scholarly journals Russian First World War Propaganda Literature through Its Anthologies. Some Observations on Russian Soldier-Literature and Journalistic Reporting

Literature ◽  
2021 ◽  
Vol 1 (2) ◽  
pp. 58-70
Author(s):  
Luca Cortesi
Keyword(s):  
Short Stories ◽  
Literary Criticism ◽  
War Literature ◽  
Russian Literature ◽  
First World War ◽  
Cultural Discourse ◽  
World War ◽  
The First World War ◽  
War Propaganda ◽  
First World

In the Soviet era, Russian involvement in WWI long represented an ostracised and even forgotten event. This very attitude is reflected by Soviet literary criticism of WWI war literature. Taking into account both the studies which re-examined this part of Russian literature in a less ideologically biased manner and the stances that major writers of that period took towards the war, the aim of this paper is to investigate Russian Soldier-literature as presented in anthologies published in the wake of the First World War. The publishing of short stories, journalistic reporting and poems actually (or allegedly) composed by soldiers themselves can be interpreted as a symptomatic expression of a broader cultural discourse that was common at that time, and of which state propaganda publications often availed themselves.

The Motif of Sacrifice in the Literature and Culture of the Second World War

2018 ◽  
Author(s):  
Mark Rawlinson
Keyword(s):  
Short Stories ◽  
First World War ◽  
Second World War ◽  
Home Front ◽  
World War ◽  
War Poetry ◽  
Anglophone Literature ◽  
The First World War ◽  
Second World ◽  
First World

This chapter explores how Anglophone literature and culture envisioned and questioned an economy of sacrificial exchange, particularly its symbolic aspect, as driving the compulsions entangled in the Second World War. After considering how Elizabeth Bowen’s short stories cast light on the Home Front rhetorics of sacrifice and reconstruction, it looks at how poets Robert Graves, Keith Douglas, and Alun Lewis reflect on First World War poetry of sacrifice. With reference to René Girard’s and Carl von Clausewitz’s writings on war, I take up Elaine Cobley’s assertion about the differing valencies of the First and Second World Wars, arguing that the contrast is better seen in terms of sacrificial economy. I develop that argument with reference to examples from Second World War literature depicting sacrificial exchange (while often harking back to the First World War), including Evelyn Waugh’s Sword of Honour Trilogy (1952–61), and William Wharton’s memoir Shrapnel (2012).

scholarly journals Übersetzung pejorativer Personenbezeichnungen

2017 ◽  
Vol 82 (3) ◽  
Author(s):  
Anita Pavić Pintarić
Keyword(s):  
Short Stories ◽  
First World War ◽  
German Language ◽  
World War ◽  
The First World War ◽  
Miroslav Krleza ◽  
The Relationship ◽  
First World

This paper investigates the translation of pejoratives referring to persons. The corpus is comprised of literary dialogues in the collection of short stories about the First World War by Miroslav Krleža. The dialogues describe the relationship between officers and soldiers. Soldiers are not well prepared for the war and are the trigger of officers’ anger. Therefore, the dialogues are rich with emotionally loaded outbursts resulting in swearwords. Swearwords relate to the intellect and skills of soldiers, and can be divided into absolute and relative pejoratives. Absolute pejoratives refer to the words that carry the negative meaning as the basis, whereas relative pejoratives are those that gain the negative meaning in a certain context. They derive from names of occupations and zoonyms. The analysis comprises the emotional embedment of swearwords, their metaphoric character and the strategies of translation from the Croatian into the German language.

Epic Stone Butch

2020 ◽  
Vol 7 (1) ◽  
pp. 77-98
Author(s):  
K. Allison Hammer
Keyword(s):  
Short Stories ◽  
Willa Cather ◽  
First World War ◽  
World War ◽  
American Frontier ◽  
American Writer ◽  
Historical Processes ◽  
The First World War ◽  
Professor's House ◽  
First World

Abstract Through application of the contemporary term transmasculinity and the more historical stone butch, the author questions the critical tendency to perceive American writer Willa Cather only as lesbian while ignoring or undertheorizing a transgender longing at play in her fiction, short stories, and letters. While biographical evidence must not be approached as simply coterminous with literary production, as literature often exceeds or resists such alignments, Cather's letters in particular suggest a strong identification with her male fictional alliances. Analysis of her letters alongside two of her most treasured, and disparaged, novels, One of Ours (1922) and The Professor's House (1925), conveys Cather's wish for an idealized masculinity, both for herself and for Western culture, that would survive two coeval historical processes and events: the closing of the American frontier and the First World War. Through what the author calls a stone butch “armature,” she and her characters retained masculine dignity despite historical foreclosure of Cather's manly ideal, Winston Churchill's Great Man, who was for her the artistic and intellectual casualty of the period. Cather expressed the peculiar nostalgic longing present in stone butch, and in the explosion of new forms of transmasculinity in the present. This suggests that historical transgender styles don't disappear entirely, even as new categories emerge.

