Invoking the Authority of the Middle Ages in Nineteenth-Century Ireland: The ‘Irish Crosses’ of Earley & Powells
This essay challenges the claim of the antiquarian artist Henry O’Neill that the publication of his 1857 book on early medieval crosses in Ireland sparked the nineteenth-century Celtic cross industry. While acknowledging O’Neill’s contribution as a founding researcher of medieval high cross scholarship, it argues that the design and significance of Celtic crosses developed in Victorian Ireland through social networks of antiquarians, monument makers and their culturally diverse, elite clients. Highlighted is the Irish ecclesiastical decorating firm, Earley & Powells, which began producing Celtic cross monuments in the 1860s. The significance of the Celtic cross silhouette which featured in landscape paintings alongside medieval ruins is considered in view of the conflicted relationship between landscape and Irish aristocracy. The essay concludes with a discussion about two of Earley & Powells’ clients and the monumental Celtic crosses they commissioned.