scholarly journals Modelling the personage’s fictional consciousness in the play by Igor Kostetskyi “The twins will meet again”

2021 ◽  
Vol 10 (45) ◽  
pp. 42-51
Author(s):  
Viktoriia Atamanchuk ◽  
Petro Atamanchuk
Keyword(s):  
Literary Criticism ◽  
Literary Studies ◽  
Cognitive Literary Studies ◽  
Theoretical Foundations

The objective of the article is to outline the correlations between the usage of the elements of the absurdist aesthetics, different artistic paradoxes and methods of modelling the fictional consciousness of personage. The aim of research is to define internal and external dimensions of personage’s fictional consciousness construction with the help of the cognitive literary studies methodology. The methodology of cognitive literary criticism is the basis for the analysis of modelling principles, applied in the research of personage’s fictional consciousness in I. Kostetskyi’s play “The Twins Will Meet Again”. Thus, the study of the play is based on actualization of cognitive phenomena and establishing their correlations with forms of artistic reflection. The cognitive method is used to determine the theoretical foundations of the functioning of the character’s fictional consciousness in the dramatic work. The poetics of the absurd in a drama defines agglutinative forms of reflection of the personages’ fictional consciousness.

FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM

2021 ◽  
Vol 1 (1) ◽  
pp. 146-152
Author(s):  
Almaz Ulvi Bi̇nnatova ◽  
Keyword(s):  
Literary Criticism ◽  
Research Work ◽  
Theoretical Research ◽  
Literary Studies ◽  
Systematic Research ◽  
History Of

The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies

The Epistemology of Cognitive Literary Studies

2001 ◽  
Vol 25 (2) ◽  
pp. 314-334 ◽  
Author(s):  
F. Elizabeth (Faith Elizabeth) Hart
Keyword(s):  
Literary Studies ◽  
Cognitive Literary Studies

The Postcolonial Aesthetic

PMLA ◽  
2014 ◽  
Vol 129 (3) ◽  
pp. 498-503
Author(s):  
Simon During
Keyword(s):  
Literary Criticism ◽  
Social Structures ◽  
Literary Studies ◽  
Political Identities

Postcolonialism emerged as a field within literary studies during the 1980s as part of the discipline's general restructuring. That restructuring has, perhaps, been insufficiently acknowledged by the profession, and at any rate there seems to be little consensus as to its significance and shape. But it seems undeniable that, during the 1980s, literary criticism ceased to ground itself on its attention to its objects' literary qualities or on its efforts to establish convincing literary judgments about them. It turned rather to thinking about literature as, for instance, a vehicle of cultural-political identities, or as a resistance to ideology, or, more neutrally, as articulated into broader signifying or social structures.

Coda

2019 ◽  
pp. 225-228
Author(s):  
David Hershinow
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Literary Criticism ◽  
Political History ◽  
Literary Studies ◽  
Political Ideas ◽  
Critical Methodology ◽  
Truth Teller

In this book, I have tried to show that it is only with the rise of dramatic realism that the figure of the Cynic truth-teller begins to provoke sustained interpretive crisis, a crisis that takes shape in the sixteenth century and that goes on to drive key developments in our literary, philosophical and political history. Through my readings of Shakespeare’s plays, I have also tried to show that literature – along with its academic offspring, literary criticism – is uniquely positioned to diagnose the interpretive errors that consequently underwrite philosophical and political ideas about the means of achieving extreme critical agency. What these two overarching aims have in common is the critical methodology I develop in order to advance them, and I conclude this book by briefly commenting on the value this method holds for early modern studies in particular and for the discipline of literary studies in general....

The Formation of a Field: Ecocriticism in America—An Interview with Cheryll Glotfelty

PMLA ◽  
2012 ◽  
Vol 127 (3) ◽  
pp. 607-616
Author(s):  
Cheryll Glotfelty ◽  
Michelle Balaev
Keyword(s):  
Literary Criticism ◽  
Literary Studies ◽  
New Wave ◽  
Field Of Study ◽  
English Departments ◽  
Literary Ecology ◽  
Environmental Imagination

The classic anthology the ecocriticism reader: landmarks in literary ecology (1996), edited by cheryll glotfelty and Harold Fromm, was the first of its kind to bring together an array of scholarship that focused on a relatively unrecognized field of study: ecocriticism. This singular publication was the brainchild of Glotfelty, who worked with Fromm to produce a collection that stands at the gates of our contemporary era as a harbinger of the significant criticism and curricula that would shape literary studies in English departments across the country. The Ecocriticism Reader accompanied a new wave of interest in the field as seen in contemporaneous publications such as Karl Kroeber's Ecological Literary Criticism (1994) and Lawrence Buell's The Environmental Imagination (1995).

Introduction: In Defence of Paraphrase

2020 ◽  
pp. 1-38
Author(s):  
Patrick Fessenbecker
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Intellectual History ◽  
Literary Studies ◽  
Reading Practice ◽  
The World ◽  
History Of ◽  
Art For Art's Sake ◽  
Aesthetic Structure

How did “reading for the message,” a mark of shame among literary critics, yet in many ways an ordinary reading practice, become so marginalized? The origins of this methodological commitment ultimately are intertwined with the birth of literary studies itself . The influential aestheticist notion of “art for art’s sake” has several implications crucial for understanding the intellectual history of literary criticism in the twentieth century: most important was the belief that to “extract” an idea from a text was to dismiss its aesthetic structure. This impulse culminated in the New Critical contention that to paraphrase a text was a “heresy.” Yet this dominant tradition has always co-existed with practical interpretation that was much less formalist in emphasis. A return to the world of American literary criticism in 1947, when Cleanth Brooks’s The Well-Wrought Urn was published, shows this clearly: many now-forgotten critics were already practicing a form of criticism that emphasized literary content, and often overly rejecting Brooks’s insistence that reading for the content or meaning of a poem betrayed its aesthetic nature.

Die Rückkehr der ›Gesellschaft‹ in die Kulturwissenschaft

2018 ◽  
Vol 22 (1) ◽  
pp. 1-52
Author(s):  
Ursula Peters
Keyword(s):  
Literary Criticism ◽  
Social History ◽  
Critical Discussion ◽  
Literary Studies ◽  
Research Report ◽  
Research Areas ◽  
Methodological Problems ◽  
Cultural Turn

Abstract Coinciding with the cultural turn in the humanities, a critical discussion in literary studies has begun in recent years that relates to the problems of rejecting social questions and an associated turning away from social history. Against the backdrop of this debate, my research report offers an overview of the conceptual possibilities and methodological problems in a ›return of society‹ within medieval philology. This is based on three established research areas of socio-historical literary studies: postcolonial literary criticism, literary ecocriticism and literary economics.

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