scholarly journals Intertextuality and Mise en Abyme in Nobuhiro Suwa’s H Story and A Perfect Couple. Between European Modernity and Japan

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 57
Author(s):  
Miguel Muñoz-Garnica

Nobuhiro Suwa, often called “the most French of Japanese directors”, has a complex relationship with European cinematic modernity. His two feature films H Story (2001) and A Perfect Couple (2005) can provide useful case studies, as they were created in dialogue with two key references of that modernity: Hiroshima mon amour (1959, Alain Resnais) and Journey to Italy (Viaggio in Italia, 1954, Roberto Rossellini), respectively. Both films tend to confront and gloss their previous pairs, but they are also continuations of their concerns and their aesthetical discoveries. The presence of intertextuality elements connecting those films, as well as the use of myse en abyme structures are deeply analyzed in this article to attain a greater understanding on how this process of transcultural dialogue works. Besides, both films exemplify different ways of developing the references on which they are built, namely deconstruction for H Story and reconstruction for A Perfect Couple.

Author(s):  
Anna Estera Mrozewicz

This book addresses representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, investigating their hitherto-overlooked transnational dimension. Departing from the dark stereotypes that characterise the hegemonic narrative defined as ‘Eastern noir’, the author presents Norden’s eastern neighbours as depicted with a rich, though previously neglected in scholarship, cinematic diversity. The book does not deny the existence of Eastern noir or its accuracy. Instead, in a number of in-depth case studies of both popular and niche feature films, documentaries and television dramas, it interrogates and attempts to add nuance to the Nordic audiovisual imagination of Russia and Eastern Europe. Tracing approaches of and beyond the Eastern noir paradigm across cinematic genres, and in relation to changing historical contexts, the author considers how increasingly transnational affinities have led to a reimagining of Norden’s eastern neighbours in contemporary Nordic films. Making the notions of border/boundary and neighbourliness central to the argument, the author explores how the shared geopolitical border is (re)imagined in Nordic films and how these (re)imaginations reflect back on the Nordic subjects.


Target ◽  
2011 ◽  
Vol 23 (1) ◽  
pp. 113-130 ◽  
Author(s):  
Montse Corrius ◽  
Patrick Zabalbeascoa

In addition to the two languages essentially involved in translation, that of the source text (L1) and that of the target text (L2), we propose a third language (L3) to refer to any other language(s) found either or both texts. L3 may appear in the source text (ST) or the target text (TT), actually appearing more frequently in STs in our case studies. We present a range of combinations for the convergence and divergence of L1, L2 and L3, for the case of feature films and their translations using examples from dubbed and subtitled versions of films, but we are hopeful that our tentative conclusions may be relevant to other modalities of translation, audiovisual and otherwise. When L3 appears in an audiovisual ST, we find a variety of solutions whereby L3 is deleted from or adapted to the TT. In the latter case, L3 might be rendered in a number of ways, depending on factors such as the audience’s familiarity with L3, and the possibility that L3 in the ST is an invented language.


Author(s):  
Stefan Sunandan Honisch

This chapter explores the convergence of disability and virtuosity in competitive music performance. Two case studies of the pianist Nobuyuki Tsujii performing Beethoven’s Apassionata and Hammerklavier sonatas in the 2009 Van Cliburn International Piano Competition illustrate how the virtuosic body renders both normal and disabled bodies as other within the competitive arena. The critical and popular reception of these performances by Tsujii made much of their staging of a musical encounter between a blind pianist and a deaf composer; Tsujii himself, on the other hand, has publicly declared a more complex relationship to Beethoven as a fellow disabled musician. Exploring blindness and deafness as forms of virtuosity, this chapter shows how musical representations of virtuosity in performance exist in unfixed, dynamic, and even unsettling relationships to normal and disabled senses, bodies, and minds.


Author(s):  
Rob Stone

This chapter investigates the curious absence of erotic content in Basque cinema (Julio Medem’s feature films are the obvious exception), an absence that, the author argues, extends well into the democratic period and therefore cannot be blamed on censorship or catholic repression. This research shows that the explicit content of Basque films often revolves around contexts of torture, revealing a certain fascination with masochist narratives that could be suggestive of nationalist martyrdom. This is explored in his Deleuzian analysis of his two main case studies, Estado de excepción/State of Emergency (dir. Iñaki Núñez, 1977) and Akelarre/Witches’ Sabbath (dir. Pedro Olea, 1984), and of a segment of Medem’s documentary La pelota vasca: la piel contra la piedra/The Basque Ball: Skin Against Stone (2003) among many other examples throughout the history of Basque cinema. This noticeable absence of erotic narratives could be part of a revolutionary intent to distance Basque cinema both from the erotic narratives of the Barcelona School and from the destape films associated with Madrid, but also a nationalist commitment to sacrifice individualistic desires and pleasures at the service of more collective aims.