“The Methods of Barbarism” and the “Rights of Small Nations”: War Propaganda and British Pluralism

1998 ◽  
Vol 30 (1) ◽  
pp. 49-75 ◽  
Author(s):  
John S. Ellis
Keyword(s):  
Use Of Force ◽  
First World War ◽  
Anglo Saxon ◽  
World War ◽  
Boer War ◽  
Historical Progress ◽  
The First World War ◽  
War Propaganda ◽  
Liberal Vision ◽  
First World

The “methods of barbarism” and the “rights of small nations” are perhaps the most recognizable of British slogans arising out of the wars of the early twentieth century. They are instantly associated with the Boer War and the First World War respectively, but seldom are they associated with each other. However, the Pro-Boer rhetoric of “the methods of barbarism” and the First World War propaganda of “the rights of small nations” are intimately linked through their roots in the pluralist Liberal vision of Britishness.These slogans and the propaganda campaigns that they epitomized must be understood within the context of a multicultural Britain and opposing notions of British national identity. Defining “barbarism” as the oppression of small nations through the brutal use of force, the Pro-Boers associated the term with the Anglocentric vision of the British nation reflected in the “New Imperialism” of the Conservatives. Through their belief in Anglo-Saxon racial superiority, the Conservative imperialists maintained that small nations like those of the Irish, the Welsh, and the Boers would either be assimilated or swept aside by the historical progress of an expanding Anglo-Saxon nation state. In contrast to this notion of Conservative “barbarism,” the Pro-Boer Liberals drew on the Gladstonian heritage of their party in defining the United Kingdom as a multinational state at the center of a multinational empire. They eschewed the use of force in the maintenance of empire and argued that the bonds of imperialism must be based upon mutual goodwill, voluntarism, and the recognition of the principle of nationality.When the First World War broke out in 1914, propagandists drew upon these contrasting constructions of Liberal cultural pluralism and Conservative cultural uniformity. In terms similar to those employed by the Pro-Boers, British propagandists depicted the First World War as a struggle against German “barbarism” and as a fight to vindicate the “rights of small nations.” Solidly based upon the Liberal construction of the multicultural and multinational nature of Britishness, Britain's role as the champion of the principle of nationality was proclaimed with an eye not only to the international context of Europe but to the domestic context of the British state and empire as well.

scholarly journals Scandal in Mesopotamia: Press, empire, and India during the First World War

2019 ◽  
Vol 54 (5) ◽  
pp. 1395-1445
Author(s):  
MANU SEHGAL ◽  
SAMIKSHA SEHRAWAT
Keyword(s):  
First World War ◽  
World War ◽  
Colonial India ◽  
The First World War ◽  
War Effort ◽  
British Press ◽  
War Propaganda ◽  
Post War ◽  
The One ◽  
First World

AbstractBy providing the first comprehensive account of the role of the British and Indian press in war propaganda, this article makes an intervention in the global history of the First World War. The positive propaganda early in the war, intertwined with a rhetoric of loyalism, contrasted with how the conservative British press affixed blame for military defeats in Mesopotamia upon the colonial regime's failure to effectively mobilize India's resources. Using a highly emotive and enduring trope of the ‘Mesopotamia muddle’, the Northcliffe press was successful in channelling a high degree of public scrutiny onto the campaign. The effectiveness of this criticism ensured that debates about the Mesopotamian debacle became a vehicle for registering criticism of structures of colonial rule and control in India. On the one hand, this critique hastened constitutional reforms and devolution in colonial India and, on the other, it led to demands that the inadequacy of India's contribution to the war be remedied by raising war loans. Both the colonial government and its nationalist critics were briefly and paradoxically united in opposing these demands. The coercive extraction of funds for the imperial war effort as well as the British press's vituperative criticism contributed to a post-war, anti-colonial political upsurge. The procedure of creating a colonial ‘scandal’ out of a military disaster required a specific politics for assessing the regulated flows of information, which proved to be highly effective in shaping both the enquiry that followed and the politics of interwar colonial South Asia.

scholarly journals ‘Milksops’ and ‘Bemedalled Old Men’: War Veterans and the War Youth Generation in the Weimar Republic

Fascism ◽  
2017 ◽  
Vol 6 (1) ◽  
pp. 13-41
Author(s):  
Kristian Mennen
Keyword(s):  
National Socialism ◽  
First World War ◽  
World War ◽  
War Veterans ◽  
Combat Experience ◽  
The First World War ◽  
Collective Imagination ◽  
War Propaganda ◽  
Old Men ◽  
First World

This article reconsiders traditional assumptions about the connection between the First World War and the rise of National Socialism in Germany, according to which politically radicalised war veterans joined the Freikorps after the war and formed the backbone of the Nazi membership and electorate. In questioning this view, the article first traces the political paths of actual veterans’ organisations. Whereas the largest veterans’ organisations were not politically active, the most distinctive ones – Reichsbanner and Stahlhelm – were not primarily responsible for a ‘brutalisation’ or radicalisation of Weimar political culture. Their definitions of ‘veteran’ and ‘front experience’ implicitly excluded the so-called ‘war youth generation’ from their narrative. Secondly, it is shown how representatives of this younger generation, lacking actual combat experience but moulded by war propaganda, determined the collective imagination of the First World War. The direct connection between the First World War and National Socialism can therefore primarily be found in the continuity of public and cultural imagination of war and of ‘war veterans’, and much less so in actual membership overlaps between veterans’ and Nazi movements.

A Linguistic Hermeneutic Approach to Paul Rohrbach's Kriegsbotschaften

2009 ◽  
Vol 21 (2) ◽  
pp. 113-130
Author(s):  
Felicity Rash
Keyword(s):  
National Socialism ◽  
First World War ◽  
Second Empire ◽  
World War ◽  
South West ◽  
The First World War ◽  
Discourse Strategies ◽  
South West Africa ◽  
War Propaganda ◽  
First World

This paper applies the methods of linguistic hermeneutics devised by Wengeler (2005) to the pre- and early First World War propaganda essays of Paul Rohrbach. The analysis illustrates the discourse strategies and rhetoric of this staunchly nationalist German writer who was also Settlement Commissioner to German South-West Africa between 1903 and 1906. The texts are good examples of German nationalist propaganda of the Second Empire and were widely read at the time of their publication and afterwards. Their influence is likely to have extended to the period after the First World War, when National Socialism was inchoate.

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