Coda

Author(s):  
David Hershinow

In this book, I have tried to show that it is only with the rise of dramatic realism that the figure of the Cynic truth-teller begins to provoke sustained interpretive crisis, a crisis that takes shape in the sixteenth century and that goes on to drive key developments in our literary, philosophical and political history. Through my readings of Shakespeare’s plays, I have also tried to show that literature – along with its academic offspring, literary criticism – is uniquely positioned to diagnose the interpretive errors that consequently underwrite philosophical and political ideas about the means of achieving extreme critical agency. What these two overarching aims have in common is the critical methodology I develop in order to advance them, and I conclude this book by briefly commenting on the value this method holds for early modern studies in particular and for the discipline of literary studies in general....

Author(s):  
David Hershinow

Chapter 2 offers a new account of literary realism and its origins in early modern drama in order to explain why a crisis of character—both literary and ethical—begins to cohere around the figure of the Cynic truth-teller only in the sixteenth century. It argues that the proliferation of non-allegorical characters in early modern drama is the result of a new development in the protocols of literary didacticism, one in which literature can increasingly instruct audiences in the ethics of self-care by offering up to judgment the actions and outcomes of characters fashioned to be verisimilar to people. Moving into the seventeenth century and beyond, literary realism becomes fictionality’s dominant representational mode precisely because it serves as a virtual arena in which to exercise one’s practical wisdom (phronesis) about the ethical means and political ends of action.


Author(s):  
Robert Sawyer

This essay focuses on the alleged attack by Robert Greene on Shakespeare as an “upstart crow,” a work reprinted in almost every collection of Shakespeare’s works, and a document that has produced its own body of scholarly assessment. Employing recent textual criticism of the print industry in early modern England —including works by Zachary Lesser, John Jowett, Jeffery Masten, and D. Allen Carroll— we re-read “Green’s Groatsworth of Wit” as a kind of literary criticism that helps to illuminate both its own textual status as well as the material conditions of the late sixteenth-century theatrical world which produced it. Following a review of the basic lines of interpretation of the piece, I examine the nexus of the Henry Chettle, Robert Danter and Greene connection, in an attempt to show that by considering the “collaboration” between these three, we should come to a better understanding of the document itself. Equally important, by re-examining the text, reviewing the printing process, and rethinking the authorial voice of the work, I hope to re-situate the pamphlet’s place in the present debate on Shakespeare and his contemporaries.


2020 ◽  
pp. 299-312
Author(s):  
Daniel B. Rowland

This chapter cites Michael Cherniavsky's imaginative and original but unconvincing attempt to align the image of Ivan the Terrible with literary ruler images and actual rulers in contemporary, sixteenth-century Western Europe. It aligns Muscovy with European history and suggests that the most appropriate comparison for the Muscovy of Ivan IV is early medieval, rather than early modern, Western Europe. It also details the type of evidence that Cherniavsky used on what are generally called “literary” texts from Ivan's reign and the period immediately following. The chapter explains how the assertion that Muscovite political ideas were independent of religion and contradicts many of Cherniavsky's own conclusions leads to a very distorted view of early modern Russian political culture. It talks about comparisons of Carolingian Europe and Muscovy that inevitably produce the impression that Muscovy was “backward.”


2004 ◽  
Vol 77 (195) ◽  
pp. 111-126
Author(s):  
Claire Cross

AbstractFor thirty years after graduating from Oxford in 1932 Dickens, a devoted Yorkshireman, produced a stream of articles on the intellectual, social and political history of the county in the sixteenth century, which culminated in 1959 in his pioneering work Lollards and Protestants in the Diocese of York, 1509–58. After leaving Hull for London in 1962 he never found a county in the south of England to replace Yorkshire in his affections, and moved from the history of the Reformation in its local context to concentrate upon the national and international history of religion in the early modern period.


Author(s):  
Laurence Lux-Sterritt

This introduction provides an overview of the historiography of English Catholicism in the early modern period and highlights the absence, until recently, of substantial academic work on the place and role of enclosed nuns in the survival and the Catholic mission. In an effort to contextualise the English convents in exile on the Continent, it asks the question of the national specificities of institutions which belonged to the same Church and the same Orders as continental monasteries yet were the product of very different circumstances at home. Moreover, the introduction highlights the interdisciplinarity of the study of convents, which is at the crossroads of prosopography, religious history, social history, political history, but can also be approached through the prisms of art history, literary studies, gender studies or emotion studies.


2015 ◽  
Vol 23 (3) ◽  
pp. 321-331
Author(s):  
Béla Mester

This paper offers an overview of the Hungarian translations of the Scriptures, printed in the sixteenth century. Both the translation of the Bible and print culture date from the fifteenth century in Hungary, but printing in Hungarian is a phenomenon of the sixteenth century. Before then, Scriptural chapters, translated by Hungarian Hussites and Minorite monks remained in manuscript, and the print of the Renaissance royal court served the needs of the humanist Latin literature. First, this paper will describe the development of the principles of translations from the cautious solutions of the Erasmian contributor of the first book printed in Hungarian, Paul’s Epistle to the Romans (Kraków, 1535), to the conceptions of the well-organized Calvinist group of scholars that edited the first complete Hungarian Bible (1590). In the analysis of the terminology this paper will focus on the expressions of the divine and earthly power, in the context of the history of political ideas of the same epoch. The history of the early printed Scriptures in Hungarian runs parallel to the gradual enlargement of the earthly power in early modern Hungarian political thought, under the conditions of the Turkish occupation, Hapsburg Catholicism, and the special status of Transylvania. In the history of religion, the dominant strain of the Hungarian Reformation turned from Luther to Calvin, with the most important Hungarian publishing house at the time being that of the Unitarians in Transylvania. This change greatly influenced the development of the Hungarian theoretical culture. For instance, the main destination of peregrinatio academica of Hungarians turned from Wittenberg to the universities of the Netherlands, and the Hungarian printers finally opted for the Humanist Antiqua instead of the German Frakturschrift. The second part of the paper will illustrate this process with examples of the typography of the sixteenth-century Hungarian Scriptures, and of their target audiences.


2019 ◽  
Vol 66 ◽  
pp. 260-275
Author(s):  
Victor V.  Aksyuchits

In the article the author studies the formation process of Russian intelligentsia analyzing its «birth marks», such as nihilism, estrangement from native soil, West orientation, infatuation with radical political ideas, Russophobia. The author examines the causes of political radicalization of Russian intelligentsia that grew swiftly at the end of the 19th and beginning of the 20th centuries and played an important role in the Russian revolution of 1917.


1986 ◽  
Vol 13 (2) ◽  
pp. 65-76 ◽  
Author(s):  
Patti A. Mills

This paper examines an early modern contribution to the literature on stewardship accounting, the Tratado de Cuentas or Treatise on Accounts, by Diego del Castillo, a sixteenth-century Spanish jurist.


Author(s):  
Koji Yamamoto

Projects began to emerge during the sixteenth century en masse by promising to relieve the poor, improve the balance of trade, raise money for the Crown, and thereby push England’s imperial ambitions abroad. Yet such promises were often too good to be true. This chapter explores how the ‘reformation of abuses’—a fateful slogan associated with England’s break from Rome—came to be used widely in economic contexts, and undermined promised public service under Elizabeth and the early Stuarts. The negative image of the projector soon emerged in response, reaching both upper and lower echelons of society. The chapter reconstructs the social circulation of distrust under Charles, and considers its repercussions. To do this it brings conceptual tools developed in social psychology and sociology to bear upon sources conventionally studied in literary and political history.


Author(s):  
Tom Hamilton

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.


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