The complete works and digitizing bpNichol: staging the written word in digital moving pictures.

2021 ◽  
Author(s):  
Justin Stephenson
Keyword(s):  
Digital Image ◽  
Digital Technology ◽  
Digital Images ◽  
Contemporary Poetry ◽  
Discrete Elements ◽  
Working Process ◽  
Avant Garde ◽  
Digital Cinema ◽  
Written Word ◽  
The Way

Through a digital cinema project based on the work of Canadian author bpNichol, this paper explores how contemporary poetry provides methods to create, investigate and critique digital images. By examining the way in which digital technology divides images into discrete elements, this report makes the claim that the methods of avant-garde and contemporary poetry align with the methods of digital image making. Using an active documentation methodology in which the working process of the project is documented and reflected upon, this discussion uses sequences from the project to explore how Nichol's writings and poetic methods provide ways to make and examine digital images.

scholarly journals The complete works and digitizing bpNichol: staging the written word in digital moving pictures.

2021 ◽  
Author(s):  
Justin Stephenson
Keyword(s):  
Digital Image ◽  
Digital Technology ◽  
Digital Images ◽  
Contemporary Poetry ◽  
Discrete Elements ◽  
Working Process ◽  
Avant Garde ◽  
Digital Cinema ◽  
Written Word ◽  
The Way

Through a digital cinema project based on the work of Canadian author bpNichol, this paper explores how contemporary poetry provides methods to create, investigate and critique digital images. By examining the way in which digital technology divides images into discrete elements, this report makes the claim that the methods of avant-garde and contemporary poetry align with the methods of digital image making. Using an active documentation methodology in which the working process of the project is documented and reflected upon, this discussion uses sequences from the project to explore how Nichol's writings and poetic methods provide ways to make and examine digital images.

The complete works and digitizing bpNichol: staging the written word in digital moving pictures.

2021 ◽  
Author(s):  
Justin Stephenson
Keyword(s):  
Digital Image ◽  
Digital Technology ◽  
Digital Images ◽  
Contemporary Poetry ◽  
Discrete Elements ◽  
Working Process ◽  
Avant Garde ◽  
Digital Cinema ◽  
Written Word ◽  
The Way

Through a digital cinema project based on the work of Canadian author bpNichol, this paper explores how contemporary poetry provides methods to create, investigate and critique digital images. By examining the way in which digital technology divides images into discrete elements, this report makes the claim that the methods of avant-garde and contemporary poetry align with the methods of digital image making. Using an active documentation methodology in which the working process of the project is documented and reflected upon, this discussion uses sequences from the project to explore how Nichol's writings and poetic methods provide ways to make and examine digital images.

scholarly journals The complete works and digitizing bpNichol: staging the written word in digital moving pictures.

2021 ◽  
Author(s):  
Justin Stephenson
Keyword(s):  
Digital Image ◽  
Digital Technology ◽  
Digital Images ◽  
Contemporary Poetry ◽  
Discrete Elements ◽  
Working Process ◽  
Avant Garde ◽  
Digital Cinema ◽  
Written Word ◽  
The Way

Through a digital cinema project based on the work of Canadian author bpNichol, this paper explores how contemporary poetry provides methods to create, investigate and critique digital images. By examining the way in which digital technology divides images into discrete elements, this report makes the claim that the methods of avant-garde and contemporary poetry align with the methods of digital image making. Using an active documentation methodology in which the working process of the project is documented and reflected upon, this discussion uses sequences from the project to explore how Nichol's writings and poetic methods provide ways to make and examine digital images.

Digital Realism

2021 ◽  
pp. 100-122
Author(s):  
Katherine Thomson-Jones
Keyword(s):  
Digital Image ◽  
Digital Images ◽  
Theoretical Background ◽  
Animated Films ◽  
Photographic Realism ◽  
Live Action ◽  
The Way

In this chapter, I acknowledge that a study of the digital image would not be complete without a discussion of realism. The widespread concern about whether to trust digital images is tied up, for many art and media theorists, with particular accounts of realism (e.g., Rodowick 2007). The notion of realism is a complex one, and this chapter provides some important theoretical background on one central kind; namely, the kind had by traditional photographs. This prepares the way for a discussion of digital “photorealism” as it is derived from traditional “photographic realism.” Through an analysis of “live-action animated” films, I develop an account of photorealism and its effect on the viewer’s experience of the composite—i.e., part recorded, part computer-generated—shot.

Authentication of Digital Image using Exif Metadata and Decoding Properties

2018 ◽  
pp. 335-341 ◽  
Author(s):  
D. P. Gangwar ◽  
Anju Pathania
Keyword(s):  
Digital Image ◽  
Digital Images ◽  
Software Tools ◽  
Robust Analysis

This work presents a robust analysis of digital images to detect the modifications/ morphing/ editing signs by using the image’s exif metadata, thumbnail, camera traces, image markers, Huffman codec and Markers, Compression signatures etc. properties. The details of the whole methodology and findings are described in the present work. The main advantage of the methodology is that the whole analysis has been done by using software/tools which are easily available in open sources.

