DEAN CONRAD ALLARD Jr.Spencer Fullerton Baird and the U.S. Fish Commission, a study in the history of American Science. 1978. Arno Press, New York, Price $25.00.

1980 ◽  
Vol 9 (PART_4) ◽  
pp. 665-666
Author(s):  
R.G. J. SHELTON
2006 ◽  
Vol 24 (1) ◽  
pp. 193-199 ◽  
Author(s):  
William J. Novak

James Henretta's “Charles Evans Hughes and the Strange Death of Liberal America” takes up one of the most interesting and important interpretive questions in the history of American political economy. What explains the dramatic transformation in liberal ideology and governance between 1877 and 1937 that carried the United States from laissez-faire constitutionalism to New Deal statism, from classical liberalism to democratic social-welfarism? That question has preoccupied legions of historians, political-economists, and legal scholars (as well as politicians and ideologues) at least since Hughes himself opened the October 1935 Term of the U.S. Supreme Court in a brand new building and amid a rising chorus of constitutional criticism. Henretta, wisely in my opinion, looks to law, particularly public law, for new insights into that great transformation. But, of course, the challenge in using legal history to answer such a question is the enormous increase in the actual policy output of courts, legislatures, and administrative agencies in this period. Trying to synthesize the complex changes in “law-in-action” in the fiercely contested forums of turn-of-the-century America sometimes seems the historical-sociological equivalent of attempting to empty the sea with a slotted spoon. Like any good social scientist, Henretta responds to the impossibility of surveying the whole by taking a sample. Through a case-study of the ideas, political reforms, and legal opinions of Charles Evans Hughes, particularly as governor of New York and associate and chief justice of the U.S. Supreme Court, Henretta offers us in microcosm the story of the revolution (or rather several revolutions) in modern American governance.


Black Market ◽  
2020 ◽  
pp. 17-48
Author(s):  
Aaron Carico

This chapter reassembles the immediate and concrete history of abolition after 1865, from the counter of the Southern country store to the international trade in cotton, as it sorts out the mechanisms of law and arrangements of political economy that chaperoned the tremendous value incarnated in slaves across the gulf of the Civil War. It explains how citizenship for the formerly enslaved was tethered to the racialization of debt and how the legal relations of formal abolition were actually economic relations of credit. This chapter analyzes the legal history of the Fourteenth Amendment and the interlocking forms of theft it enabled, from Southern sharecropping to New York corporations, from the Freedman’s Bank to the U.S. national debt, showing how liberalism is enmeshed with colonialism. Through a landmark Supreme Court case in 1897, this chapter describes how the personhood of the freed enabled the white accumulation of finance capital through global cotton markets, engaging with the theories of Giovanni Arrighi and world-systems analysis.


Author(s):  
Stephanie Elizondo Griest

Twelve different jurisdictions wield some degree of power over the Mohawk Nation of Akwesasne: four counties, one state, two provinces, two countries, and three different tribal governments. When calamity strikes, any of the following law enforcement agencies can be summoned: the Akwesasne Mohawk Police, the St. Regis Mohawk Tribal Police, the New York State Police, the Federal Bureau of Investigation, the U.S. Border Patrol, the Sûreté du Québec, the Ontario Provincial Police, the Royal Canadian Mounted Police, and/or the Canada Border Services Agency. “No wonder we are crazy,” a Mohawk elder tells the author. In this chapter, the author joins hundreds of Mohawks as they shut down their version of a border wall: a series of bridges connecting their nation with Ontario and New York. Also featured is a history of Mohawks’ timeheld trade of steelwork.


2012 ◽  
Vol 5 (1) ◽  
pp. 57-70
Author(s):  
Catriona MacLeod

In comparison to the U.S. market, the trend for autobiographical sequential art arrived late within the history of the francophone bande dessinée. Its rising popularity throughout the 1990s and into the new millennium coincided, and to an extent connected, with another belated development in the French-language industry however: that of the growing presence of the female artist. This article considers the strong presence of life narratives in bandes dessinées created by women, before presenting a case-study examining the manipulation of the medium to an autobiographical end in Québécoise artist Julie Doucet's 1998 Changements d'adresses ['Changes of Addresses']. It considers how, in this coming-of-age narrative set first in Montreal and then New York, Doucet utilises the formal specificity of the bande dessinée to emphasise both the fragmentation and then reintegration of her hybrid enunciating instances. It further examines Doucet's usage of the life-narrative bande dessinée to oppose her representation from that of the disruptive male figures in her life, whose sexual presence in her personal evolution is often connected to images of dysfunction and death, finally suggesting via this examination of Julie Doucet and Changements d'adresses the particular suitability of female-created life narratives to feminist reappropriations of the francophone bande dessinée.


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