Virtuosities of Deafness and Blindness

Author(s):  
Stefan Sunandan Honisch

This chapter explores the convergence of disability and virtuosity in competitive music performance. Two case studies of the pianist Nobuyuki Tsujii performing Beethoven’s Apassionata and Hammerklavier sonatas in the 2009 Van Cliburn International Piano Competition illustrate how the virtuosic body renders both normal and disabled bodies as other within the competitive arena. The critical and popular reception of these performances by Tsujii made much of their staging of a musical encounter between a blind pianist and a deaf composer; Tsujii himself, on the other hand, has publicly declared a more complex relationship to Beethoven as a fellow disabled musician. Exploring blindness and deafness as forms of virtuosity, this chapter shows how musical representations of virtuosity in performance exist in unfixed, dynamic, and even unsettling relationships to normal and disabled senses, bodies, and minds.

2020 ◽  
Vol 13 (26) ◽  
pp. 73-78
Author(s):  
Maria Antonietta Maria Antonietta Sbordone ◽  
Barbara Barbara Pizzicato

Over the course of its history, design has never lost sight of nature as a term of comparison, sometimes taking from it, sometimes moving away from it. To investigate the complex relationship between the two terms, design and nature, we cannot ignore the evolution of man and how it has been profoundly influenced by technological innovation, which is the most evident result of science. Tracing an evolutionary line of design thinking, a double trajectory can be registered: on the one hand the tension towards progress and the myth of the machine, on the other hand the idea of a harmonious co-evolution with nature and the need to be reconnected with it. Besides, it is progress that allows mankind to thoroughly investigate natural mechanisms and make them their own. Contemporary design, autonomous but at the same time increasingly interdisciplinary, has got blurred boundaries which intersect with the most advanced fields of biological sciences. This evolution has opened up a whole new field of investigation that multiplies the opportunities of innovation, especially from a sustainability-oriented point of view. Today the dramatic breaking of the balance between man and nature has turned into the concept of permanent emergency, which is now matter of greatest interest for design, a design that attempts to react, mend, adapt to change in an authentically resilient way.


10.28945/2792 ◽  
2004 ◽  
Author(s):  
Tony Jewels ◽  
Carmen de Pablos Heredero ◽  
Marilyn Campbell

Although there are many teaching styles in higher education, they can usually be reduced to two: the traditional, on campus attendance, lecturing, student-passive style and the newer, distance education, self-paced, student-active style. It is the contention of this paper, illustrated by two case studies of one Spanish and one Australian university, that the differences in technology seem to have evolved due to these different teaching styles. On the other hand, both institutions seem to be in the same stage of technological implementation, although the technological product appears different. A discussion is provided to consider the interaction effects in practice, teaching styles and institutional adoption stage on web based technologies in these two universities.


Author(s):  
Elke Van Nieuwenhuyze

The aim of this article is to trace the referential value of juffrouw Lina (1888)as part of its narrative organisation by means of the narrativist historical theoryof Frank Ankersmit. This starting point demands a confrontation of thisnaturalist novel by Marcellus Emants with the contemporary medical biographyof the French writer and politician Chateaubriand by the Belgian physicianErnest Masoin on the one hand and with some case studies of hystericsby the famous French docter Jean-Martin Charcot on the other hand. lt willbe argued that the narrativity of the novel plays a key-role in the constructionof its referential value on various levels.


Author(s):  
Tatiana Prorokova

This chapter scrutinizes the complex relationship between climate change and theology, as represented in First Reformed, as well as Paul Schrader’s understanding of humanity’s major problems today. Analyzing the issue of ecological decline through the prism of religion, Schrader outlines the ideology that presumably might help humanity survive at the age of global warming. Through the complex discussions of such issues as despair, anxiety, and hope, Schrader deduces the formula of survival in which preservation is the key component. Equating humans to God, Schrader, on the one hand, censures those actions that led to progress but destroyed the environment, yet, on the other hand, he foregrounds the fact that humans can also save the planet now. Schrader portrays both humans and Earth as living organisms created by God. He draws explicit parallels between the current state of our planet and the problems that we experience – from political ones, including war, to more personal ones like health issues.


2019 ◽  
Vol 64 ◽  
pp. 03001
Author(s):  
Claire Pelgrims

In this paper, I study the sensory-motor effects of Brussels commercial galleries’ ambiance in the latter half of the 20th century. The analysis of two case studies (“Deux Portes” networked galleries and Agora Gallery) reveals the different logics of slow mobility acceleration and immobilisation at stake in the emerging modernist grammar of slow mobility. This grammar-in arrangement with the grammar of fast automobility − structures and stabilises the design of spaces for slowness next to the roadscape in spatial segregation of transport modes. There are accelerating and decelerating sensory dispositifs that define galleries both as punctual destination spaces that capture passers-by and as alternative paths for pedestrians: logics of multifunctionality, fast mobility accessibility and setting of an ambiance on the one hand, and logics of securement, spatial and qualitative continuities, on the other hand. Accelerating and decelerating dispositifs and logics facilitate movement to better keep the consumer captive. Then, I discuss the possible contribution of iconographic archives in research about past ambiances. They effectively acknowledge sensory- motor effects of ambiance but do not constitute an autonomous corpus to grasp sensitivity and reshape past ambiances.


