7.

2018 ◽  
Author(s):  
Molly Hoff
Keyword(s):  
The Novel ◽  
Close Attention ◽  
Latin Elegy ◽  
The Many ◽  
Literary Devices

This chapter offers a synopsis and discussion of the events that take place in the seventh section of Mrs. Dalloway. Hoff explores the many layers within the section, paying close attention to the thematic links present throughout the novel, including birth imagery and references to the Underworld. The discussion also looks at the novel’s structure and literary devices used, whilst making reference to Greek and Latin elegy as well as renowned authors and philosophers.

The Garden as Unfinished Narrative of the Good in C.S. Lewis’ Perelandra

2012 ◽  
Vol 2 (1) ◽  
pp. 49-80
Author(s):  
Evrea Ness-Bergstein
Keyword(s):  
The Novel ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
Dead End ◽  
Growth And Change ◽  
Literary Devices ◽  
Hortus Conclusus

In Lewis’ transposition of Milton’s Paradise to a distant world where Adam and Eve do not succumb to Satan, the structure of Eden is radically different from the enclosed garden familiar to most readers. In the novel Perelandra (1944), C.S. Lewis represents the Garden of Eden as an open and ‘shifting’ place. The new Garden of Eden, with Adam and Eve unfallen, is a place of indeterminate future, excitement, growth, and change, very unlike the static, safe, enclosed Garden—the hortus conclusus of traditional iconography—from which humanity is not just expelled but also, in some sense, escapes. The innovation is not in the theological underpinnings that Lewis claims to share with Milton but in the literary devices that make evil in Perelandra seem boring, dead-end, and repetitive, while goodness is the clear source of change and excitement.

scholarly journals The ground-level ozone concentration is inversely correlated with the number of COVID-19 cases in Warsaw, Poland

2021 ◽  
Author(s):  
Oskar Wiśniewski ◽  
Wiesław Kozak ◽  
Maciej Wiśniewski
Keyword(s):  
Wind Speed ◽  
Ozone Concentration ◽  
Inverse Correlation ◽  
Ground Level ◽  
Viral Agent ◽  
The Novel ◽  
Weather Factors ◽  
Ground Level Ozone ◽  
The Many ◽  
The Impact

AbstractCOVID-19, which is a consequence of infection with the novel viral agent SARS-CoV-2, first identified in China (Hubei Province), has been declared a pandemic by the WHO. As of September 10, 2020, over 70,000 cases and over 2000 deaths have been recorded in Poland. Of the many factors contributing to the level of transmission of the virus, the weather appears to be significant. In this work, we analyze the impact of weather factors such as temperature, relative humidity, wind speed, and ground-level ozone concentration on the number of COVID-19 cases in Warsaw, Poland. The obtained results show an inverse correlation between ground-level ozone concentration and the daily number of COVID-19 cases.

‘as though nothing were happening—or rather, not happening’: Excess and Vacuity in The Little Girls

2021 ◽  
Vol 51 (1) ◽  
pp. 100-113
Author(s):  
Margaret Mills Harper
Keyword(s):  
The Novel ◽  
The Many

There's a hole in the middle of Bowen's late novel The Little Girls, literally as well as figuratively: a cavity in the ground dug by three childhood friends for the purpose of burying a secret box. Indeed, the novel is full of holes, from caves and missing treasures to absences, losses, and griefs. At the same time, the book displays a fullness or even extravagant overstuffed quality. Its style, pace, plot, and themes are supersatured, with breathless dialogue, restless activity, and suggestive detail. The Little Girls is very funny even as it never wanders far from catastrophe. The novelistic decision to throw the two modes of comedy and tragedy together is one of the many risks Bowen takes in this novel. She does so as part of a larger meditation on the structures that support art as it frames and thus falsifies, but also acknowledges human lives and history. The Little Girls is about emptiness and loss, but it also suggests that the superfluities and distractions with which people fill their lives have value. This essay pursues several strands of intertextual allusions to find something of what the novel both flamboyantly offers and steadfastly refuses.

scholarly journals Aracoeli di Elsa Morante

2018 ◽  
Author(s):  
Silvia Camilotti
Keyword(s):  
Personal Experience ◽  
Close Reading ◽  
The Novel ◽  
Elsa Morante ◽  
Literary Device ◽  
Literary Devices

I propose a close reading of Elsa Morante’s latest book, Aracoeli, drawing upon three key literary devices: escapism, metamorphosis and paradox, which I use in relation to both the principal characters in the book, Aracoeli and her son Emanuele. Moreover, my reading will also bring to light the author’s personal experience and how it is relevant to the novel particularly in relation to the literary device of escapism.

