THE HISTORICAL MANUSCRIPTS COMMISSION: CELEBRATING 150 YEARS AND LOOKING TO THE FUTURE (1869-2019)

2020 ◽  
Vol 55 (2) ◽  
pp. 3-14
Author(s):  
Jeff James
Keyword(s):  
150Th Anniversary ◽  
National Archives ◽  
Historical Manuscripts ◽  
The Future ◽  
The Creation

This is an edited and elaborated version of the address given by Jeff James as historical manuscripts commissioner to the symposium held on 14 October 2019 to mark the 150th anniversary of the creation of the Historical Manuscripts Commission in 1869. He reviews The National Archives’ current activities and priorities as a contemporary expression of the objectives of the HMC royal warrant and concludes that the Historical Manuscripts Commission still forms an integral part of The National Archives’ wider leadership of the archive sector.

THE HISTORICAL MANUSCRIPTS COMMISSION AT 150

2020 ◽  
Vol 55 (2) ◽  
pp. 33-43
Author(s):  
Arike Oke
Keyword(s):  
Keynote Lecture ◽  
150Th Anniversary ◽  
Archival Practice ◽  
Historical Manuscripts ◽  
The Future ◽  
Post War

The 150th anniversary of the Historical Manuscripts Commission invites the opportunity for reflection on how the commission characterises and influences the development of the archives profession. This article considers archival practice as linked to the mood and character of a nation, in this case Britain. It uses the historiography of post-war identity building to begin to investigate and critique the British archives sector, and asks questions about the future of archives and archivists. The article is adapted from a keynote lecture at the HMC150 commemoration, 14 October 2019.

ASO GUMBALO SEBAGAI INSPIRAS DALAM PENCIPTAAN SENI LUKIS

2018 ◽  
Vol 7 (2) ◽  
pp. 178
Author(s):  
Satri Yadi ◽  
Yuniarti Munaf ◽  
Dhasono Dhasono
Keyword(s):  
Design Phase ◽  
Symbolic Expression ◽  
Ethical Research ◽  
Process Stage ◽  
Form Processing ◽  
The Future ◽  
The Creation ◽  
Visual Strategies ◽  
Work Done ◽  
Exploration Phase

AbstrakAso Gumbalo dalam penciptaan karya seni lukis diilhami dari kehidupan pengembala yang menjadi inspirasi pencipta yang diungkap melalui media seni lukis dengan mengambil ide “Harapan Pengembala” (Aso Gumbalo). Harapan Gembala dapat diartikan sebagai keinginan, kecendrungan dan dorongan hati yang kuat terhadap sesuatu hal yang ingin direalisasikan untuk menjadikan seorang lebih baik dimasa depan. Pengekspresian ide cipta berangkat dari fenomena Aso Gumbalo yang pencipta ungkap dengan ekspresi simbolik kedalam penciptaan karya seni lukis. Metode penciptaan karya ini melalui tahapan yaitu; 1) Tahap eksplorasi adalah tahap pencarian ide-ide dengan melakukan riset emik dan etik untuk pembuatan karya, 2) Tahap perancangan yaitu tahap pembuatan purwarupa yang akan diwujudkan kedalam bentuk karya seni lukis, 3) Tahap proses garapan karya. Konsep dari penciptaan karya merupakan ekspresi simbolik dengan memanfaatkan idiom tradisi, ekspresi tersebut digambarkan pada perwujudan karya menggunakan strategi media dan strategi visual dengan menggunakan konsep pengolahan bentuk, yaitu disformasi dan transformasi dengan melakukan penggabungan beberapa teknik antara lain, teknik plakat, transparan, tekstur semu dan tekstur nyata. Aso Gumbalo sebagai inspirasi yang diungkapkan dalam bentuk karya seni lukis ekspresi simbolik. Karya-karya yang diciptakan pengkarya disajikan dalam bentukpameran.           Kata Kunci:aso gumbalo, ekspresi simbolik, seni lukis.   AbstractAsoGumbalo in the creation of painting works was inspired from the life of the shepherd who became the inspiration of the creator which revealed through the medium of painting by taking the idea of "Hope of the Shepherd" (AsoGumbalo). Shepherd Hope can be interpreted as a strong desire, inclination and encouragement towards something that wants to be realized to make someone better in the future. The expression of copyrighted ideas departs from the phenomenon of AsoGumbalo, which the creator expressed with a symbolic expression into the creation of painting. This method of creating works through several stages, namely; 1) The exploration phase is the stage of searching for ideas by conducting emic and ethical research for the production of works, 2) the design phase that is the prototype-making stage which will be realized in the form of painting, 3) the process stage of the work done. The concept of creation of works is a symbolic expression by utilizing traditional idioms, these expressions are depicted in the realization of the work using media strategies and visual strategies by using the concept of form processing, namely deformation and transformation by combining several techniques, such as plaque, transparent, pseudo-texture and real texture. AsoGumbalo as an inspiration expressed in the form of paintings of symbolic expression. works created by artists are presented in the form of exhibitions.  Keywords:asogumbalo, symbolic expression, painting.  

