Yeats and Japan: The Dreaming of the Bones

2015 ◽  
Vol 45 (1) ◽  
pp. 54-68 ◽  
Author(s):  
Masaru Sekine
Keyword(s):  
Ezra Pound ◽  
The University

‘Yeats and Japan: The Dreaming of the Bones’ first investigates how the Noh came to influence Yeats, then analyzes Yeats's Four Plays for Dancers, focusing on The Dreaming of the Bones, and explains how this Yeats play is adapted into a new Noh play, Hone-no-Yume, in which the places, names and situations were changed to Japanese ones. An account is then given of the latter's production. Fenolossa came to Japan with an appointment to teach Ethics and Logic at the University of Tokyo in 1987, where he studied Noh with Minoru Umewaka, a Noh master. He also translated some Noh plays with the help of his students. After his death in London, his manuscripts were handed over to Ezra Pound by his second wife, Mary, and it is through Pound that Yeats came to read them. Inspired by them Yeats wrote Four Plays for Dancers. At the Hawk’s Well was later translated into two different Noh plays by Mario Yokomichi, thus completing the circle from Japan to Ireland and back.

Sexuality and Structure: Tensions in Early Expressionist Drama

1991 ◽  
Vol 7 (26) ◽  
pp. 160-170
Author(s):  
Peter Nicholls
Keyword(s):  
American Literature ◽  
Ezra Pound ◽  
Contemporary Poetry ◽  
Gender And Sexuality ◽  
Working Through ◽  
Family Histories ◽  
The University

In the first of two essays, Peter Nicholls explores connections between ideas of an ‘absolute’ or non-representational theatre and the forms of narrative and discursivity which have traditionally invested dramatic forms. In one of the earliest Expressionist plays – Oskar Kokoschka's Murder, Hope of Women – the tension between these ideas is powerfully in evidence. Nicholls shows how Kokoschka's formal experimentalism is grounded in contemporary polemics about gender and sexuality, tracing the ways in which theatrical innovation seeks to evade the Oedipal constraints of plot and narrative. That tension, he believes, informs subsequent Expressionist drama, where an almost obsessive preoccupation with the working-through of family histories is contested by forms of theatrical ‘affect’ which undermine structure from within. Peter Nicholls's second essay will pursue the ‘anti-Oedipal’ implications of Dada and Surrealist theatre. The author teaches English and American literature at the University of Sussex, and his publications include Ezra Pound: Politics, Economics, and Writing, and articles on postmodernism, contemporary poetry, and French Cubism. His Modernisms: a Literary Guide will be published by Macmillan later this year.

Anti-Oedipus? Dada and Surrealist Theatre, 1916–35

1991 ◽  
Vol 7 (28) ◽  
pp. 331-347
Author(s):  
Peter Nicholls
Keyword(s):  
American Literature ◽  
Ezra Pound ◽  
Contemporary Poetry ◽  
Avant Garde ◽  
The Family ◽  
The University

In a sequel to his essay ‘Sexuality and Structure in Expressionist Theatre’ in NTQ26, Peter Nicholls here explores a very different set of developments in the French avant-garde drama of the period. Arguing that Dada and Surrealist theatre have a strongly marked ‘anti-oedipal’ tendency, he suggests that their polemics against the family and paternal law contrast with the increasing prominence given to Freud's masterplot in Expressionism. Peter Nicholls teaches English and American Literature at the University of Sussex: his publications include Ezra Pound: Politics, Economics, and Writing, and articles on postmodernism, contemporary poetry, and French cubism. His Modernisms: a Literary Guide will be published by Macmillan in 1992.

scholarly journals Fiction, Faction, Autobiography: Norman Levine at McGill University, 1946–1949

Fontanus ◽  
2010 ◽  
Vol 12 ◽  
Author(s):  
Robert H. Michel
Keyword(s):  
Working Class ◽  
Ezra Pound ◽  
Literary Magazine ◽  
Autobiographical Fiction ◽  
False Start ◽  
Mcgill University ◽  
Comme Point ◽  
The University ◽  
Le Canada

