Memroses Motif Jumputan di Atas Keramik

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Tri Wahyuni
Keyword(s):  
Close Similarity ◽  
Visual Effect ◽  
Cobalt Blue

AbstrakKarya ini sebenarnya adalah sebuah eksperimen, sebuah eksplorasi atas kemungkinan-kemungkinan penerapan motif jumputanbiru pada permukaan keramik. Proses ini bagaimana sebuah penjelajahan tanpa akhir yang hasil-hasilnya menawarkan secaravisual ruang untuk berimajinasi yang selalu penuh dengan kejutan yang dihasilkan dari ikatan, lipatan, kerutan, jelujur, danpewarnaan. Warna dan motif pada kain shibori biru dan pada keramik warna biru cobalt memiliki persamaa yang dekat dalamhal warna. Kesamaan ini dipandang sebagai representasi shibori biru yang diterapkan pada tekstil. Efek visual memunculkanspirit jumputan biru pada keramik yang tidak lagi mengacu pada pemaknaan yang ada pada kain jumputan biru.AbstractThe work I have completed is basically an experiment, an exploration of the possibilities applying blue shibori motif on ceramicsurface. This process is like a never-ending exploration of which the results visually offer space to have imaginations, alwaysfull of surprises resulting from the process of knotting, folding, wrinkling, stitching and coloring. The color and motif on blueshibori cloth and on cobalt blue ceramic have close similarity in color. This similarity is regarded as the representation of blueshibori as applied on textile. The visual effect of this process brings out the spirit of blue shibori on ceramic, which does notrefer to the meaning existing in the blue shibori cloth.

Desain Visual Effect Pada Film Animasi Little Kites Story

2016 ◽  
Vol 6 (1) ◽  
pp. 1-9
Author(s):  
Desi Dwi Kristanto ◽  
Krizia Angelina
Keyword(s):  
Visual Effect

Visual effect adalah bagian yang penting dalam pembuatan film ataupun animasi sebagai salah satu faktor pendukung dalam membangun emosi cerita. Visual effect yang baik dapat diciptakan dengan berbagai cara yang sederhana hingga cara yang rumit dengan melibatkan berbagai teknik gabungan software atau plugin dan juga menggunakan komputer dengan kemampuan tinggi. Dalam pengaplikasiannya di animasi pendek 3D tanpa dialog berjudul Little Kites Story, visual effect digunakan sebagai sarana penyampaian emosi dan memperkuat penggambaran sebuah suasana yang tenang dan damai. Visual effect yang diaplikasikan akan dibuat dengan memaksimalkan kemampuan komputer pada industri kecil atau industri rumahan. Keywords : visual effect, industri rumahan, penyampaian emosi, penggambaran suasana, efisiensi

PERANCANGAN 3D PROPERTI MAKANAN UNTUK KEPERLUAN LOOK DEVELOPMENT EFEK VISUAL PADA FILM PENDEK “MIE MEDAN”

2020 ◽  
Vol 12 (2) ◽  
pp. 53-58
Author(s):  
Matheus Prayogo ◽  
Christian Aditya
Keyword(s):  
Short Film ◽  
Visual Effects ◽  
Visual Effect ◽  
Real Scale

Visual Effect can be used to enhance storytelling in the filmmaking process. The Visual Effects technology itself already has grown to become faster and better in production. However, in the Visual Effects Department, the artist needs digital props to show what’s on the screen. Therefore, this study seeks to create props for Visual Effects needs. This present study describes how to create believable props for visual effects needs in a short film called “Mie Medan”. It concludes that to create a visual effect props, we have to consider to create real-scale and proportion in each set and props to gain believability in film, the hue, and saturation of the color and texture itself will gain more realistic and sense of flavor to the film.

52‐2: Research on Evaluation Method of Display Visual Effect

2021 ◽  
Vol 52 (1) ◽  
pp. 714-716
Author(s):  
Hongwei Zhao ◽  
Jianyou Chen ◽  
Qi Mu ◽  
Zhixing Liang ◽  
Caijiao Zhong ◽  
...  
Keyword(s):  
Evaluation Method ◽  
Visual Effect ◽  
Research On Evaluation

Visual effect and color matching of dynamic image webpage design

2021 ◽  
Author(s):  
Lungwen Kuo ◽  
Tsuiyueh Chang ◽  
Chih‐Chun Lai
Keyword(s):  
Color Matching ◽  
Visual Effect ◽  
Dynamic Image

scholarly journals Modular MA-XRF Scanner Development in the Multi-Analytical Characterisation of a 17th Century Azulejo from Portugal

Sensors ◽  
2021 ◽  
Vol 21 (5) ◽  
pp. 1913
Author(s):  
Sergio Augusto Barcellos Lins ◽  
Marta Manso ◽  
Pedro Augusto Barcellos Lins ◽  
Antonio Brunetti ◽  
Armida Sodo ◽  
...  
Keyword(s):  
Monte Carlo ◽  
Monte Carlo Simulations ◽  
17Th Century ◽  
Scanning System ◽  
X Ray ◽  
Portable Instruments ◽  
Complementary Techniques ◽  
Non Destructive ◽  
Suitable Technique ◽  
Cobalt Blue

