The Garden as Unfinished Narrative of the Good in C.S. Lewis’ Perelandra

2012 ◽  
Vol 2 (1) ◽  
pp. 49-80
Author(s):  
Evrea Ness-Bergstein
Keyword(s):  
The Novel ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
Dead End ◽  
Growth And Change ◽  
Literary Devices ◽  
Hortus Conclusus

In Lewis’ transposition of Milton’s Paradise to a distant world where Adam and Eve do not succumb to Satan, the structure of Eden is radically different from the enclosed garden familiar to most readers. In the novel Perelandra (1944), C.S. Lewis represents the Garden of Eden as an open and ‘shifting’ place. The new Garden of Eden, with Adam and Eve unfallen, is a place of indeterminate future, excitement, growth, and change, very unlike the static, safe, enclosed Garden—the hortus conclusus of traditional iconography—from which humanity is not just expelled but also, in some sense, escapes. The innovation is not in the theological underpinnings that Lewis claims to share with Milton but in the literary devices that make evil in Perelandra seem boring, dead-end, and repetitive, while goodness is the clear source of change and excitement.

scholarly journals "Sufficient to Have Stood, Though Free to Fall": Free Will in John Milton's Paradise Lost

2020 ◽  
Author(s):  
David Martineau
Keyword(s):  
Free Will ◽  
Human Nature ◽  
John Milton ◽  
Paradise Lost ◽  
Problem Of Evil ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
The Problem Of Evil ◽  
Book Of Genesis ◽  
The Way

In Book I of Paradise Lost, John Milton (1608-1674) asserts his intent to “justifie the wayes of God to men” (Paradise Lost1 I 26), paving the way for a revolutionary discussion of human nature, divinity, and the problem of evil, all couched in an epic retelling of Satan’s fall from grace, his temptation of Adam and Eve, and their expulsion from the Garden of Eden, as recounted in the Book of Genesis. In his treatment of the biblical account, Milton necessarily broaches a variety of subjects which were both relevant during his time and remain relevant in ours. Among these topics, and certainly one of the most compelling, is the matter of human free will.

scholarly journals Aracoeli di Elsa Morante

2018 ◽  
Author(s):  
Silvia Camilotti
Keyword(s):  
Personal Experience ◽  
Close Reading ◽  
The Novel ◽  
Elsa Morante ◽  
Literary Device ◽  
Literary Devices

I propose a close reading of Elsa Morante’s latest book, Aracoeli, drawing upon three key literary devices: escapism, metamorphosis and paradox, which I use in relation to both the principal characters in the book, Aracoeli and her son Emanuele. Moreover, my reading will also bring to light the author’s personal experience and how it is relevant to the novel particularly in relation to the literary device of escapism.

scholarly journals The role of spatial images in R.D. Harris’s novel “Pompeii”

2020 ◽  
pp. 56-67
Author(s):  
E.V. Somova ◽  
E.B. Schemeleva
Keyword(s):  
Historical Novel ◽  
The Novel ◽  
Ancient Greek ◽  
Postmodern Literature ◽  
The Real ◽  
Adam And Eve ◽  
Semantic Fields ◽  
New Material ◽  
Postmodern Novel ◽  
The Mind

The article focuses on the novel “Pompeii” by Robert Dennis Harris which has been little studied in Russia and presents a new material for further research. The purpose of the research is to identify the originality of spatial images in the novel of the British writer. Basing on the comparative historical and analytical methods, the authors of the article explore the main principles of creating historical narration and the specifics of R.D. Harris’s work with historiographical sources while creating a historical epoch; they identify the features of W. Scott and E.G. Bulver-Lytton. Within the context of the study of the originality of spatial topoi in “Pompeii” the authors use extensively the concept of “topoekphrasis”, introduced by O.A. Kling. It distinguishes the place setting as a protagonist who influences greatly the course of events. While analyzing, the authors make the following conclusions about the national condition of the scene given by using ekphrasis and the correlation of the myth with the actual realities in the modern cultural system which indicate the stereotypical thinking of a person in the postmodern society: the myth of Adam and Eve who found themselves in Paradise, associated in the mind of a European with Capri which represents “unearthly” life; the expansion of the semantic fields after reading the myth of Sodom and Gomorrah which describes the destruction of two biblical cities and is brought closer in the novel to the events associated with the real tragedy in Pompeii, undoubtedly show the similarity of its plot resolution with the modern eschatological myth of the Apocalypse, which tells us about the inevitable death of civilization. The analysis of the mythological paradigm of R.D. Harris’s novel "Pompeii", organized by combination of ekphrasis and topoi, discloses the transformation of the postmodernist writer’s worldview, creating a new metaphysical reality in the historical novel. In addition to the real spatial topoi of the ancient world (forum, aqueduct, temple), the postmodern novel reveals mythological images: a labyrinth associated with the ancient Greek story of Theseus; the underground world of the dead, linked to the myth of Charon. The artistic understanding of the historical process by R.D. Harris allows us to identify the originality of the writer’s historical concept in the context of postmodern literature.

7.

2018 ◽  
Author(s):  
Molly Hoff
Keyword(s):  
The Novel ◽  
Close Attention ◽  
Latin Elegy ◽  
The Many ◽  
Literary Devices

This chapter offers a synopsis and discussion of the events that take place in the seventh section of Mrs. Dalloway. Hoff explores the many layers within the section, paying close attention to the thematic links present throughout the novel, including birth imagery and references to the Underworld. The discussion also looks at the novel’s structure and literary devices used, whilst making reference to Greek and Latin elegy as well as renowned authors and philosophers.

