scholarly journals Optical Assessment of Porosity Parameters in Transparent Woven Fabrics

Polymers ◽  
2021 ◽  
Vol 13 (3) ◽  
pp. 408
Author(s):  
Klara Kostajnšek ◽  
Živa Zupin ◽  
Aleš Hladnik ◽  
Krste Dimitrovski

This paper deals with the possibility of a fast and accurate assessment of the number, size, and distribution of pores in transparent woven fabrics based on light penetration. The procedure of analyzing the pore structure in the fabrics based on a digital image is presented in detail. Fabric pores are treated as image particles and analyzed with the Java-based image processing software ImageJ. The obtained data relate to the constructional parameters of the fabric that allow for further analysis, provide the possibility to compare structurally similar or different samples as well as double check the results generated by optical or other means. This paper describes work on plain and similar to plain weaves. The conducted analysis revealed several expected and some unexpected results. Among the former, we can list the range of pore sizes in the examined woven fabrics, the distribution of pores in regard to their similarity, and the effect of dents. Examples of the latter are the magnitude of the cumulative percentage of pores in regard to the weave and the degree to which they participate in the inter-yarn and inter-fiber pores.

2012 ◽  
Vol 430-432 ◽  
pp. 838-841
Author(s):  
Wen Ge Chen

This paper is based on digital image color information reproduction error in a different color gamut,Through the different color gamut mapping method, image processing software Photoshop is used to make experiment and to obtain the corresponding image effect. Using digital presses to print out and use Spectrodensitometer measure the corresponding data.Using Excel software for data processing and analysis, digital image color information of loss situation is obtained in RGB and CMYK color space, It can provide certain basis for control of the color loss.


2014 ◽  
Vol 543-547 ◽  
pp. 2435-2439
Author(s):  
Wei Li ◽  
Xin Yu Zhang

From rest to exercise and from two-dimensional to three-dimensional, digital image processing software can be multi-angle, multi-dimension, multi-direction infiltration for the various fields of design, which has wide applications in every corner of digital media. Firstly, the digital image processing software can analyze the common digital processing system model. On the basis of the principle of RGB color histogram, it also can analyze its application in the ceramic design. According to the set of image transformation principle, the analysis of the geometric transformation plays an important role in in ceramic set, to provide the theoretical basis for the digital image processing software to a certain extent.


Author(s):  
C. Richard Johnson Jr. ◽  
William Sethares ◽  
Margaret Holben Ellis

Identifying, comparing, and matching watermarks in pre-machine-made papers has occupied scholars of prints and drawings for some time. One popular but arduous approach is to overlay, either manually or digitally, an image of the watermark in question with its presumed match from a known source. For example, a newly discovered watermark in a Rembrandt print might be compared to a similar one reproduced in Erik Hinterding’s Rembrandt as an Etcher (2006). Such an overlay can confirm the pair as identical, i.e., as moldmates, or reveal their differences. But creating an accurate overlay for two images with different scales, orientations, or resolutions using standard image-manipulation tools can be time consuming and, ultimately, unsuccessful. Part One of this article describes advances in the emerging field of computational art history, specifically the development of digital image processing software, that can be used to semi-automatically create a reliable animated overlay of two watermarks, regardless of their relative “comparability.” Watermarks found in the prints of Rembrandt van Rijn (1606–1669) are used in three case studies to demonstrate the efficacy of user-generated overlay videos. Part Two discusses how searching for identical watermarks, i.e., moldmates, can be enhanced through the application of a new suite of software programs that exploit the data calculated during the creation of user-generated animated overlays. This novel watermark identification procedure allows for rapid, confident watermark searches with minimal user effort, given the existence of a pre-marked library of watermarks. Using a pre-marked library of Foolscap with Five-Pointed Collar watermarks, four case studies present different categories of previously undocumented matches 1) among Rembrandt’s prints; 2) between prints by Rembrandt and another artist, in this case Jan Gillisz van Vliet (1600/10–1668); and 3) between selected Rembrandt prints and contemporaneous Dutch historical documents.


2017 ◽  
Vol 95 (7) ◽  
pp. e625-e632 ◽  
Author(s):  
Yeoun Sook Chun ◽  
Hong Hyun Park ◽  
In Ki Park ◽  
Nam Ju Moon ◽  
Sang Joon Park ◽  
...  

2020 ◽  
Author(s):  
Eugie Kabwe ◽  
Webby Banda

Trial application of air decks on a production shot improved fragmentation (32% reduction in x50). Empirical fragmentation models and digital image processing software were used to estimate fragment size distribution of the blasted muck pile. The x20, x50, and x80 passing fractions, and top size were 42, 265, 683, and 1,455 mm, respectively. Air-deck application reduced explosives load in blast-holes, lowering total charging cost by US$20/hole (15% decrease) and the powder factor to an average of 0.86 kg/m3 (12% decrease). Blast results were 443,624 t of blasted material from the block (90% of total muck pile) was smaller than 900 mm.


Sign in / Sign up

Export Citation Format

Share Document