifies a series of lessons to be learnt about the complex process of rehabilitation in a living historic environment.


2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Noureddine Friji

Utilizing Herbert Marcuse’s One-Dimensional Man (1962) and Counterrevolution and Revolt (1972) as a theoretical backdrop, this article seeks to gauge the extent to which the teachings of the German philosopher and political theorist lay the groundwork for the protests mounted by the university students in David Lodge’s campus novel Changing Places (1975). Admittedly, the Student Revolution spilled over into numerous fields. However, given space restrictions, only its cultural manifestations will be examined. It will be clear that at the root of Lodge’s students’ uprising lies an overpowering urge to break with the cultural heritage and with the academics upholding it. It will be equally clear, nonetheless, that these young activists’ faith in Marcuse’s political doctrine is unwelcome to conservative academics on the ground that it has diverse adverse effects on universities. Not only are politically oriented texts and discourses given precedence over traditional ones but also teachers and administrators are, at times, hindered from doing their duties. The plausible conclusion to draw, in the light of the research’s findings, is that although cultural revolutions undeniably pave the way for a number of personal and collective achievements and help us modernize many aspects of life, they should not blind us to the enduring significance of previous cultural traditions and of the aesthetic value of literary works.


Author(s):  
Anders Klostergaard Petersen

This essay - representing an elaborated version of the author's inaugural lecture as an associate professor at the Department of the Study of Religion - is a critical survey of the classical scholarly discussion of Hellenism that particularly focuses on the Judaism-Hellenism dichotomy. By an exposition of the intellectual history of the background to the debate (notably Droysen), the author argues that the discussion has to a great extent been subject to the influence of a perceptual filter, representing a Christian apologietic concern - the scope of which is not fully recognised. Hellenism has served as a significant flottant capable of being attributed almost any meaning, but ultimately the category itself stems from a Christian concern, i.e. to construct a period serving as a legitimising cultural and religio-historical foilage for the appearance of early Christianity.Although some important cultural changes do occur subsequent to Alexander the Great (an increased tendency towards urbanisation, important military innovation, for example), they do not constitute tendencies that may be extended to include a universal sultural watershed common to the entire Mediterranean and extra-Mediterranian world and uniting it across the centuries. In addition to that, the discussion is suffering from a deficient interpretation of culture and identity. tghe meeting of different cultures and the confusions of different cultural traditions are perceived in terms of 'pure cultures'. Culture is ontologised or naturalised to the exten that a meeting of cultures is conceived of in terms of separate and fundamentally different cultures that are simultaneously understood to be internally homogenous. Each person is thought to be a carrier or container of his or her culture, thus for instance the Jew incarnating or representing Judaism in its entirelt. From this perspective divergent, modes of dultures are perceived in  terms of cultural or religious contaminataion. Culture, however, does not exist - except as an abstraction - in such pure forms. It is per definition a messy affair.In conclusion I think that in future research we should refrain from using the category of Hellenism is the all-sweeping manner in which it has been used. In fact we should be very careful, when using Judaism, Hellenism or any other taxonomic abstraction, not to commit an 'ontological dumping', reifying concepts which exist only by virtue of scholarly categorisations. Rather than to continue to use a misunderstandable term and an ideologically biased category strongly dependent on a Christian perceptual filter, we should begin looking for the decisive innovations, the important cultural and religious changes, which at particular places and in specific periods may allow us to construe cultural watersheds.


2020 ◽  
Vol 6 (1) ◽  
pp. 122
Author(s):  
Ida Bagus Putu Puja ◽  
Putu Ayu Aryasih

Community Based Tourism (CBT) is a tourism activity, a community that is owned and operated, and is managed or coordinated at the community level that contributes to community welfare through sustained livelihood support and protects socio-cultural traditions and resources valuable natural and cultural heritage. The analysis was conducted to analyse the results of interviews with local communities and Monkey Forest’s management regarding the management of tourist attraction based on community. Data is presented in the form of a description to see the community based tourism in managing Monkey Forest. This qualitative study aims to analyze the community in managing tourism attraction of Mandala Wisata Wanara Ubud (Monkey Forest) through community based tourism.


