scholarly journals THE DEPICTION OF THE IMAGE OF A CREATIVE PERSON IN AUTOBIOGRAPHICAL INSCRIPTIONS

2021 ◽  
Vol 02 (07) ◽  
pp. 36-39
Author(s):  
Ubaydullayev N.X. ◽  
Keyword(s):  
Modern Literature ◽  
Creative Person ◽  
Ancient Times ◽  
Problematic Situations

The history, origin and development of memoirs and autobiographical works in Uzbek literature go back a long way. This genre has always brought clarity to problematic situations. Autobiographical works are also relevant in modern literature and meet all the requirements of the rules of literature. Researchers have studied the peculiarities of autobiographical works. Although memoirs are essentially close to biographical works, they differ slightly, depending on the nature of the genre. In ancient times, scholars wrote on manuscripts, stone inscriptions, and pottery in order to pass on information about their life and work from generation to generation. That’s why a lot of information has come down to us through their work.

scholarly journals ФЭНТЕЗИ ВА ФАНТАСТИК АСАРЛАР МИКРООЛАМИ

2019 ◽  
pp. 205-213
Author(s):  
Dilshod NASRIDDINOV
Keyword(s):  
Internal Structure ◽  
Modern Literature ◽  
Distinctive Features ◽  
Literary Movement ◽  
Special Place ◽  
Similarities And Differences ◽  
Human Thinking ◽  
Problematic Situations ◽  
Cultural Fantasy

Мақолада инсон хаёлоти маҳсули бўлган фэнтезива фантастика феноменига муносабат билдирилган. Бу икки дунёнинг ички кўриниши, ўхшаш ва фарқли жиҳатлари диаграммалар ёрдамида асосланган. Муаллиф фикрлари тадқиқотчи ва ёзувчилар қарашлари асосида илмий далилланган. Фэнтезива фантастика лексик бирликлари ҳақида адабиётшунослик ва таржимага оид луғатларга таянган ҳолда маълумотлар берилган. Ҳарбир феноменнинг таркибий қисми ва уларнинг ўзига хос турлари ажратиб кўрсатилган. Фантастика бўйича турли қарашларнинг мавжудлиги, замонавий адабиётда фантастикани фэнтези йўналиши билан фарқлантириб турувчи жиҳатлари, ўзбек фолклоршунослигида фэнтези тушунчаси таркибида асосий рол ўйнаган мифология ва унинг турли кўринишлари ҳақида маълумотлар келтирилган ва асосланган. Тақдим этилган маълумотлар орасида фэнтези тушунчасини жанр сифатида баҳолаган тадқиқотчиларнинг фикрлари мавжуд, уларга қарши айтилган назарий фикрлар, яъни фэнтези феноменининг жанр, субжанр ёки адабий оқим эканлиги хусусида аниқ хулоса мавжуд эмаслиги таъкидланган. Турли-туман фикрлар, қарашлар ва олимларнинг илмий ёндашувларига изоҳлар келтирилган. Фэнтезининг муаммоли вазиятига қараб: “қаҳрамонлик фэнтези”, “готик фэнтези”, “насронийча фэнтези”, “маданийлашган фэнтези” каби кўринишлари мавжудлиги очиб берилган. Афсоналарда мавжуд мифологик образлар фэнтезининг асосий қуроли эканлигига урғу берилган, мифология тушунчаси ва унинг турларига изоҳ бериб ўтилган. В статье рассмотрены разные тенденции относительно феноменов фэнтези и фантастика как результат человеческого мышления. Внутренняя структура, сходства и различия этих двух миров показаны на схемах. В статьеприводятсяотдельные сведения о лексических единицах фэнтези и фантастики из различных литературоведческих и переводных толковых словарей. Отдельно описаны составная частьи своеобразные типы каждого феномена. Представлены и обоснованы сведения о наличии различных взглядов на фантастику, ее отличительных чертах отфэнтези в современной литературе, а также о мифологии и ее видах, занимающих особое место в структуре фэнтези, из источников узбекской фольклористики. Среди представленных сведений имеются мнения исследователей относительно понятия фэнтези как жанра, даются также противоположные данному мнению теории, то есть сделана попыткаопределить, куда отнестипонятиефэнтези: к жанру, субжанру или литературному течению. Приведены пояснения к различным мнениям, взглядам и научным подходам ученых-исследователей. Также в статье охарактеризовано наличие различных видов фэнтези в зависимости от проблемных ситуаций: «героическое фэнтези», «готическое фэнтези», «фэнтези по-христиански» и «культурное фэнтези». Мифологические образы, созданные в легендах, отмечены как основное орудие фэнтези. The article discusses various trends regarding the phenomena of “fantasy” and “fiction” as a result of human thinking. The internal structure, similarities and differences of these two worlds are given on the basis of several diagrams. The thoughts cited in the article are scientifically based on the opinions of scientists and researchers, there is a correct approach to the text and explanations for them are given. Separate information is also given on the lexical units of fantasy and fantasy from various literary and translated explanatory dictionaries. Separately described are the component and unique types of each phenomenon. Presented and substantiated information about the presence of different views on fiction, its distinctive features from fantasy in modern literature, as well as about mythology and its forms that occupy a special place in the structure of fantasy, from sources of Uzbek folk writers. Among the information presented, there are researchers' opinions on the concept of fantasy as a genre, theories opposite to this opinion, that is, an attempt was made to find out that there are no exact ideas about attributing the concept of fantasy to genre, subgenre or literary movement. Explained to the different opinions, views and scientific approaches of researchers. The article also describes the presence of various types of fantasy depending on the problematic situations: “heroic fantas”, “gothic fantasy”, “Christian fantasy” and “cultural fantasy”. Mythological images created in the legends are marked as the main fantasy tools, the concept of mythology, its types are described.