PERBANDINGAN METODE MD4 DAN SHA 384 UNTUK MENDETEKSI ORISINALITAS CITRA DIGITAL

2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Lemcia Hutajulu ◽  
Hery Sunandar ◽  
Imam Saputra
Keyword(s):  
Digital Image ◽  
Detrimental Effect ◽  
Digital Images ◽  
Computer Crime ◽  
The Other ◽  
Image Manipulation ◽  
The Internet ◽  
Secret Key

Cryptography is used to protect the contents of information from anyone except those who have the authority or secret key to open information that has been encoded. Along with the development of technology and computers, the increase in computer crime has also increased, especially in image manipulation. There are many ways that people use to manipulate images that have a detrimental effect on others. The originality of a digital image is the authenticity of the image in terms of colors, shapes, objects and information without the slightest change from the other party. Nowadays many digital images circulating on the internet have been manipulated and even images have been used for material fraud in the competition, so we need a method that can detect the image is genuine or fake. In this study, the authors used the MD4 and SHA-384 methods to detect the originality of digital images, by using this method an image of doubtful authenticity can be found out that the image is authentic or fake.Keywords: Originality, Image, MD4 and SHA-384

scholarly journals Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain)

2021 ◽  
Vol 10 (2) ◽  
pp. 85
Author(s):  
Juan Reinoso-Gordo ◽  
Antonio Gámiz-Gordo ◽  
Pedro Barrero-Ortega
Keyword(s):  
20Th Century ◽  
Digital Image ◽  
Digital Images ◽  
Laser Scanner ◽  
16Th Century ◽  
Southern Europe ◽  
Architectural Heritage ◽  
Digital Documentation ◽  
First Time

Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe.

scholarly journals Robust Gaussian Noise Detection and Removal in Color Images using Modified Fuzzy Set Filter

2020 ◽  
Vol 30 (1) ◽  
pp. 240-257
Author(s):  
Akula Suneetha ◽  
E. Srinivasa Reddy
Keyword(s):  
Image Quality ◽  
Mean Square Error ◽  
Fuzzy Set ◽  
Digital Image ◽  
Gaussian Noise ◽  
Digital Images ◽  
Structural Similarity ◽  
Fuzzy Rules ◽  
Mean Square ◽  
Image Edges

Abstract In the data collection phase, the digital images are captured using sensors that often contaminated by noise (undesired random signal). In digital image processing task, enhancing the image quality and reducing the noise is a central process. Image denoising effectively preserves the image edges to a higher extend in the flat regions. Several adaptive filters (median filter, Gaussian filter, fuzzy filter, etc.) have been utilized to improve the smoothness of digital image, but these filters failed to preserve the image edges while removing noise. In this paper, a modified fuzzy set filter has been proposed to eliminate noise for restoring the digital image. Usually in fuzzy set filter, sixteen fuzzy rules are generated to find the noisy pixels in the digital image. In modified fuzzy set filter, a set of twenty-four fuzzy rules are generated with additional four pixel locations for determining the noisy pixels in the digital image. The additional eight fuzzy rules ease the process of finding the image pixels,whether it required averaging or not. In this scenario, the input digital images were collected from the underwater photography fish dataset. The efficiency of the modified fuzzy set filter was evaluated by varying degrees of Gaussian noise (0.01, 0.03, and 0.1 levels of Gaussian noise). For performance evaluation, Structural Similarity (SSIM), Mean Structural Similarity (MSSIM), Mean Square Error (MSE), Normalized Mean Square Error (NMSE), Universal Image Quality Index (UIQI), Peak Signal to Noise Ratio (PSNR), and Visual Information Fidelity (VIF) were used. The experimental results showed that the modified fuzzy set filter improved PSNR value up to 2-3 dB, MSSIM up to 0.12-0.03, and NMSE value up to 0.38-0.1 compared to the traditional filtering techniques.

What has digital technology done for us and how can we evolve as a sector to make best use of what it has to offer?

2021 ◽  
Vol 46 (1) ◽  
pp. 25-31
Author(s):  
Nicki Moore
Keyword(s):  
Career Development ◽  
Digital Technology ◽  
Career Guidance ◽  
Training Needs ◽  
Barriers And Enablers ◽  
Use Of Technology ◽  
Digital Skills ◽  
The Uk ◽  
The Way

The need for career development practitioners to develop digital skills is a subject which has been revisited many times. This article draws on research undertaken in the UK in 2019 to establish the barriers and enablers in the use of technology to delivery career guidance and the training needs of the career development workforce to make the most of what digital technology has to offer. The research found that career development practitioners were using digital technology and applications both in their practice with clients and in the way they manage their business. This has prepared them to respond to the challenges in delivering career development services that the COVID-19 pandemic presented.

Sign in / Sign up

Export Citation Format

Share Document