2013 ◽  
Vol 13 (2) ◽  
Author(s):  
Silvia Anggreni Purba

Pertunjukan ini berawal dari sebuah ide untuk mengkolaborasikan tradisi Karo dengan budaya populer. Dengan cara seperti ini pertunjukan bisa dinikmati tanpa batasan bahasa dan budaya. Proses menggabungkan dua budaya yang berbeda merupakan bentuk budaya hibrida dan terjadi akibat proses globalisasi. Melalui proses pengendapan pengamatan dan kesan yang kuat, pertunjukan ini dibawa ke dalam bentuk Hip Hop. Pertunjukan ini merupakan bagian dari sebuah tragedi modern dengan karakter destruktif, mengeksplorasi emosi dan menyampaikannya kepada penonton. Eksplorasi budaya Karo dan tari Hip Hop sebagai bahasa simbol mampu memperkuat kata-kata. Gerak tidak diungkapkan dengan kata lisan tetapi disajikan melalui gerak tari Hip Hop. Penafsiran legenda dan teks ke dalam gerak, melalui proses pelatihan di laboratorium sebagai proses pencarian dan eksperimentasi diwujudkan dengan mempertimbangkan unsur-unsur dasar dari Hip Hop, unsur budaya Karo dan tontonan. Karo Hip Hop diharapkan menjadi bentuk estetika teater modern yang diinginkan tanpa kehilangan tradisi.Kata kunci: Tari Karo kontemporer, Hip-hop, budaya hibridaABSTRACTPertunjukan Teater Karo Hip Hop Kontemporer KAI. The performance of Karo Theater collaborated with Hip Hop stems from a simple idea to collaborate Karo cultural traditions with popular culture. The performances can be enjoyed without having limitation on the language and culture. The process of combining two different cultures is a form of hybrid culture, and it may occur due to the globalization process. Through the process of deposition of the observations and strong impression, this performance is then brought into the form of Hip Hop as a preferred form which is energetic, personal and global. This performance is part of a modern tragedy with its destructive character which has explored the emotion and has presented it to the audiences. The exploration of Karo cultural tradition and Hip Hop dance as a language of symbols is able to reinforce words. The movement is not revealed by the verbal phrase but is presented through the movement of Hip Hop dance. The interpretation of the legend and texts into movement is carried out through the training process at the laboratory as a searching process and experiment, and afterward can be realized by considering the basic elements of Hip Hop, Karo cultural elements and performance. Karo Hip Hop Theatre is expected to become a preferred aesthetic form of a modern theater without losing its tradition form.Keyword: a contemporary Karo theater, Hip Hop, hybrid culture.


Author(s):  
L. Naumova

The article discusses the main directions for the mutual enrichment of Orthodox and secular traditions. The author focuses on the outstanding historical Crimean monuments, emphasizes the need to study the material at school. The main role is assigned to the formation of the spiritual culture of the student on the basis of introducing children to the historical and cultural heritage of the Crimea.


Author(s):  
Hyesoo Yoo

The inclusion of musics from varied cultural traditions in school music curricula has become increasingly important. Research findings indicate that providing students with opportunities to learn musics from diverse cultures can increase acceptance and appreciation of different cultures, enrich music and cultural experiences, and nurture intercultural competence. The following research-to-resource article provides eight instructional strategies for integrating culturally diverse musics into music classes more effectively. These eight strategies can help expose students to culturally diverse musics in more traditional ways and deepen their knowledge of music styles.


2020 ◽  
Vol 11 (3) ◽  
pp. 92-104
Author(s):  
Glenda-Rose Layne

Drawing on my considerable knowledge of the field, this essay examines key components of the intangible cultural heritage of several Caribbean countries. It maps pictures of cultural similarities which can be traced to their roots in traditional sub-Saharan, African cultures. The article demonstrates that oral African cultural traditions derived from a rich cultural heritage are shared by the former Anglo and Francophone, Caribbean colonies. The article suggests that the cultural similarities in the folk culture, help Caribbean people to identify with each other as members of the larger African diaspora. Furthermore, the article also explores possible roles of synergy theatre, digitization and animation as mechanisms to maintain and retain the folk culture, once disseminated exclusively by our oral cultural traditions.


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