HOW MĪR CALĪ-ŠĪR NAVĀYĪ’S PERSIAN POETRY INFLUENCED THE POET-WARRIOR OTTOMAN SULTAN SELIM I (1512–1520)

This article discusses the importance of Persian poetry in the work of Alisher Navoi and how much they were valued in the Ottoman Empire. In particular, it is noted that Sultan Boyazid I (1481-1512), under the influence of Navoi ghazals, ordered the creation of works in the style of poetic poetry. It is unclear whether these assumptions are based on explicit historical fact, but the author bases this assumption on the proximity of Ottoman poetry to Navoi's ghazals. The author analyzes the work of Navoi, studying the work of the Ottoman ruler Sultan Selim I. The reason for this is that he was a contemporary of Navoi, better known for his Persian poems in poetry, and, most importantly, in the first half of the XVIth century, the Ottoman literary critic Latīfī, a close a contemporary of the Sultan, admitted that Selim was inspired by the poetry of Navoi. Clarifies the issue under consideration. The author also interprets ideas in terms of couplets. Speaking about the activities of Sultan Selim I, it is said that most of his work was composed of poems, and most of them were answer poems. The author also notes new discoveries in science using Selim's Per-sian ghazals, edited by Paul Horn. The author's research confirms the similarity of couplets in the desired weight, as well as the fact that the size of seven-couplet verses in Navoi is five couplets in Selim's work, which gives the reader another novelty

INTERPRETATION OF SPACE AND TIME IN ONTOLOGICAL PHILOSOPHY NAVOI

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.

IMAGE SPIRITUALITY AND COLOR TRUTH IN HISTORICAL WORKS

The article is devoted to the study of the mastery of Alisher Navoi's innovative creativity in the use of color in historical works. A number of examples were given of the fact that color is an important tool in illuminating historical reality. In particular, the problem of color compatibility is being addressed for the first time from a historical and artistic point of view. For example, in the work "Tarixi anbiyo va hukamo", modified forms of the words white, green, black, red, yellow, blue are used, which mean color, as well as their meanings from other languages. It is found that only the first three of these words are found, which express color in "Tarihi muluki Ajam". It has been proven that some colors in the color system equate to a word that is an expression of evil, oppression, anger, evil or good and beauty without further explanation or explanation. It is also shown that all the works of the poet represent a single literary canvas, each of which has a comple-mentary, enriching and developing character.Key words: color, symbol, harmony, history, tradition, innovation, literary influence, artistic skill, image, appearance, language features, white, black, red, yellow, green

ARTISTIC INTERPRETATION OF MAQAM OF FAQR AND IMAGE OF FAQIR IN THE WORKS OF ALISHER NAVOI

This article examines the artistic interpretations of the status and images of poverty in mystical teaching in the works of Alisher Navoi. The author of the article has first studied the definitions of the status of poverty in Islamic history, the latest mystical teachings, and other areas of thought and opinion. The history and definitions of the word «Faqr» were written by the first authors of mysticism, such as Abu Nasr Sarraj, Abu Talib Makki, Shahabuddin Suhrawardi and Ali ibn Usman Hujviri, as well as from the representatives of the Naqshbandi sect belongs to Alisher Navoi, Khoja Bahauddin Naqshband. In addition, special encyclopedic dictionaries of authors such as Sayyid Ja'far Sajjadi, Abdulboki Hiylaman, Aliakbar Dehhudo and Sulaymon Uludagh were used. Then attention is paid to the various interpretations of poverty in mystical literature. Alisher Navoi's own works were mostly used for comparative interpretations in fiction. Navoi's lyrical works were selected as the main object of analysis, and the ideas in the works of friends and prose before him were involved in a comparative analysis. Navoi's views on the reality of his work are surrounded by artistic interpretations of images such as the poor, the gado, the dervish, which they embody. At the end of the article summaries are made

ALISHER NAVOI CENTURY AND PROSE IN ALMAZ ULVIY RESEARCH

The article is devoted to the analysis of the monograph “The Epoch and Prose of Alisher Navoi” (scientific-philological and religious-mystical works), published in 2020 as a result of many years of scientific research by the Azerbaijani Navoi scientist Almaz Ulvi. This monograph, published in Baku by the publishing house “Ilm and Takhsil” as the 11th book in the series “Scientific passport of the artist” of the Institute of Literature named after Nizami Ganjavi of the National Academy of Sciences of Azerbaijan, includes “Alisher Navoi: the pages of his time, life and work”, “Chronol-ogy of the scientific-philological and religious-mystical works of Amir Alisher Navoi mentioned in the study”, “Works on language and literature”, “Sanads” , “Biographical works”, “Tazkiras”, “Historical works”, “Religious works”, “Uncollected and unwritten works of Alisher Navoi”, “Lit-erary nicknames of Alisher Navoi”, “Great Herat”. At the same time, the study provides informa-tion on the availability of such applications as a list of poets mentioned in “Majalis un-nafois” and a list of poets, saints and sheikhs mentioned in “Nasaim ul-muhabbat”. The article also notes that 61 copies of the manuscript of Alisher Navoi and 37 copies of his diwans in Azerbaijan were stud-ied by Bakir Chobanzoda, Hamid Arasli, Kulamhuseyn Aliyev, Jannat Nagiyeva, Nushaba Arasli, Temur Karimli, Tarlon Guliyev, Almaz Ulviy and other scientists.Key words: Chigatay literature, Alisher Navoi, Azerbaijani literature, Navoi studies, diwan, prose, manuscript, literary influence, tradition, heritage

