scholarly journals Researching Child Authors: Which Questions (not to) Ask

Humanities ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 87
Author(s):  
Elisabeth Wesseling

It used to be taken for a given fact that children’s literature is written by adults for children. This assumption is contested by the emergence of “another children’s literature”, namely literature about, for, and by children. Facilitated by digital platforms, this alternative type of children’s literature is gathering momentum, compelling us to rethink the (im)possibilities of children’s creative agency. As research into children’s literature is largely premised upon the asymmetry between adult authorship and juvenile readership, we need to rethink some fundamental tenets of this academic field in order to come to terms with child authorship. This article reviews leading publications on the topic, to address the question of how we can best acknowledge, facilitate, and appreciate children’s creative agency as an indispensable dimension of their emergent citizenship. Methodological deliberations are illustrated with references to primary works by child authors about topical societal issues such as ethnic conflict, homelessness, and migration. Its aim is not so much to provide a complete survey of all available publications on the topic, but rather to stake out representative publications that exemplify more and less fruitful approaches to the problem at hand.

Author(s):  
Rebekah Sheldon

In the conclusion of The Child to Come, the book asks, ‘What happens when the life figured by the child--innocent, self-similar human life at home on a homely Earth--no longer has the strength to hold back the vitality that animates it?’ This chapter looks at two kinds of texts that consider this question: Anthropocene cinema and Young Adult Fiction. By focusing on the role of human action, the Anthropocene obscures a far more threatening reality: the collapse of the regulative. In relation, both children’s literature and young adult literature grow out of and as disciplinary apparatuses trained on that fraught transit between the presumptive difference of those still in their minority and the socially necessary sameness that is inscribed into fully attained adulthood.


2020 ◽  
Vol 2 ◽  
pp. 157-160
Author(s):  
Gulnar Gambarova ◽  

Writing on children's literature, topics that are of interest to them are difficult to explore and the works that shape the aesthetic taste of children are hard to come by. Some of the keynote speakers have devoted their lives to the creation of this literature. One of the poets who wrote modern children's poetry is Zahid Khalil. He brings to life literature about topics that children try to learn, observations of life, and tries to create a series of original images. The article analyzes children's poems, which play an important role in Zahid Khalil's creativity, and explores their themes, ideas and significance for children.


2020 ◽  
Vol 44 (1) ◽  
pp. 154-169
Author(s):  
David Wills

The celebrated conservationist, and serial memoirist, Gerald Durrell often imaginatively revisited the Corfu of his childhood. Donkeys were integral to his vision of Greek rural life. Both the setting and the style of his literary output resisted what he regarded as unwelcome modernization. His 1968 publication The Donkey Rustlers, one of his few novels, shows how Durrell attempted to perpetuate an outdated view of both Greece and children's literature. It is argued that Durrell's well-attested affection for the Greek people was not well reflected by a narrative in which both foreign children and donkeys seem to come out on top.


Author(s):  
Clare Bradford ◽  
Kerry Mallan ◽  
John Stephens ◽  
Robyn McCallum

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