Going Public

Author(s):  
Natalie Naimark-Goldberg

This chapter investigates the literary activity of enlightened Jewish women, discussing their attitudes towards authorship and what the crucial decision to publish their writings meant in the context of their time. As female authors, these Jewish women of letters were part of a broader phenomenon in contemporary Europe. Throughout the eighteenth century and especially towards its end, a female writing culture was developing simultaneously in various lands. Although the pace and nature of this literary expansion differed from place to place, depending on specific local conditions, countries including Germany, France, and England all saw a dramatic increase in the number of women active in the field of literature. The chapter then looks at the literary careers and the attitudes towards publishing of four of the Jewish women writers from the period, namely Esther Gad, Dorothea Mendelssohn, Rahel Levin, and Sara Meyer.

Author(s):  
Ann Brooks

This chapter discusses the gender politics of ‘bluestocking philosophy’. The idea of a single, unified conceptualization of what constituted a bluestocking and what was understood as a bluestocking philosophy is somewhat misleading, as the idea of a single voice emerging from this group is almost a contradiction in terms. What can be identified is who made up the bluestocking circles and what they aspired to be and to do. Elizabeth Montagu was a central figure in the development of bluestocking circles and, along with Elizabeth Vesey and Frances Boscawen, helped to forge a public identity for women public intellectuals through Montagu's own scholarship as well as her support for other women writers. The early bluestocking circles were not established as a vehicle for promoting equity or women's rights, or even rights of citizenship. However, they played an important role in the second half of the 18th century in entrenching cultural and social transformation into the social system. In addition, they ‘played a crucial role in a widening and defining of women's social roles in the eighteenth century’.


Author(s):  
Yopie Prins

This book examines why Victorian women of letters such as Elizabeth Barrett Browning, Sara Coleridge, and Virginia Woolf self-consciously performed collective identification with Greek letters and showed literary interest in their translations of with Greek tragedy. It considers how these women engaged with ideas about classical antiquity, and how much they contributed to the idealization of all things Greek. It discusses the ways in which women learned to read the Greek alphabet, to discover all the letters between alpha and omega, and how they turned ancient Greek into a language of and for desire. The book argues that nineteenth-century women writers turned to tragedy in particular as a literary genre for the performance of female classical literacy, and that their passionate reading of Greek led them into various forms of translation. Five tragedies are analyzed to elucidate the legacy of Ladies' Greek: Agamemnon and Prometheus Bound, Electra, Hippolytus, and Bacchae.


2016 ◽  
Vol 6 (1) ◽  
pp. 40-67
Author(s):  
Matthew C. Ward

Historians have commonly portrayed the Pennsylvania backcountry as a lawless, violent region. Many have attributed this these levels of violence to the influx of Scots Irish migrants to the province after the 1720. Examining several eighteenth-century Pennsylvania counties, this article demonstrates that earlier scholars have consistently overestimated levels of crime on the frontier. Moreover, court records shows that Scots-Irish individuals were no more likely to be prosecuted or convicted of crime than other ethnic groups. Overall, frontier settlers embraced the legal system, even as they insisted it be applied in ways that accorded with local conditions.


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