An archaeological analysis to trace the emergence and transformation of qualified physical education teachers in Singapore primary schools

2019 ◽  
Vol 41 (2) ◽  
pp. 69-84
Author(s):  
Ho Jin Chung ◽  
Muhammad Sufri ◽  
Chee Keng John Wang
Keyword(s):  
Physical Education ◽  
Primary Schools ◽  
Physical Education Teachers ◽  
National Archives ◽  
The Future ◽  
The Status ◽  
Archaeology Of Knowledge ◽  
Archaeological Analysis ◽  
Key Events ◽  
Underlying Processes

This study explored the underlying processes associated with the policy of increasing qualified physical education teachers (QPETs) in Singapore primary schools. Data were collected from the National Archives of Singapore, Newslink, NewpaperSG and documents. An ‘archaeological analysis’ by Foucault (1972) was used to trace the discursive conditions which enabled and facilitated the policy. Three distinct elements were borrowed from ‘The Archaeology of Knowledge and the Discourse on Language’, namely: the status – as reflected in the positions of individuals influencing the PE policies and initiatives; the institutional sites – as in the locations of the decisions being exercised, and; the situation – identified by the key events leading to the decision to increase QPETs in primary schools. The conclusions based on the analysis of these elements offer a clearer understanding of the various contributions to the adoption of the policy and serve to provide an insightful lens to policymakers who might seek to redesign the future shape of Physical Education.

A Rapture of the Nerds? A Comparison between Transhumanist Eschatology and Christian Parousia

2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura
Keyword(s):  
Human Brain ◽  
Point Theory ◽  
The Body ◽  
Christian Theology ◽  
Human Beings ◽  
Human Species ◽  
The Future ◽  
The Creation ◽  
The Universe

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.

Archiving the British Raj

2018 ◽  
Author(s):  
Sabyasachi Bhattacharya
Keyword(s):  
Public Sphere ◽  
Colonial Rule ◽  
Historical Records ◽  
The Public ◽  
British Raj ◽  
National Archives ◽  
The World ◽  
The Creation ◽  
The Public Sphere ◽  
Central Archive

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.

Born Digital? Digitization and the Birth of the Moroccan National Archives

2020 ◽  
Vol 47 ◽  
pp. 195-218
Author(s):  
Nora El Qadim
Keyword(s):  
Public Policy ◽  
Good Governance ◽  
International Standards ◽  
Archival Institution ◽  
National Archives ◽  
The Creation ◽  
Set Up

Abstract:This article examines the digitization policy of Archives du Maroc (AdM), Morocco’s national archival institution, which was set up in 2011 and opened in 2013. Given its recent creation, the AdM lead us to question the particularity of digitization in archiving policies when included from the start rather than retroactively. Through an analysis of the creation and development of AdM as a public policy connected to national efforts at transparency and “good governance,” I argue that digitization has served as a way of performing modernity through technology and international standards, thus reinforcing the legitimacy of a nascent institution.

Archiving white community historical manuscripts in postcolonial Zimbabwe

2020 ◽  
Vol 39 (1) ◽  
pp. 133-150
Author(s):  
Samuel Chabikwa ◽  
Nathan Mnjama ◽  
Maitseo MM Bolaane
Keyword(s):  
Cultural Heritage ◽  
Regulatory Framework ◽  
Records Management ◽  
Recruitment And Retention ◽  
Post Colonial ◽  
White Community ◽  
Community Associations ◽  
Management Standards ◽  
National Archives ◽  
Historical Manuscripts

This paper is premised on the observation that mainstream archival activities are the main cause and source of the “absences and silences” of the voices of the minority and the underrepresented in the archives. The aim of the study is to explain the context and documentation strategies of archiving and preservation of Historical Manuscripts (HM) of the white community in post-colonial Zimbabwe. In particular, the study seeks to: (a) Determine the legislative, regulatory framework for the management of HM in selected cultural heritage institutions in Zimbabwe; (b) Assess the acquisition policies and practices of mainstream cultural heritage institutions in Zimbabwe; (c) Describe the usage, purposes, and accessibility of both pre-archival and archival HM of the white community. The findings of the study revealed adequate provisions in the National Archives of Zimbabwe Act (2001) for the archiving of HM of the white community in Zimbabwe, although there were limitations of outdated policies for the institutions studied. The study also addressed the issue of limited funding and shrinking budgets which impeded on the operations of both selected cultural heritage institutions and white community associations. This resulted in failure to adhere to archiving/records management standards, and the upgrading of equipment and facilities, as well as the recruitment and retention of requisite and qualified staff. Overall, this endangers the HM collections to neglect and decay. HM were migrated from Zimbabwe to other countries regionally and abroad into private hands, and their extent, nature, condition of storage and status of preservation are undetermined.

scholarly journals The Challenge of the Digital and the Future Archive: Through the Lens of The National Archives UK

2018 ◽  
Vol 32 (1) ◽  
pp. 173-183
Author(s):  
Eirini Goudarouli ◽  
Anna Sexton ◽  
John Sheridan
Keyword(s):  
National Archives ◽  
The Future

Major accessions to repositories relating to Irish history, 2013

2014 ◽  
Vol 39 (154) ◽  
pp. 323-325 ◽  
Keyword(s):  
Great Britain ◽  
The Internet ◽  
National Register ◽  
Irish History ◽  
National Archives ◽  
Historical Manuscripts ◽  
On Line

The following digest lists accessions to repositories in Great Britain and Ireland during 2013 relating to Irish history and reported to the National Archives: Historical Manuscripts Commission (T.N.A. H.M.C.). This information is also published on the internet via T.N.A.’s website (www.nationalarchives.gov.uk) and is added to the computerised indexes of the National Register of Archives (N.R.A.) which are available for consultation at the National Archives, Kew, Richmond, TW9 4DU. Alternatively, searchers may access the indexes to the N.R.A. and certain linked on-line catalogues via the website. Limited and specific enquiries can be dealt with by post, or email ([email protected]).

scholarly journals Płacząc po norwesku. Serial Skam jako opowieść transmedialna dla międzynarodowej publiczności

2021 ◽  
Vol 28 (37) ◽  
pp. 328-337
Author(s):  
Małgorzata Mączko
Keyword(s):  
Future Development ◽  
Transmedia Storytelling ◽  
Internet Tv ◽  
The Future ◽  
The Creation ◽  
Tv Show

The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.

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