Specters of Marx in Lu Xun's Early Fiction

Derrida Today ◽  
2018 ◽  
Vol 11 (1) ◽  
pp. 7-21
Author(s):  
Fletcher Johnson

Lu Xun is considered by many scholars the most influential modern Chinese writer, likened to Tolstoy, Shakespeare and Goethe in both scope and cultural impact, to the extent that Lu Xun scholarship has earned its own formal appellative: ‘Luxunology’. This impact is due not only to the initial impact of Lu Xun's fiction, but also greatly to Mao Zedong's use of Lu Xun during the Cultural Revolution. The history of Lu Xun's early fiction is analogous to the various historical manifestations, and original ‘spirit’, of Marxism. Through close readings of Lu Xun's early fiction, and then detailing the relationship between Mao Zedong's use of Lu Xun in the Cultural Revolution, I will explore Jacques Derrida's 1993 work Specters of Marx, especially focusing on Derrida's distinction between the ‘spirit’ and the ‘spectre’.

Author(s):  
Wang Zheng

Starting with a brief history of feminism in China and women in the Communist Revolution to contextualize the emergence of socialist state feminists, the chapter introduces key findings of the book, highlights a politics of concealment and a politics of erasure, explains how “anti-feudalism” served as a coded phrase for socialist feminist agendas developed by the gender-based mass organization–ACWF from its paradoxical position of both being a part of the state power and a subordinated group in the power structure of the male-dominated CCP. The chapter emphasizes the cultural front as an important arena of feminist engagement with a patriarchal culture, and explains the two-part-structure of the book that examines the relationship between the ACWF and the CCP, and the relationship between a socialist feminist revolution of culture and the Cultural Revolution.


Author(s):  
Ochirov Ts. Solbonovich ◽  

The research of the problems of the contemporary history of the NorthEastern China including the analysis of ideological and political campaigns of the second half of the XX century is one of the high-potential fields of the Oriental studies in our country. The article focuses on the period of the (Great) ‘Cultural Revolution’ (1966–1976) at bordering USSR Chinese regions — Heilongjiang province and Khulun-Buir aimak of the autonomous region of Inner Mongolia. The goals of the study are set in concurrence with chronological order of the events: the ‘cultural revolution’ in the above mentioned regions had two stages. The study is based on the works of the Chinese historians. The given research highlights the specific features of the initial stage of the “cultural revolution” including the criticism of the party officials, establishment of revolution committees and running a political campaign ‘vasu’; considers the Soviet-Chinese conflict at the Daman island in 1969 to be a factor in the following political stabilization of the bordering territories; examines the movement for restoration of the party apparatus and the boost in the industrial development in 1970s of the last century.


1977 ◽  
Vol 71 ◽  
pp. 591-597 ◽  
Author(s):  
Elisabeth Croll

At the outset of the recent anti-Confucian and Lin Piao campaign it was forecast that this movement would “ surely create still more •r favourable conditions for the emancipation of women.” x To create conditions advantageous to women the campaign set out to identify the obstacles inhibiting the redefinition of the role and status of women, j The identification of problem areas is not a new element in the history of the women's movement, indeed the problems have been stated time and again. The significance of this campaign lies in its concentrated and analytical attempt to integrate the redefinition of the female role with a nation-wide effort to change the self-image and expectations of both men and women. In this it provides a contrast with the strategy of the previous national campaign, the Cultural Revolution. Historically the women's movement has been very much concerned with raising the confidence of women in their own individual and collective abilities and translating the individual experience of suppression into a coherent analysis of oppression, but there is evidence to suggest that there was too little attention given to the position of women in the Cultural Revolution. For instance many associations and enterprises encouraged their members to believe that so long as overall revolutionary aims were fulfilled, there was no need to pay” particular attention to the position of women.2 The recent campaign and its application to practical problems among both men and women is a new recognition that because of their history of oppression it is still necessary to pay special attention to the restraints that continue to hinder the redefinition of women's role and status in society.


2021 ◽  
Author(s):  
Julia K. Murray

The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius' descendants buried the sage's robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a 'Little Queli,' a surrogate for the temple, cemetery, and Kong descendants' mansion in Qufu. Centered on the Tomb of the Robe and Cap, with a Sage Hall noteworthy for displaying sculptural icons and not just inscribed tablets, Kongzhai attracted scholarly pilgrims who came to experience Confucius's beneficent aura. Although Kongzhai gained recognition from the Kangxi emperor, its fortunes  declined with modernization, and it was finally destroyed during the Cultural Revolution. Unlike other sites, Kongzhai has not been rebuilt and its history is officially forgotten, despite the Confucian revival in contemporary China.


2021 ◽  
pp. 1-4
Author(s):  
Yuan-tsung Chen

Yuan-tsung Chen writes her memoir in the midst of growing unrest when in 2019 the Communist rulers try to pass an extradition law in Hong Kong’s Legislative Council. To begin with, they set about “reforming” middle schoolers’ education— for instance, through the Orwellian rewriting of the history of the Cultural Revolution, from the ten-year-long “cataclysm” (Hao Jie—浩劫‎) to the ten years of “arduous exploration and development achievement.” Even according to the official death toll, 1.7 million people perished in the Cultural Revolution. The dead had families or relatives, friends or lovers, so how many more lives were ruined? Yuan-tsung simply cannot accept such a whitewashing without a guilty conscience. She is fully aware of the consequences of confronting the untruth. Nevertheless, she decides to write what she witnessed, saw, and understood as truth.


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