2018 ◽  
Vol 13 (2) ◽  
pp. 219-225
Author(s):  
Arif A JAMAL

AbstractIn considering the articles in this Special Issue, I am struck by the importance of a set of factors that, in my view, both run through the articles like a leitmotif, as well as shape the major ‘take away’ lesson(s) from the articles. In this short commentary, I elaborate on these factors and the lesson(s) to take from them through five ‘Cs’: context; complexity; contestation; the framework of constitutions; and the role of comparative law. The first three ‘Cs’ are lessons from the case studies of the articles themselves, while the second two ‘Cs’ are offered as lessons to help take the dialogue forward. Fundamentally, these five ‘Cs’ highlight the importance of the articles in this Special Issue and the conference from which they emerged on the one hand, while on the other hand, also making us aware of what are the limits of what we should conclude from the individual articles. In other words, taken together, the five ‘Cs’ are, one might say, lessons about lessons.


2001 ◽  
Vol 23 (2) ◽  
pp. 2-4
Author(s):  
Betsy Taylor ◽  
Samuel Cook

The case studies in this issue suggest the diversity, creativity and deep historical roots of experiments in community/academic/government partnership in Appalachia. On one hand, it is important to understand these case studies as emerging from a distinctive Appalachian context. On the other hand, interesting resonances and convergences can be found with larger national and global movements. The word "partnership" has, as it were, become globalized—carrying many meanings and purposes. A diversity of movements experiment with a diversity of models for blurring, mixing, and matching roles bringing citizens, experts (academic and otherwise), teachers, students and government officials together in all sorts of combinations as they tackle problems deemed insoluble within older role definitions. This introduction tries to chalk out some of these larger connections—looking for the lessons to be learned from these case studies in defining best practices for partnership building.


2015 ◽  
Vol 52 (1) ◽  
pp. 194-217
Author(s):  
FRANK VAN EYNDE

Sign-Based Construction Grammar (sbcg) is, on the one hand, a formalized version of Berkeley Construction Grammar (bcg), and, on the other hand, a further development of constructionist Head-driven Phrase Structure Grammar (hpsg). The volume edited by Hans Boas and Ivan Sag is the first book length presentation of the framework. Its centerpiece is a 130-page synopsis of the theory by Ivan Sag. The other contributions to the volume provide background, justification, case studies, an extension to diachronic syntax and a presentation of the FrameNet Constructicon. This review gives a guided tour of the framework, explaining its central notions and assumptions, as well as the notation in which they are cast. It also compares the sbcg framework with other types of Construction Grammar and with hpsg. The case studies are summarized and briefly evaluated.


Author(s):  
Luai Aljubori ◽  
Chaham Alalouch

It is generally accepted that compositions in deconstructive architecture are irrational, fragmented, and do not follow proportional systems or principles of architecture, such as harmony, continuity, and unity. These compositions are understood as the result of compilations of random geometries that are often non-rectilinear, distorted, and displaced. In spite of this, deconstructive architecture is widely accepted and practiced in the last couple of decades. On the other hand, geometrical proportions have long been considered as a self-guided method of aesthetically proven designs. This paper examines the hypothesis that the golden rectangle as a proportional system is manifested, to a varying degree, in deconstructive architecture. Methodologically, the hypothesis was tested using two inter-related methods. First, Tension Points of three famous examples of deconstructivist architecture were identified using the Delphi method by a panel of experts. Second, a matrix of displaced golden rectangles was used to test the degree of correspondence between the tension points of the case studies and the golden rectangle. It was found that deconstructive architecture is not a type of “free-form” architecture; and that conventional proportional systems and aesthetics laws, such as the golden ratio, are partially manifested in its compositions and forms, thus confirming the hypothesis. This paper argues that since architects are trained to capture proportional systems and design according to certain organizational and proportional principles, this would inevitably be consciously or unconsciously reflected on their designs.


Author(s):  
Vincenzo Ferrone

This chapter examines the debate between Ernst Cassirer and Martin Heidegger over the question “What is man?”—and thus, indirectly, the authentic meaning of Immanuel Kant's philosophy—and relates it to Pope Benedict XVI's views on the complex relationship between Christianity and Enlightenment culture. What was at stake in the Cassirer–Heidegger debate was the very existence of the Enlightenment and the legitimacy of its epistemological foundation. Cassirer accepted the need to redefine the relationship between the a priori and experience, in view of an idealistic conception of Kantian transcendentalism that was both more complex and problematic. His position remained firmly within the universalistic tradition of Enlightenment humanism. Heidegger, on the other hand, saw the Enlightenment as the final phase of the vilified trajectory of Western metaphysics that had resulted in the enthronement of man. The chapter also considers the Catholic Church's anti-Enlightenment positions.


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