ALISHER NAVOI WAS A GREAT CREATOR

The article, based on the study of historical sources of the time of Navoi, extensively covers the creative works of the great poet of the East and statesman Alisher Navoi (Khondamir, Mu-hammad Khivaki, Navoi, Babur) in the field of architecture, urban planning, landscape art and landscaping works carried out by him in Herat and other territories of Khorasan. It is reported that Navoi built mosques, madrasahs, hospitals, Khanaqah, Langarkhana, caravanserais, baths, Rabats, ponds, bridges, dug wells and canals for the administration of the people and citizens ' comfort.By the author developed the first table on the objects constructed by Alisher Navoi, their location and territories based on specific examples. It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people. It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people.Key words: Alisher Navoi, Herat, Khorasan, architecture, urban planning, lands-cape art, land-scaping works, geography of Navoi's creative activity, table of his creative works

SONG OF HUMAN VIRTUES(ARTISTIC INTERPRETATION OF HADITHS IN MAHBUB UL-QULUB)

Navoi's work is valuable and noteworthy as a reflection of the philosophical and artistic think-ing of the period, as a product of conceptual views and research of a talented person. In his poems he meets a philosopher, a lover, a beggar, the owner of a crushed heart; to see time, its vortex, its destruction; the ruins of wickedness, and the radiant waves of goodness. Navoi's lyrical protago-nist is himself. It is as if he set out on a voyage in a vast ocean (world) with his ship (creation). This journey (life) forces him to draw conclusions about himself, the ocean (the world), the people of the ocean (humanity), and its variations and flashes (storm, flood, clarity, and so on). Key words: mature muhaddith, tyrant, apocalyptic area, Eastern poets, poetic manifestation, literary communication and interaction, the spirit of the work

TRADITIONS OF ALISHER NAVOI IN THE DEVAN OF SADOI AND GAZI(ON THE EXAMPLE OF GAZELLES ON THE THEMES OF HAMD, NAAT, MUNOJAT AND MANKABAT)

Literary continuity is a unique cultural, high-level literary phenomenon in which the concepts of creative inspiration, imitation and the continuation of great talent are one of the most important features of Eastern classical literature. Regardless of which branch of art is formed in this cultural and literary process, it becomes clear that the main goal is to "renew", learning "from the past" and developing their ideas and artistic abilities. The article examines the issues of tradition and originality of poems by Mirhasan Sadoi and Muhammad Gazi, who grew up in the workshop of Alisher Navoi. The poet's poems analyze the artistic perfection of the Salaf traditions on this topic from an ideological and artistic point of view.Key words: devan, theme, idea, artistic symbol, art, tradition and originality.

THE ROLE OF HISTORICAL WORKS IN THE STUDY OF ALISHER NAVOI'S BIOGRAPHY

The life and work of the creators are naturally studied in connection with the historical and literary environment of the period in which he lived. In some places, it is expedient to compare the artists with their contemporaries, and in some places, the attitude of their fans, and vice versa, to give information about their opponents. In order to inform students about the biography of the artist, the teacher will need to study the most important information, use the necessary methodological manuals and literature in order to make the lesson meaningful and interesting. In particular, the use of memoirs written by his contemporaries, architectural works, or memoirs and letters written by the artist about himself, also provides a meaningful lesson. Either the works created by the artist also in some sense complement the information about his personality. Key words and phrases: Alisher Navoi's way of life. Hasbu hol. Architectural work. Memory of contemporaries. Tazkiranavislik. Historical sources. Translation hol. Autobiographical work. Textbook "Literature". Method of teaching and explanation.

THE INFLUENCE OF ZULLISANAYN (BILINGUALISM IN WORKS) TRADITIONS IN THE WORK OF HAJI MUHAMMAD SHAHDI

One of the great bilingual poets, Haji Muhammad Shahdi, wrote in two languages in the literary environment of Kokand in the early 18th century. In addition to being the owner of the devon in the Persian-Tajik language, he wrote a number of ghazals rich in mystical meanings in the Uzbek language.The article describes the poet's attitude to the work of representatives of Uz-bek classical literature, his creative approach and the epistemological analysis of his poems. In addition, the specific style and meaning of the poet's poems were studied in comparison with the verses of the Qur'an. Samples of meaningful ghazals such as munojotnoma (the servant's appeal to God expressing his repentance and supplication), hamdnoma (a letter of praise and thanks), nat-tnoma were given and briefly commented on. Along with the personal copies of the poet's divan (collection of works), the Uzbek ghazals in the manuscript fund No1275 of the Institute of Oriental Studies of the Academy of Sciences of Tajikistan have been largely studied by comparative source studies.The spiritual connection between Mawlana Lutfi and Shahdi's poems was explained on the example of some of his poems.