4. Church

2016 ◽  
pp. 45-63
Author(s):  
Jon Balserak
Keyword(s):  
Small Groups ◽  
Roman Catholic ◽  
Lord's Supper ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
The World ◽  
The Devil

Calvinists believe Adam and Eve were the first church, established by God following their fall into sin in the Garden of Eden. Since that beginning, God has always maintained his church, though it has been attacked relentlessly by the world and the devil and, at various points in history, reduced to small groups of believers, usually identified as the ‘remnant’. ‘Church’ outlines the different church denominations that align themselves with Calvinism, such as Presbyterians and Anglicans, and the characteristics and purpose of the Calvinist church. Compared to Roman Catholic practices, Calvinists provide a simpler liturgy that involves preaching, singing, praying, and the celebrating of the two sacraments of Baptism and the Lord’s Supper.

scholarly journals Mystifying moments in Bible interpretation: An exploration of some implied backgrounds to three kinds of unusual Bible readings

2017 ◽  
Vol 73 (3) ◽  
Author(s):  
Christoffel Lombaard
Keyword(s):  
Old Testament ◽  
Home Country ◽  
Garden Of Eden ◽  
Medical Practitioners ◽  
Adam And Eve ◽  
The Bible ◽  
Cultural Conditions ◽  
Direct Support ◽  
Bible Interpretation ◽  
To Come

This contribution is part of a series on Methodology and Biblical Spirituality. In this, the fourth contribution, the scope is widened; more practical-analytically oriented, three thoroughly different but nevertheless all unusual kinds of interpretations of the Bible are described, characterised and contextualised. Namely:• In order to explain what are perceived as textual anomalies, some Old Testament authors have been described by US-based medical practitioners as having suffered psychiatric dysfunctions.• The Garden of Eden from Genesis 2 and further has been located by a recently diseased Nigerian scholar as having been in her home country, with a Nigerian race having been the predecessors of biblical Adam and Eve.• Rastafarians, primarily Jamaica-based, regard marijuana as a holy herb and find direct support for their religious use of this plant in the Bible.However strange such ‘mystifying’ interpretations may seem within the theological mainstreams of Judeo-Christianity, there is more to these kinds of interpretations than simple whim. Certain cultural conditions along with personal, particularly spiritual, commitments enable these interpretations, which must be taken seriously in order to come to a fuller understanding of the text–interpreter dynamic. These then can cast at least some form of reflective light on the more usual current biblical-interpretative mainstreams within Judeo-Christianity, posing in a new light the question of what constitutes legitimate interpretations, also within mainstream interpretations, as religiously inclined people try to live their lives in the light of Scripture.

Augustine and the Art of Gardening

2002 ◽  
Vol 37 ◽  
pp. 13-33
Author(s):  
Carol Harrison
Keyword(s):  
Simple Rule ◽  
Church Fathers ◽  
Garden Of Eden ◽  
Early Christian ◽  
Ideal State ◽  
Adam And Eve ◽  
Book Of Genesis ◽  
The Church ◽  
The Ideal

Any description of man’s ideal state tells us a lot about the culture, society, and character of its author. Early Christian writers, as one might expect, tended to turn to Scripture, to the authoritative account in the book of Genesis of God’s creation of man and woman and of their life in the garden of Eden, in order to define their conception of the ideal life. There they discovered what to us, and perhaps to them, seems a rather strange, alien portrait of the life of two celibate naturists, at ease in a luxuriant garden which provided for all their needs. By some obscure and generally unspecified means, the Church fathers thought Adam and Eve were to be the founder members and originators of a society which, on condition it obeyed one simple rule, would become an immortal society.

Two Schools of Desire: Nature and Marriage in Seventeenth-Century Puritanism

2000 ◽  
Vol 69 (2) ◽  
pp. 372-402 ◽  
Author(s):  
Belden C. Lane
Keyword(s):  
Seventeenth Century ◽  
Paradise Lost ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
The Earth ◽  
Nature Imagery ◽  
Evening Star

In Milton's description of the marriage of Adam and Eve in Paradise Lost, the entire Garden of Eden is seen to participate in the celebration of their union. Spousal and nature imagery are woven together, beauty and desire joined in the mystery of Adam's amazement at this gift of his “other self” newly received from God's hand. Says Adam of his wife,To the nuptial bowerI led her blushing like the morn: all heaven,And happy constellations on that hourShed their selectest influence; the earthGave sign of gratulation, and each hill;Joyous the birds; fresh gales and gentle airsWhispered it to the woods, and from their wingsFlung rose, flung odours from the spicy shrub,Disporting, till the amorous bird of nightSung spousal, and bid haste the evening starOn his hill top, to light the bridal lamp.Joyous birds, whispering breezes, welcoming stars—they all share in the couple's holy delight in each other and in God.

scholarly journals Some Remarks on the Anathemas in the "Palaea Historica"

2013 ◽  
Vol 3 ◽  
pp. 131-144 ◽  
Author(s):  
Małgorzata Skowronek ◽  
Marek Majer
Keyword(s):  
Old Testament ◽  
Original Text ◽  
Garden Of Eden ◽  
Adam And Eve

The original text of the Palaea Historica, a Byzantine narration based on the initial books of the Old Testament, contains two anathema directed against the Phundagiagitae (adherents of a medieval neo-Manichaean heresy), accusing them of the belief in Cain’s being the son of Satanael and in that the union of Adam and Eve occurred in the Garden of Eden already. The analysis of the relevant passages and their counterparts in two Slavic translations of the Palaea, as well as certain other Byzantine and Slavic medieval texts with related content, contributes to illuminating the circumstances under which the Slavic translations arose. The paper also discusses the very term Phundagiagitae (practically absent from all other Slavic sources) and addresses the issue of the supposed non-canonicity of the Palaea.

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