In early 1992, the “three m's” (tri m), which denoted a multicultural, multiethnic, and multiconfessional Bosnia and Herzegovina (BiH), became the rallying cry against the forces of disintegration, or more accurately, of partition. These identifying characteristics or national ideals could not avert catastrophe. Indeed, BiH's liminal position at the crossroads of cultures, religions, and history rendered it the most vulnerable of republics in the Yugoslav wars of succession. However “three m” Bosnia and Herzegovina was in 1992, it was less so by 1995. Yet, despite the bloodshed, forced expulsions, migrations, and the inevitable rise in nationalism, citizens of BiH have no choice, in the aftermath, but to examine what their country was before the war and the potential for a new “multi-multi” Bosnia and Herzegovina. Such an investigation must begin with the past, as a Sarajevan colleague implied when I asked her how she envisioned the future in Bosnia. She replied that Bosnians could hardly conceive a future when in 1998 they still had no idea what had happened, and why. This work addresses the reality behind the epithets that gained currency during and after the war, of a “three-m,” “multi-multi,” and multi-kulti (multicultural) Bosnia and Herzegovina. Within the framework of a particular understanding of multiculturalism, it will suggest why, despite its multiethnic and multiconfessional reality, BiH proved in many instances vulnerable to nationalistic rhetoric. This analysis proceeds from the conviction that multiculturalism must be both studied and encouraged in the international community's efforts to support the growth of democratic institutions and practices in post-war Bosnia and Herzegovina.
Histories of the Future: The Institute of Contemporary Arts and the Reconstruction of Modernism in Post-war Britain