A modular X-ray scanning system was developed, to fill in the gap between portable instruments (with a limited analytical area) and mobile instruments (with large analytical areas, and sometimes bulky and difficult to transport). The scanner has been compared to a commercial tabletop instrument, by analysing a Portuguese tile (azulejo) from the 17th century. Complementary techniques were used to achieve a throughout characterisation of the sample in a complete non-destructive approach. The complexity of the acquired X-ray fluorescence (XRF) spectra, due to inherent sample stratigraphy, has been resolved using Monte Carlo simulations, and Raman spectroscopy, as the most suitable technique to complement the analysis of azulejos colours, yielding satisfactory results. The colouring agents were identified as cobalt blue and a Zn-modified Naples-yellow. The stratigraphy of the area under study was partially modelled with Monte Carlo simulations. The scanners performance has been compared by evaluating the images outputs and the global spectrum.

Archaeometry of medieval Islamic glazed ceramics from North Yemen

1988 ◽  
Vol 66 (2) ◽  
pp. 266-272 ◽  
Author(s):  
Jessica R. Hallett ◽  
Michael Thompson ◽  
Edward J. Keall ◽  
Robert B. Mason
Keyword(s):  
Electron Microprobe ◽  
Microscopic Examination ◽  
Lead Oxide ◽  
Microprobe Analysis ◽  
Electron Microprobe Analysis ◽  
Annealing Temperatures ◽  
Safety Limit ◽  
Cobalt Blue

Microscopic examination and electron microprobe analysis were employed to determine the materials and techniques used to decorate ten glazed types of medieval Islamic ceramics from North Yemen. Eight types were underglaze-painted, one was slip-painted, and one was monochrome glazed. The glazes were of two compositions, soda–silica and lead oxide – silica with annealing temperatures of approximately 835 and 640 °C, respectively. The colourants used in the glazes and paints were cobalt (blue), iron (green), copper (green and blue), and antimony (yellow). Where clay slips or slip-paints were present, alumina enrichment of the glaze had occurred during application or firing, and pigment-paints on top of slip grounds masked enrichment. The Mellor ratio for the lead glazes ranges from 0.68 to 0.74 and is well above the acceptable safety limit of 0.5.

scholarly journals VI.—The Chawfordjohn Essexite and Associated Rocks

1915 ◽  
Vol 2 (10) ◽  
pp. 455-461 ◽  
Author(s):  
Alexander Scott
Keyword(s):  
Close Similarity ◽  
Chemical Similarity ◽  
Late Palaeozoic

Although the so-called Crawfordjohn essexite has been mentioned several times in petrographic literature, no detailed description of the occurrence has been given. In 1888 Teall described the main rock of the intrusion as an abnormal variety ofthe N. W.-S.E. Kainozoic dykes and noted the porphyritic augite andthe abundance of felspar, olivine, and apatite. Lacroix, in a generalpaper on the teschenites, mentioned the occurrence of nephelite in the same rock, which he described as an “olivine-teschenite, passing instructure to a tephrite”. Bailey, in the Glasgow memoir, remarked on the close similarity between the Crawfordjohn and Lennoxtown rocks and classed them with the essexites on account of their chemical similarity to the Brandberget rocks, while Tyrrell, on account ofthis similarity and also of the resemblance to the Carclout essexite, included them in the late Palaeozoic alkaline group.

Assessing the Accuracy of Fault Interpretation using Machine Learning Techniques when Risking Faults for CO2 Storage Site Assessment

2021 ◽  
pp. 1-55
Author(s):  
Emma A. H. Michie ◽  
Behzad Alaei ◽  
Alvar Braathen
Keyword(s):  
Deep Learning ◽  
New Technologies ◽  
Co2 Storage ◽  
Fault Reactivation ◽  
Machine Learning Techniques ◽  
Close Similarity ◽  
Storage Site ◽  
Site Assessment ◽  
Learning Techniques ◽  
Fault Interpretation

Generating an accurate model of the subsurface for the purpose of assessing the feasibility of a CO2 storage site is crucial. In particular, how faults are interpreted is likely to influence the predicted capacity and integrity of the reservoir; whether this is through identifying high risk areas along the fault, where fluid is likely to flow across the fault, or by assessing the reactivation potential of the fault with increased pressure, causing fluid to flow up the fault. New technologies allow users to interpret faults effortlessly, and in much quicker time, utilizing methods such as Deep Learning. These Deep Learning techniques use knowledge from Neural Networks to allow end-users to compute areas where faults are likely to occur. Although these new technologies may be attractive due to reduced interpretation time, it is important to understand the inherent uncertainties in their ability to predict accurate fault geometries. Here, we compare Deep Learning fault interpretation versus manual fault interpretation, and can see distinct differences to those faults where significant ambiguity exists due to poor seismic resolution at the fault; we observe an increased irregularity when Deep Learning methods are used over conventional manual interpretation. This can result in significant differences between the resulting analyses, such as fault reactivation potential. Conversely, we observe that well-imaged faults show a close similarity between the resulting fault surfaces when both Deep Learning and manual fault interpretation methods are employed, and hence we also observe a close similarity between any attributes and fault analyses made.

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