Impacts of Molding Pressure on Performances of Kraft Fiber Reinforced Unsaturated Polyester Composites

2011 ◽  
Vol 183-185 ◽  
pp. 2173-2177 ◽  
Author(s):  
Xin Ying Lv ◽  
Die Ying Ma ◽  
Yong Ming Song ◽  
Zhen Hua Gao
Keyword(s):  
Mechanical Properties ◽  
Creep Resistance ◽  
Unsaturated Polyester ◽  
Resin Content ◽  
Molding Pressure ◽  
The Novel ◽  
Fiber Reinforced ◽  
Low Viscosity ◽  
Plastic Composite ◽  
The Many

Novel Kraft fiber reinforced unsaturated polyester (UPE) composites were prepared at various molding pressures in order to investigate the effects of molding pressure on resin content, the mechanical properties and creep resistance. The results indicated that the novel composites had much higher mechanical properties and better creep resistances than traditional wood plastic composites because of the applications of strong Kraft fibers as reinforcement and thermosetting UPE as matrix. Molding pressure had various effects on the many properties of composites. With molding pressure increased from 6MPa to 25MPa, the mechanical properties and creep resistances increased gradually until about 20MPa and then decreased, which were attributed to the different interface adhesions between UPE resin and Kraft fibers at various molding pressures as evidenced by DMA analysis. Benefited from the use of low-viscosity UPE resin, the resin content of Kraft fiber reinforced UPE composites could reduce to 28.3% while strength and creep resistance were still much better than that of the thermoplastic wood-plastic composite (WPC) with 40% polymer matrix.

The Oxford Handbook of Virginia Woolf

2021 ◽  
Keyword(s):  
Secondary Students ◽  
Virginia Woolf ◽  
Magical Realism ◽  
Natural World ◽  
The Novel ◽  
Post Secondary ◽  
The Core ◽  
The Times ◽  
The Many ◽  
Hogarth Press

With thirty-nine original chapters from internationally prominent scholars, The Oxford Handbook of Virginia Woolf is designed for post-secondary students, scholars, and common readers. Feminist to the core, each chapter offers an overview that is at once fresh and thoroughly grounded in prior scholarship. Six parts focus on Woolf’s life, her texts, her experiments, her as a professional, her contexts, and her afterlife. Opening chapters on Woolf’s life address the powerful influences of family, friends, and home. Part II on her works moves chronologically, emphasizing Woolf’s practice of writing essays and reviews alongside her fiction. Chapters on Woolf’s experimentalism pay special attention to the literariness of Woolf’s writing, with opportunity to trace its distinctive watermark while ‘Professions of Writing’, invites readers to consider how Woolf worked in cultural fields including and extending beyond the Hogarth Press and the Times Literary Supplement. Part V on ‘Contexts’ moves beyond writing to depict her engagement with the natural world as well as the political, artistic, and popular culture of her time. The final part, ‘Afterlives’, demonstrates the many ways Woolf’s reputation continues to grow. Of particular note, chapters explore three distinct Woolfian traditions in fiction: the novel of manners, magical realism, and the feminist novel.

Soviet Freedom in South Africa

2020 ◽  
pp. 71-103
Author(s):  
David Johnson
Keyword(s):  
South Africa ◽  
South African ◽  
Literary Form ◽  
The Political ◽  
The Novel ◽  
William Morris ◽  
Olive Schreiner ◽  
Political Journalism ◽  
Political Freedoms ◽  
The Many

