scholarly journals VIOLATION OF INTELLECTUAL PROPERTY RIGHTS ON THE WEST UKRAINIAN TERRITORY UNDER THE AUSTRIAN LAW OF THE AUSTRO-HUNGARIAN EMPIRE (THE 19TH CENTURY – THE BEGINNING OF THE 20TH CENTURY)

2019 ◽  
Vol 1 (4) ◽  
pp. 25-31
Author(s):  
О.V. KOROTIUK
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
20Th Century ◽  
19Th Century ◽  
Intellectual Property Rights ◽  
The West ◽  
The 19Th Century ◽  
Austrian Law

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

scholarly journals PERKEMBANGAN WACANA IDENTITAS ARSITEKTUR DALAM JURNAL-JURNAL ARSITEKTUR DI AWAL ABAD XX DI HINDIA BELANDA

2018 ◽  
Vol 9 (2) ◽  
pp. 299-306
Author(s):  
Mahatmanto
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Technology Development ◽  
Turn Of The Century ◽  
Nation State ◽  
Flowering Period ◽  
The West ◽  
East Indies ◽  
Dutch East Indies ◽  
The 19Th Century

The transition of the 19th century to the 20th century known as the flowering period of the printed mass media in the West and the colonies. Similarly, in the Dutch East Indies, in the turn of the century, many publications are created, written and read by the architects who come to enjoy this print technology development in order to always be able to follow the progress in the Netherlands. At the turn of the century it was known four publications that circulated among architects in the Indies. Ideologies and interests with each of them carrying, mixing, and developed the ideas of architecture are increasingly different from the original. This process is in line with the development of the ideas of nationalism in a society that demands the assertion of identity in the form of nation-state nation Indonesia. This study surveyed the development of the contents of the four publications related to architecture in the Dutch East Indies, which is the method of Discourse Analysis, found patterns of discourse that lies behind the development of architectural identity discourse in the aftermath of Indonesia's independence.

Utopia and Reality: An Image of the United States in Russian Liberal and Radical Publications (End of the 19th to the Beginning of the 20th Century)

Prospects ◽  
1999 ◽  
Vol 24 ◽  
pp. 491-520
Author(s):  
Dmitry Shlapentokh
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
Political Thought ◽  
The United States ◽  
The West ◽  
The 19Th Century ◽  
Modern Russian

In the 19th century, some Russian intellectuals concluded that democracy was the country's probable future. By the middle of the century, this eventually led to the West and its democratic traditions being directly linked to images of Utopia. From that date forward, this approach to the West has had a central role in modern Russian political thought.

scholarly journals The Images of Mary of Egypt, Mary Magdalene and Cleopatra in Russian Literature: the Christian and the Pagan

2020 ◽  
Vol 18 (2) ◽  
pp. 42-63
Author(s):  
Galina Yu. Zavgorodnyaya
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Russian Literature ◽  
The West ◽  
Female Images ◽  
Mary Magdalene ◽  
The 19Th Century ◽  
Mary Of Egypt ◽  
West European

<p><span lang="EN-US">The article examines the orthodox tradition of paying homage to Venerable Mary of Egypt. The perception of the image of Mary of Egypt is compared with that one of Mary Magdalene in the West-European World, particularly in literature and art. The different forms of interaction between the hagiography of Mary of Egypt and Russian literature are traced: adaptation of the plot, allusions, insertion of the motif of a repented whore. The plot of Cleopatra, as of an impenitent whore, is opposite to a hagiographic plot (by its semantic pole of attraction). Two female images symbolize two divergent paths&nbsp;&mdash; to spiritual rebirth and to the ruin. As a result of the analysis of the works of A.&nbsp;Pushkin, I.&nbsp;Aksakov, N.&nbsp;Leskov, V.&nbsp;Bryusov, A.&nbsp;Remizov it is deduced that both plots turned out to be productive for Russian literature of the 19th century and the beginning of the 20th century, namely because of their paired relationship.</span></p>

scholarly journals THE HISTORY AND DEVELOPMENT OF GAMAT MUSIC AS A PROTOTYPE OF BANDAR ART IN THE WEST SUMATERA COASTAL AREA (PESISIR)

2016 ◽  
Vol 28 (1) ◽  
pp. 69
Author(s):  
Martarosa Martarosa
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Indigenous Peoples ◽  
Coastal Area ◽  
Musical Style ◽  
The West ◽  
The 19Th Century ◽  
The City

At the end of the 19th century and the beginning of 20th century, the city of Padang has been dubbed the metropolis of the island of Sumatera. This is because the population of the Europeans who live there is relatively higher than other cities in Sumatera. An influence of this condition appears to be the phenomenon of Western-style music which was introduced to the indigenous peoples (Bandar natives). The appropriation of this musical style from various cultures such as of Portuguese (European), Malay and Minangkabau eventually became known as Gamat. Nowadays, the well-known Gamat is part of the identity of the culture, especially for Minangkabau in the West Sumatera coastal area.

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