This article examines Norman Levine’s start as a writer while he studied at McGill University from 1946 to 1949 and traces how Levine used his McGill memories afterwards in his writing. We look at Levine’s early poetry and prose; his use of his wartime RCAF flying experience in Britain (foreshadowing his autobiographical fiction); his editorship of the literary magazine Forge and McGill Daily Literary Supplement; his mentor Professor Harold Files; and his M.A. thesis on Ezra Pound. We follow him as he drafts his first novel, The Angled Road and sketches another one; searches for his own literary voice; happily leaves Canada for England; and abandons academe after a frustrating year (1949-50) at the University of London. The article also explores how he used McGill friends and professors as starting points for characters in his stories and thinly disguised them in his nonfictional Canada Made Me. Nostalgic and critical, he said he had enjoyed McGill but could not take it seriously, and blamed the University for giving his writing a false start and seducing him into forgeting his Jewish, working-class roots.ResuméL’écriture de Norman Levine remonte aux années 1946 à 1949, l’époque à laquelle il étudiait à l’Université McGill. Cet article examine le début de sa carrière d’auteur et trace l’influence que ses souvenirs de McGill ont eu plus tard sur ses œuvres. Nous étudions ses premiers travaux en prose et en poésie; son utilisation de son expérience à titre d’aviateur dans le Corps d’aviation royal canadien (qui anticipe sa fiction autobiographique); ses activités d’éditeur des magazines littéraires Forge et McGill Daily Literary Supplement; son guide, le professeur Harold Files; et sa thèse de maîtrise sur Ezra Pound. Nous le suivons alors qu’il rédige une ébauche de son premier roman, The Angled Road, et trace l’esquisse d’un second; qu’il recherche sa propre voix littéraire; qu’il quitte le Canada avec plaisir pour l’Angleterre; et qu’il abandonne le monde universitaire après une année frustrante (1949-1950) à l’Université de Londres. L’article explore aussi la façon dont il a utilisé ses amis et professeurs à McGill comme point de départ pour les personnages dans ses histoires, et les a légèrement déguisé dans son œuvre non romanesque Canada Made Me. Nostalgique et critique, il a déclaré qu’il a aimé McGill mais qu’il ne pouvait pas la prendre au sérieux, et que c’est à cause de l’Université que son écriture s’est dirigée sur une fausse piste et qu’il a oublié ses racines juives de classe ouvrière.

Moore, Marianne (1887–1972)

2018 ◽  
Author(s):  
Miranda Hickman
Keyword(s):  
New York ◽  
Ezra Pound ◽  
Bryn Mawr ◽  
Wallace Stevens ◽  
Pulitzer Prize ◽  
Yale University ◽  
Marianne Moore ◽  
University Of Texas ◽  
Extensive Body ◽  
The University

Marianne Moore (1887–1972), born in Kirkwood, Missouri, USA, was a major American modernist poet and editor of The Dial from 1925–29. Among other modernist poets with whom Moore sustained significant connections were T. S. Eliot, H. D., Ezra Pound, and Wallace Stevens. Moore attended Bryn Mawr College for women in Pennsylvania between 1905 and 1909; thereafter she moved to New York with her mother, Mary Warner Moore, where they would reside together until Mary Warner Moore died in 1947 and where Moore would remain until the end of her life. Moore’s major publications include Selected Poems (1935), with an introduction by T. S. Eliot; Collected Poems (1951), for which Moore received the Pulitzer Prize and the National Book Award; and Complete Poems (1967), which was re-edited and reissued in 1981. Her extensive body of criticism is available in The Complete Prose of Marianne Moore. Moore’s archive, including her library and personal effects, is housed at the Rosenbach Museum and Library in Philadelphia; additional papers are located at the Harry Ransom Center at the University of Texas at Austin and the Beinecke Library at Yale University. Linda Leavell’s biography of Moore, Holding on Upside Down, appeared in 2013.