The reception in South Africa of the utopian tradition initiated by Marx, Engels and Lenin is analysed, focusing on the period from 1910 to 1930. The chapter examines the early South African dreams of freedom derived from or influenced by classical Marxism: the political journalism of Olive Schreiner from the 1880s to 1920; the novel 1960 (A Retrospect) by James and Margaret Scott Marshall; the Christian-influenced dreams of David Ivon Jones and Josiah Gumede; the 1928 Native Republic Thesis prescribed for South Africa by the Soviet Union’s Comintern; the literary visions of freedom of Edward Roux (inspired by Swinburne) and J. T. Bain (inspired by William Morris), as well as the many dreams expressed in literary form in the pages of The International and successor CPSA newspapers The South African Worker and Umsebenzi; J. M. Gibson’s ideal of an economic freedom that supersedes the political freedoms of liberalism; and the Stalinist telos driven by ‘the deepening economic crisis’ and culminating in the dictatorship of the proletariat. Roux’s political cartoons envisioning freedom and published in Umsebenzi are analysed.

Stevenson’s Careful Observances

2007 ◽  
Author(s):  
Stephen Arata
Keyword(s):  
Robert Louis Stevenson ◽  
The Novel ◽  
Mass Market ◽  
Literary Traditions ◽  
The Many

Abstract In his own time, Robert Louis Stevenson was admired as a careful technician of language, a stylist to be put in the company of de Quincey or Pater. In our time, he is known primarily as the author of potboiling plot-driven Gothic tales and adventure yarns. Stevenson himself saw no contradiction in pursuing what Lionel Johnson called his “stylistic nicety and exactitude” in fiction aimed at the mass market, but critics both then and now have largely sidestepped the question of how to reconcile these twin allegiances. In this essay I read The Wrecker (1892), arguably the most densely plotted of Stevenson’s novels, as an extended meditation on the historicity of words. The novel continually calls attention to the “refractive” quality of certain keywords around which the story is structured. At the same time, The Wrecker is concerned with the dynamics of narrativity. It is concerned not just with the procedures by which fictional events are translated into intelligible story, but also with the many ways in which narratives are generated through collaboration: between writers and the literary traditions they work in, between writers and words in their historicity, between writers and their readers—real, imagined, and unforeseen.

Mary Shelley and the Conception of the Monstrous Vegan

2021 ◽  
pp. 31-60
Author(s):  
Emelia Quinn
Keyword(s):  
Golden Age ◽  
Visual Recognition ◽  
Mary Shelley ◽  
The Novel ◽  
Close Attention ◽  
Literary Authorship

Chapter 1 argues that Mary Shelley’s Frankenstein (1818) marks the origins of the ‘monstrous vegan’ trope. The chapter establishes the vegetarian contexts influencing Shelley’s novel before outlining the principal defining traits of the monstrous vegan. First, the monster’s refusal to eat meat is evidenced and explored in relation to Romantic vegetarianism. Second, his hybrid physiognomy, composed of remnants from the slaughterhouse and charnel house, allows for close attention to acts of visual recognition throughout the novel. Third, the creature’s birth outside of the confines of heterosexual reproduction is explored in relation to his challenge to reproductive futurities, with vegetarianism seen to offer a circular return to a Golden Age of humankind. Finally, the creature’s relation to literary authorship establishes that monstrous vegans bring to the fore the difficulty of inscribing ethical identities onto bodies.

Coda

2020 ◽  
pp. 309-342
Author(s):  
Helen Moore
Keyword(s):  
Don Quixote ◽  
Cultural Work ◽  
The Novel ◽  
Future Direction ◽  
The Many ◽  
Relationship Of ◽  
The Relationship

Taking its cue from the Victorian periodical debates characterizing realism as a crocodile and romance as a monster or ‘catawampus’, this chapter examines the role played by Amadis in early discussions of what the novel was, or should be; how it had developed; and where its future direction lay. For literary historians, Amadis constituted a bridge between the newly constructed ‘medieval’ and the emergent ‘modern’. Philosopher-theorists (Bakhtin) and novelists (Nabokov) alike continued to be fascinated by the relationship of Amadis to Don Quixote and its implications for theories of the novel. Novelists themselves (Bulwer Lytton, Ouida, and Thackeray) enlisted Amadis in their critique of modern masculinity. The final iteration of Amadis in English takes the form of chivalric compilations and abridgements for children; this concluding transformation proves to be emblematic of the many varieties of cultural work into which romance can be enlisted.

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