'We Will Never Forget You': Christian Charities and the Rehabilitation of Disabled ex-Servicemen in Inter-War Leeds

2018 ◽  
pp. 47-63
Author(s):  
Bethany Rowley

The unprecedented number of disabled ex-servicemen is one of the evident, but often forgotten, legacies that the First World War left to Britain. For these men, and the organisations created to rehabilitate and reintegrate them back into civil life, the war did not end with the 1918 armistice. By using parish records, this paper will argue that disabled veterans were largely forgotten by religious charities within inter-war Leeds, despite attempts made by clergymen to help servicemen during the war. The impact that this had on male and religious identity is also examined, as any help available disappeared with distance from the conflict. This lack of Christian aid in Leeds challenges the wider historiographical perspective that the Great War favourably altered social attitudes to disability and disability care, whilst supporting the narrative that disabled ex-servicemen were overlooked by the nation they fought to protect.

2005 ◽  
Vol 48 (4) ◽  
pp. 1103-1124 ◽  
Author(s):  
STEPHEN HEATHORN

How the First World War has come to be remembered has, over the past two decades, become a major concern for British historians, eclipsing earlier scholarly preoccupations with war guilt and its political consequences, the impact of the war on social structure and the status of women, and the conflict's role in the rise of the modernist aesthetic. This article surveys both scholarship on the cultural legacy of the First World War in Britain and the debates about how the memory of this war – the ‘Great War’ – has either retarded its consideration ‘as history’ or spurred new, if not always entirely successful, modes of inquiry into the relationships among war, society, and culture. The article argues that memory of the Great War must itself be treated as history; that the meaning of that memory should be placed within the context of the changing events, ideas, and identities of the entire twentieth century; and that more scholarly attention needs to be directed at the popular reception of representations of the Great War by the population at large, and at the power of the various forms of media by which those representations have been conveyed to their audience and have thereby shaped memory of the conflict.


2017 ◽  
Vol 14 (3) ◽  
pp. 283-297 ◽  
Author(s):  
Taylor Downing

This article considers the making of the BBC2 series, The Great War, and examines issues around the treatment and presentation of the First World War on television, the reception of the series in 1964 and its impact on the making of television history over the last fifty years. The Great War combined archive film with interviews from front-line soldiers, nurses and war workers, giving a totally new feel to the depiction of history on television. Many aspects of The Great War were controversial and raised intense debate at the time and have continued to do so ever since.


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