scholarly journals Employment Problems of Muslim Migrants in France (Exemplified by Paris). Part 1

Author(s):  
Natal’ya R. Zholudeva ◽  
◽  
Sergey A. Vasyutin

The first part of the article briefly covers the history of immigration to France, social conflicts associated with migrants, and the results of French research on discrimination of immigrants in employment. In spite of the high unemployment rate, compared with other European Union countries, France remains one of the centres of migration and receives a significant number of migrants and refugees every year. The origins of immigration to France go back to the mid-19th century. Initially, it was mainly for political reasons, in order to find a job or receive an education. Between the First and the Second World Wars, France accepted both political (e.g. from Russia, Germany and Spain) and labour migrants (from Africa and Indo-China). After World War II, the French government actively invited labour migrants from the French colonies, primarily, from North Africa (Algeria, Tunisia and Morocco). When the Algerian War ended, the Harkis – Algerians who served in the French Army – found refuge in France. By the late 1960s, the Moroccan and Tunisian communities were formed. Up to the 1980s, labour migration was predominant. However, with time, the share of refugees and those who wanted to move to France with their families started to increase. This caused a growing social and political tension in French society resulting in conflicts (e.g. the 2005 riots in Paris). Moreover, the numerous terrorist attacks and the migration crisis of 2014–2016 had a particularly negative impact on the attitude towards migrants. All these issues have to a certain extent affected the employment of the Muslim population in France.

2021 ◽  
Author(s):  
Ku Daeyeol

This important new study by one of Korea’s leading historians focuses on the international relations of colonial Korea – from the Japanese rule of the peninsula and its foreign relations (1905–1945) to the ultimate liberation of the country at the end of the Second World War. In addition, it fills a significant gap – the ‘blank space’ – in Korean diplomatic history. Furthermore, it highlights several other fundamental aspects in the history of modern Korea, such as the historical perception of the policy-making process and the attitudes of both China and Britain which influenced US policy regarding Korea at the end of World War II.


2004 ◽  
Vol 11 (2) ◽  
pp. 41-57
Author(s):  
Patricia Clarke

There have been several anecdotal accounts of the literary scene in Brisbane during World War II and numerous references in more general works. In 2000,Queensland Reviewpublished some reminiscences of writers Estelle Runcie Pinney, Don Munro, Val Vallis and David Rowbotham, under the title ‘Writing in Brisbane during the Second World War’. Some of the more important general works include Judith Wright's ‘Brisbane in Wartime’, Lynne Strahan's history ofMeanjinand Judith Armstrong's biographical work on the Christesens,The Christesen Romance. My interest in this subject arose from editing Judith Wright's autobiography,Half a Lifetime, published in 1999, and recently in editing, with her daughter, letters between Judith Wright and Jack McKinney which were mainly written in Brisbane in the later years of the war and the immediate postwar period. Initially my purpose was to gather information to elucidate people or events mentioned in these writings, but my interest widened to embrace more general information about the period. My research led me to the conclusion thatMeanjinand its editor Clem Christesen were catalysts for many of the literary activities in Brisbane during World War II, not just among resident Australians, but among troops temporarily stationed in Brisbane — particularly Americans, whom Christesen cultivated and published. This article records a few glimpses of literary life in Brisbane, and incidentally in the rest of the country, during a period described by Patrick Buckridge as never having been researched ‘in enough detail’.


2014 ◽  
Vol 32 (1) ◽  
pp. 74-93
Author(s):  
Alexander Badenoch

Until recently, broadcasting in Europe has been seen by historians and broadcasters alike as intricately related to national territory. Starting immediately after the Second World War, when West German national territory was still uncertain, this article explores how the broadcasting space of the Federal Republic (FRG) shaped and was shaped by material, institutional, and discursive developments in European broadcasting spaces from the end of World War II until the early 1960s. In particular, it examines the border regimes defined by overlapping zones of circulation via broadcasting, including radio hardware, signals and cultural products such as music. It examines these spaces in part from the view of the European Broadcasting Union (EBU), the federation of (then) Western public service broadcasters in Europe. By reconstructing the history of broadcasting in the Federal Republic within the frame of attempts to regulate European broadcasting spaces, it aims to show how territorial spaces were transgressed, transformed, or reinforced by the emerging global conflict.


1994 ◽  
Vol 20 (1) ◽  
pp. 97-106 ◽  
Author(s):  
Alex Danchev

Historical analogiesOn 2 August 1990, much to everyone's surprise, Hitler invaded Kuwait. The ensuing conflict was mired in history—as Francis Fukuyama might say—or at least in historical analogy. The ruling analogy was with the Second World War; more exactly, with the origins and nature of that war. George Bush's constant reference during the Second Gulf War was Martin Gilbert's Second World War, a monumental construction well described as ‘a bleak, desolate evocation of the horrors of war, a modern Waste Land, an unremitting catalogue of killing, atrocity and exiguous survival’. The paperback edition of this exacting volume weighs three pounds. The text runs to 747 pages. Understandably, the President stashed his copy on board Air Force One. ‘I'm reading a book’, he informed an audience in Burlington, Vermont, in October 1990, ‘and it's a book of history, a great, big, thick history of World War II, and there's a parallel between what Hitler did to Poland and what Saddam Hussein has done to Kuwait’. As Paul Fussell has reminded us, the wartime refrain was Remember Pearl Harbor. “ ‘No one ever shouted or sang Remember Poland’? Not until 1990, that is. Of course, Bush himself had served in that war, as he was not slow to remind the electorate: he flew fifty-eight missions as a pilot in the Pacific. For those who wondered what he knew of Poland, Gilbert's book—at once a chronicle of remembrance and an indictment—told him this:


2015 ◽  
Vol 25 (44) ◽  
pp. 312-342
Author(s):  
Luiz Eduardo Panisset Travassos ◽  
Pablo Cristiano Alves Coelho ◽  
Bruno Durão Rodrigues ◽  
Larissa Duarte Araújo Pereira

O trabalho apresenta uma reflexão sobre a atual exploração turística do carste do norte da França, em locais remanescentes e pontos estratégicos utilizados no Teatro de Operações durante o desembarque Aliado nas praias da Baixa Normandia na Segunda Guerra Mundial. Por meio de fundamentação teórica e pesquisa de campo foi possível observar a paisagem cárstica e ponderar sobre o uso dos marcos históricos, cemitérios, museus e modificações na paisagem como suporte ao Turismo Histórico-Cultural. Observa-se que o cenário em questão visa promoção e valorização da história, bem como propõe o resgate da memória através do desenvolvimento turístico regional.Palavras-chave: Carste; Turismo; Baixa Normadia; Segunda Guerra Mundial; Dia D Abstract This work presents a discussion on the current tourist use of the karst from northern France in remaining places and strategic points used in the theater of operations during the Allied landings on the beaches of Lower Normandy in World War II. By means of theoretical basis and fieldwork it was possible to observe the karst landscape and consider its use as historic landmarks, cemeteries, museums and changes in the landscape as support for the historical and cultural tourism. One observes that the scenario is used as a way of enforcing and preserving history as well as proposes the rescue of memory through the development of regional tourism.Keywords: Karst; Tourism; Lower Normandy; Second World War; D-Day.


2019 ◽  
pp. 29-44
Author(s):  
John W.P. Veugelers

This chapter covers the years between the start of World War II and the end of the Algerian War (1939–1962). The German defeat of France, wartime privations, infighting between Petainists and Gaullists, and the Allied invasion of North Africa diminished the image of the colonizer. The French repressed Algerian nationalism, but this only bought time. During the Algerian War, the Europeans set aside old left-right differences in uniting politically. Their relations with the Muslim population became not only more poisoned but also overlaid with fresh fears, resentments, and stereotypes. Algerian independence transformed the settlers into losers of decolonization and the Fifth Republic.


Author(s):  
Lara Vetter

When World War II appeared imminent, the modernist writer known as H.D. (Hilda Doolittle) declined offers of refuge and chose to remain in London. As devastating as this noncombatant experience was, as a Londoner during the Great War H.D. had learned how prolific she could be during periods of war. A Curious Peril attends to the critically ignored fiction and nonfiction she penned in the aftermath of the Second World War, arguing that our neglect of the narrative prose of this period of her career has bolstered an incomplete portrait of her oeuvre. Though H.D. is not typically considered a “political” thinker, this postwar work brings her interest in the otherworldly to bear on the material, political world—the world of imperialism, nationalism, and perpetual war. Abandoning for a short period the ancient classical settings for which she is best known, H.D. is seemingly impelled by the experiences of the early 1940s to produce a spate of writings in which the history of modern Europe takes center stage, writings that are molded into and by innovative and hybrid forms and genres that ultimately critique the ethical paradigms that had guided her before the war. Her postwar work marks a definitive shift from the modernist to the late modernist, gesturing at crucial points to the postmodern. As such, this experimental body of work—born in the trauma of world war, composed by a writer with acutely ambivalent national ties—constitutes a vital case study for current theorizing of late modernism.


Popular Music ◽  
2006 ◽  
Vol 25 (3) ◽  
pp. 347-368 ◽  
Author(s):  
CHRISTINA BAADE

This paper offers a case history of the BBC's ambivalent engagement with dance music during the Second World War. It examines what ‘dance music’ meant to the BBC, musicians, and the public, and how they contested and performed those meanings in the context of new social dance practices and the growing popularity of what became known as ‘swing’ in Britain. Although broadcasting in effect disembodied music closely associated with the physical, the BBC was a primary way for people to access dance music which supported their bodily acts of leisure and regimentation. The BBC's study and regulation of dance music centred around two goals: pleasing important groups in national service and broadcasting morale-boosting music. The problem of whether these goals were congruent lay at the heart of the issue, for the youth active in national service emerged as the primary audience for the two genres – ‘swing’ and ‘sentimentality’ – about which the BBC felt most dubious.


2021 ◽  
Vol 23 (4) ◽  
pp. 659-674
Author(s):  
Ilya A. Pomiguev ◽  
Eldar R. Salakhetdinov

The paper analyses the politics of memory of the World War II (WWII) in socialist Yugoslavia and compares the corresponding commemorative practices in the post-Yugoslav republics. The focus is on the design of holidays and memorial dates that reflect the symbolic and valuable attitudes of society, as well as the trajectory of nation-building. The formation of the state metanarrative in post-war Yugoslavia was closely related to the monopolisation of the leadership roles of the national liberation war by the communists, who united the six South Slavic nations in their struggle against the Nazi invaders. The state holidays and memorial days were derived from the history of resistance to foreign occupiers and internal enemies in order to legitimise and strengthen the triumph of the new socialist order. Alternative Yugoslavian non-communist movements, especially the Ustash and Chetniks who were potentially capable of competing in the symbolic field, were declared class enemies, reactionary elements, and quislings. As the processes of disintegration increased in socialist Yugoslavia, there were several attempts to revise its ideological attitudes and symbolic heritage of WWII. Nevertheless, as the study shows these attempts became, rather, a marginal phenomenon, and most post-Yugoslav states retained the commemorative, albeit de-ideologised, practices of the previous period.


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