Author(s):  
David L. Bahn

The strategic benefit of IT (information technology) in supporting business functions is often seen as the basis for competitive advantage that is sustainable. The value chain concept has been a handy tool widely utilized in business strategy analysis to match firm competency in performing business activities with the achievement of sustainable marketplace advantage. When it comes to the assessment of the competitive value of information technology, the value chain concept seems to either categorize IT as a support activity or to overly narrow the scope of IT’s role in achieving sustainable competitive advantage. This chapter reviews the concepts of the value chain and sustainable competitive advantage. Short case studies from a number of industries are presented in order to illustrate the limitations of using the value chain to describe information technology’s role in achieving sustainable competitive advantage. These examples demonstrate the subtle and often complex relationship between information technology and competitive advantage.


Author(s):  
Mark R. Nelson

The strategic benefit of IT (information technology) in supporting business functions is often seen as the basis for competitive advantage that is sustainable. The value chain concept has been a handy tool widely utilized in business strategy analysis to match firm competency in performing business activities with the achievement of sustainable marketplace advantage. When it comes to the assessment of the competitive value of information technology, the value chain concept seems to either categorize IT as a support activity or to overly narrow the scope of ITs role in achieving sustainable competitive advantage. This chapter reviews the concepts of the value chain and sustainable competitive advantage. Short case studies from a number of industries are presented in order to illustrate the limitations of using the value chain to describe information technologys role in achieving sustainable competitive advantage. These examples demonstrate the subtle and often complex relationship between information technology and competitive advantage.


Author(s):  
Lisa Nanney

John Dos Passos & Cinema, the first study to use the novelist’s little-known writing for the screen to assess the trajectory of his prolific career, explores both how film aesthetics shaped his revolutionary modernist narratives and how he later reshaped them directly into film form. The book features previously unpublished manuscripts and correspondence illustrating case studies of his screen writing during the 1930s for Hollywood feature films and in an innovative independent treatment; it examines the complexities of his role in the 1937 political documentary The Spanish Earth; and it explores the unproduced screen treatment of his attempts from the 1940s on to adapt his epic trilogy U.S.A. directly for the screen and to realign its leftist politics toward the anti-Communist conservatism reflected in his work and activism of that period. John Dos Passos & Cinema thus provides a new context for and reading of his modernist literary innovations and his conservative political reorientation in the 1930s that redefined his literary career.


2017 ◽  
Vol 4 (2) ◽  
pp. 151-166
Author(s):  
André Laliberté

In this essay, I present the concepts of religious resistance and contentious politics, in which religions represent a source of inspiration, before moving to the issue of how these concepts apply to China. I note that there is little literature on this particular subject, which is always politically sensitive. As the Communist Party of China has increasingly recognized the relevance of religion in contemporary society, it has tried to keep it in check and thereby ensure that independent associations with a religious background will not become involved in contentious politics. This article then briefly introduces the four case studies in this special issue on the theme of religion and contentious politics in China: two cases of persecution of Christians and Catholics during the period of Mao, and two articles about Buddhism, which has a more complex relationship with the state.本文首先阐述了宗教抵抗与抗争政治的概念—其中宗教发挥了启发鼓舞的作用而后将之用于分析中国经验。由于政治敏感性,有关此议题的文献很少。因为逐渐意识到宗教在当代社会中的重要性,中国共产党试图管控宗教防止具有宗教背景的独立团体参与抗争政治。本文最后介绍本期中有关中国宗教与抗争政治的四篇个案研究:两篇文章讨论毛泽东时期对基督徒和天主教徒的压迫,另外两篇是关于佛教及其与国家的复杂关系。


Author(s):  
Michela Russo

Roberto Rossellini (Roberto Gastone Zeffiro Rossellini, Rome, May 8, 1906—June 3, 1977) was an Italian film director, screenwriter, and producer. His early work appeared at the height of Fascism—two shorts, now lost, on the subject of nature: Daphne (1936) and Prélude à l’aprés-midi d’un faune (1938). At the beginning of the 1940s he released his first feature films exalting the virtues of World War II combatants: La nave bianca (1941), about a group of Italian sailors on a hospital ship, Un pilota ritorna (1942), about the war between Italy and Greece, and L’uomo dalla croce (1943), about military chaplains on the Russian front. With these three films, which are often referred to as the "Fascist trilogy," Rossellini’s work is considered to be highly controversial for his use of certain fascist ideological themes that he would definitively abandon in the aftermath of the war. This trilogy already crosses Realism and documentary filming with social aesthetics, humanist concerns, and a sharp observation of everyday life. These traits characterized Rossellini’s postwar Neorealism and never completely disappeared from the different phases of his future work.


2017 ◽  
Vol 48 (2) ◽  
pp. 211-240 ◽  
Author(s):  
Timothy P. Newfield ◽  
Inga Labuhn

A special issue of the journal Quaternary Science Reviews—entitled “Mediterranean Holocene Climate, Environment and Human Societies”—demonstrates why and how historians interested in premodern environmental history should work collaboratively across disciplinary boundaries to draw conclusions. A series of mini–case studies and a survey of recent scholarship, as prompted by this collection, explores the advantages and challenges of attempting to realize such consilience. Although the special issue focuses on Mediterranean Europe during the late antique–medieval periods, all historians interested in the complex relationship between climate and societal change will find that it yields deeper reflections and issues.


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