scholarly journals A Critical Study of Informal New Media Uses in Sweden

2014 ◽  
Vol 6 (5) ◽  
pp. 1025-1047
Author(s):  
Yiannis Mylonas

This study looks at a variety of “informal” uses of new media and ICTs. The term informal describes popular uses of digital technologies that often exist outside the norms, laws, and codes that dictate how digital technologies and networks are to be used. Such activities include what is commonly described as “piracy,” but also embrace different peer-to-peer practices. Informal activities develop due to the affordances of digital technologies, which allow space for creativity and personalization of use, but are also due to broader sociocultural variables and contextual issues. In general terms, informal activities are those that concern the amateur activities of people using digital programs, tools, and networks. Media scholars see great potential in new media/ICT affordances, as related to the proliferation of grassroots participation, communication, and creativity. Nevertheless, a growing critical literature forces us to examine the actualization of such potential. This paper discusses the aforementioned issues by looking at new media/ICT uses in Sweden; it departs from critical perspectives that take into consideration the political economy of new media, and the cultural-political critiques of late-modern consumer societies.

2021 ◽  
pp. 1-6
Author(s):  
John Skorupski

This is a critical study of late modern ethical thought in Europe, from the French Revolution to the advent of modernism. I shall take it that ‘late modern’ ethics starts with two revolutions: the political revolution in France and the philosophical revolution of Kant. The contrast is with ‘early modern’. Another contrast is with ‘modernism’, which I shall take to refer to trends in culture, philosophy, and politics that developed in the latter decades of the nineteenth century, and lasted into the twentieth century—perhaps to the sixties, or even to the collapse of East European socialism in the eighties....


Author(s):  
Nick Dyer-Witheford ◽  
Zena Sharman

Abstract: Video and computer games are a burgeoning new media industry with global revenues rivaling those of film and music. This article, reporting on a three-year SSHRC-funded research project, analyzes the political economy of Canadian involvement in the interactive game business. After an overview of companies, ownership, markets and regional distribution, it discusses the developmental dynamics and contradictions of the Canadian industry in terms of capital, state, and labour. It concludes by reviewing different ways these interweaving forces may ‘play out’ and their implications for policy decisions affecting the Canadian video and computer game industry. Résumé : Les jeux électroniques sont une nouvelle industrie médiatique en plein essor dont les revenus mondiaux rivalisent avec ceux des industries du film et de la musique. Cet article, qui rend compte d’un projet de recherche de trois ans financé par le CRHS, analyse l’économie politique de la participation canadienne à l’industrie du jeu interactif. L’article – suivant une vue d’ensemble des compagnies, de leurs propriétaires, des marchés, et de la distribution régionale – traite des dynamiques du développement ainsi que des contradictions de l’industrie canadienne en fonction de capital, état et travail. En guise de conclusion, l’article passe en revue les diverses manières dont ces trois forces interreliées pourront évoluer et l’impact de celles-ci sur les décisions politiques portant sur l’industrie des jeux électroniques au Canada.


2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Rifka Hanifah ◽  
Vinda Fauzia Hamdani Putri ◽  
Ajeng Setia Utari

Instagram is one of the social media that is widely used by Indonesians. Instagram users in Indonesia are under Instagram users from the United States, Brazil and China. The emergence of social media Instagram is a new and interesting dynamic to research based on Vincent Mosco's descriptive study of the political economy of the economy. One way to see and analyze an issue or phenomenon of communication is through the descriptive study of Vincent Mosco's political economy and economy. In theory, Mosco refers to the globalization of the political economy of media which explains where there is a transition from old media and when new media emerge. Thus the formulation of the problem of this research is how the political economy practice of communication in the use of Instagram social media during the Covid-19 pandemic which was observed from Anies Baswedan's Instagram account. This study uses a descriptive research method in order to provide an overview description of the political economy practice of communication on Instagram social media during the Covid-19 pandemic which was observed from the Instagram account of the Governor of DKI Jakarta, Anies Baswedan. It can be concluded that social media is a means based on internet technology (online media) such as Instagram which allows a person to interact, communicate, collaborate and share information with others. Even Instagram users can easily participate directly in it. Commodification, spatialization and structuration are three important elements in political economy because they can bring about changes in function or use values. Commodification is one of the elements that is directly related to how the process of transforming goods or services (along with their use value) into a commodity that has an exchange value in the market. Spatialization is a process when dealing with time and space. Structuring is a communication or media activity associated with social structures.


1984 ◽  
Vol 57 (3) ◽  
pp. 462 ◽  
Author(s):  
Mark M. Turner ◽  
Vivencio R. Jose ◽  
Walden Bello ◽  
David Kinley ◽  
Elaine Elinson ◽  
...  

2016 ◽  
Vol 31 (1) ◽  
pp. 142-152 ◽  
Author(s):  
David Spencer

Erik Brynjolfsson and Andrew McAfee, in their widely read and politically impactful book The Second Machine Age, highlight the costs and benefits of digital technologies for the volume and quality of work and identify reforms designed to ensure that digital technologies deliver net advantages to workers and society more generally. This article offers a critique of their thesis. Specifically, it criticizes the authors for their neglect of the nexus between the politics of production and digital technologies. They fail, in short, to grasp the importance of power relations for the form, direction and outcomes of digital technologies. The article argues for an alternative view of the progress of digital technologies that is rooted in an understanding of the political economy of capitalism. In this respect, it draws on and applies ideas and concepts from Marxian political economy.


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