Proceedings of The Modern Language Association of America

PMLA ◽  
1935 ◽  
Vol 50 (4) ◽  
pp. 1343-1343
Keyword(s):  
Modern Language Association ◽  
Modern Language ◽  
Local Committee ◽  
Tuesday Morning ◽  
University Of Cincinnati ◽  
The University ◽  
Plaza Hotel

The fifty-second meeting of the Modern Language Associationof America was held, on the invitation of the University of Cincinnati, at Cincinnati, Ohio, Monday, Tuesday, and Wednesday, December 30 and 31, 1935, and January 1, 1936. The Association headquarters were in the Netherland Plaza Hotel, where all meetings were held except those of Tuesday morning and afternoon. These took place at the University of Cincinnati. Registration cards at headquarters were signed by about 900, though a considerably larger number of members were in attendance. The Local Committee estimated the attendance at not less than 1400. This Committee consisted of Professor Frank W. Chandler, Chairman; Professor Edwin H. Zeydel; Professor Phillip Ogden; Mr. John J. Rowe (for the Directors); and Mr. Joseph S. Graydon (for the Alumni).

Spectrophotometric reductions with an IBM 1620

1966 ◽  
Vol 24 ◽  
pp. 116-117
Author(s):  
P.-I. Eriksson
Keyword(s):  
Astronomical Data ◽  
Spectrophotometric Data ◽  
Electronic Computers ◽  
The University ◽  
Near Future

Nowadays more and more of the reductions of astronomical data are made with electronic computers. As we in Uppsala have an IBM 1620 at the University, we have taken it to our help with reductions of spectrophotometric data. Here I will briefly explain how we use it now and how we want to use it in the near future.

Novae in the Magellanic Clouds

1979 ◽  
Vol 46 ◽  
pp. 96-101
Author(s):  
J.A. Graham
Keyword(s):  
Large Magellanic Cloud ◽  
Magellanic Cloud ◽  
Magellanic Clouds ◽  
University Of Michigan ◽  
The Past ◽  
Spectroscopic Information ◽  
Objective Prism ◽  
The University ◽  
Small Cloud ◽  
Low Dispersion

During the past several years, a systematic search for novae in the Magellanic Clouds has been carried out at Cerro Tololo Inter-American Observatory. The Curtis Schmidt telescope, on loan to CTIO from the University of Michigan is used to obtain plates every two weeks during the observing season. An objective prism is used on the telescope. This provides additional low-dispersion spectroscopic information when a nova is discovered. The plates cover an area of 5°x5°. One plate is sufficient to cover the Small Magellanic Cloud and four are taken of the Large Magellanic Cloud with an overlap so that the central bar is included on each plate. The methods used in the search have been described by Graham and Araya (1971). In the CTIO survey, 8 novae have been discovered in the Large Cloud but none in the Small Cloud. The survey was not carried out in 1974 or 1976. During 1974, one nova was discovered in the Small Cloud by MacConnell and Sanduleak (1974).

Production of New and Revised A.A.V.S.O. Charts

1979 ◽  
Vol 46 ◽  
pp. 368
Author(s):  
Clinton B. Ford
Keyword(s):  
Variable Star ◽  
Standard Form ◽  
Original Data ◽  
University Of Pennsylvania ◽  
Standard Format ◽  
Additional Information ◽  
The Gift ◽  
The University

A “new charts program” for the Americal Association of Variable Star Observers was instigated in 1966 via the gift to the Association of the complete variable star observing records, charts, photographs, etc. of the late Prof. Charles P. Olivier of the University of Pennsylvania (USA). Adequate material covering about 60 variables, not previously charted by the AAVSO, was included in this original data, and was suitably charted in reproducible standard format.Since 1966, much additional information has been assembled from other sources, three Catalogs have been issued which list the new or revised charts produced, and which specify how copies of same may be obtained. The latest such Catalog is dated June 1978, and lists 670 different charts covering a total of 611 variables none of which was charted in reproducible standard form previous to 1966.

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