The Undoing of a Man: Cuckoldry in Heywood's Edward IV

2017 ◽  
Vol 24 (2) ◽  
pp. 246-267
Author(s):  
Jonathan Wright
Keyword(s):  
Early Modern ◽  
Early Modern Literature ◽  
Early Modern England ◽  
Self Control ◽  
Modern Literature ◽  
Spiritual Needs ◽  
Critical Reading ◽  
Social Construct

Manhood was a complex social construct in early modern England. Males could not simply mature or grow from boys to men. Instead, they had to assert or prove they were men in multiple ways, such as growing a beard, behaving courageously in battle, exercising self-control in walking, talking, weeping, eating, and drinking, pursuing manly interests, exhibiting manly behaviors, avoiding interests or behaviors typically ascribed to women, marrying a woman and providing for her physical, sexual, and spiritual needs, and living and dying as a faithful Christian. Once a male became a “man” in the eyes of others, his efforts shifted from “making” himself manly to maintaining or defending his reputation as a “true man.” All men could undermine their manhood through their own actions or inactions, but the married man could also lose his reputation through his wife's infidelity. Numerous literary husbands in early modern literature live anxiously with the knowledge they might suffer a cuckold's humiliation and shame. Matthew Shore, who “treasures” his wife to a fault in Thomas Heywood's two-part play Edward IV, is an exceptional example of such a husband. This critical reading of Edward IV explores the complexity of manhood in Heywood's day by showing various males trying to assert or defend their manhood; explaining why husbands had reasons to fear cuckoldry; analyzing how Jane Shore's infidelity affects her husband; following Matthew Shore's journey from trusting husband to distrusting, bitter cuckold, to forgiving husband; and examining his seemingly inexplicable death at the end of the play.

Toucher II: Keep Your Hands to Yourself, Jean-Luc Nancy

Derrida Today ◽  
2009 ◽  
Vol 2 (1) ◽  
pp. 84-108 ◽  
Author(s):  
McQuillan Martin
Keyword(s):  
Modern Literature ◽  
Mary Magdalene

This text begins by considering the phrase ‘digital haptology’ as suggested by the closing pages of Derrida's Le Toucher. It suggests that this moment in telecommunications presents a model of ‘tele-haptology’. The text goes on to consider Jean-Luc Nancy's ‘Noli me tangere’ as a response to Le Toucher. In particular it is concerned with Nancy's hypothesis on Modern literature and art as having an essential link to the gospel parables. Through a reading of Nancy's text and the gospels, this hypothesis is placed in doubt. Notably, the argument is made that once again Nancy's discourse on touching leads him to make a too hasty fore-closure of otherness within his intended deconstruction of reading and his account of Mary Magdalene. In response to Nancy's formulation of literature as parable, an alternative consideration of literature as tele-haptology is proposed.

Echohistoricism: Aristotle, Dryden, Montgomery, Conrad

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 278-293
Author(s):  
Thomas H. Ford
Keyword(s):  
Literary History ◽  
Joseph Conrad ◽  
John Dryden ◽  
Modern Literature ◽  
Critical Dialogue ◽  
Lecture Series ◽  
Narrative Frame ◽  
Definition Of

The contingencies of military decisions and their outcomes have always shaped the course of literary history, determining even the languages in which it has been conducted. But modern literature takes a new bearing on its determinant military contingencies. This paper describes a modern literary scene that self-reflexively attributes to literature the potential to suspend these determining military events, and so to communicate the unactualised possibilities contained in past contingencies, even those that have been violently foreclosed. It is a scene of interested observers, adrift in a boat, who listen for the sounds of a distant naval battle. Having first located this scene's classical antecedents in Aristotle, I then track it through three pivotal and distinctively modern moments of literary self-periodization. In each instance, the scene is differently configured, articulating a specific conjuncture of war, textuality and literary self-definition. It appears in John Dryden as the setting of a modern critical dialogue on theatre, with James Montgomery as a Romantic definition of the poetry of sound in a lecture series on literature, and with Joseph Conrad as the narrative frame of a modernist tale within a tale. But the same scene re-echoes in all three – the scene of literary inscription as one in which, contingently, a war neither did nor did not take place, a battle was and was not fought.

History of thyroid surgery

2020 ◽  
Vol 99 (11) ◽  
Keyword(s):  
Surgical Technique ◽  
20Th Century ◽  
Thyroid Surgery ◽  
History Of ◽  
Ancient Times

The authors present an outline of the development of thyroid surgery from the ancient times to the beginning of the 20th century, when the definitive surgical technique have been developed and the physiologic and pathopfysiologic consequences of thyroid resections have been described. The key representatives, as well as the contribution of the most influential czech surgeons are mentioned.

Heracles and epilepsy: the sacred disease

2020 ◽  
Vol 78 (10) ◽  
pp. 660-662
Author(s):  
Eduardo ORREGO-GONZÁLEZ ◽  
Ana PERALTA-GARCÍA ◽  
Leonardo PALACIOS-SÁNCHEZ
Keyword(s):  
Current Knowledge ◽  
Greek Mythology ◽  
Corpus Hippocraticum ◽  
Ancient Times ◽  
The Many

ABSTRACT Epilepsy is one of the most dreaded and terrifying human afflictions. One of the many names it has received was Sacred Disease, during Greek times. Heracles served as a source of the divine connotation that epilepsy received in ancient times, as he was one of the most important demigods in Greek mythology. However, several authors have attributed Heracles’ actions to a seizure, including Hippocrates, who described the sacred disease on his “Corpus Hippocraticum.” This paper reviewed some of the publications on the myth and content of the text of Hippocrates, in relation to the current knowledge of the disease.

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