Polin: Studies in Polish Jewry Volume 32

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The chapters do not attempt to define what may well be undefinable—what “Jewish music” is. Rather, they provide an original and much-needed exploration of the activities and creativity of “musicians of the Jewish faith.“

2020 ◽  
pp. 189-200
Author(s):  
Alan Montgomery

The Conclusion of Classical Caledonia looks at nineteenth century attitudes towards Roman Scotland, also comparing these to Victorian attitudes towards England’s Roman heritage. It reveals striking differences, with the Roman period being viewed as a pivotal moment in the formation of modern England, but the exploits of the Romans in Scotland largely dismissed as an inconsequential footnote. During the Victorian era, the Scottish fascination with the Romans and the Caledonians would be replaced by more romanticised visions of the nation’s early history. This final section categorises the eighteenth-century obsession with Scotland’s Roman past as a historical and patriotic ‘dead end’ and discusses why it failed to become a lasting element of Scotland’s popular history and national identity.


At the beginning of the twentieth century, the Jewish communities of Poland and Hungary were the largest in the world and arguably the most culturally vibrant, yet they have rarely been studied comparatively. Despite the obvious similarities, historians have mainly preferred to highlight the differences and emphasize instead the central European character of Hungarian Jewry. Collectively, the chapters here offer a different perspective. The volume has five sections. The first compares Jewish acculturation and integration in the two countries, analysing the symbiosis of magnates and Jews in each country's elites and the complexity of integration in multi-ethnic environments. The second considers the similarities and differences in Jewish religious life, discussing the impact of Polish hasidism in Hungary and the nature of 'progressive' Judaism in Poland and the Neolog movement in Hungary. Jewish popular culture is the theme of the third section, with accounts of the Jewish involvement in Polish and Hungarian cabaret and film. The fourth examines the deterioration of the situation in both countries in the interwar years, while the final section compares the implementation of the Holocaust and the way it is remembered. The volume concludes with a long interview with the doyen of historians of Hungary, István Deák.


Author(s):  
William Weber

This chapter shows how selections from English operas composed between the 1730s and the 1790s—chiefly by Thomas Arne, Charles Dibdin, William Shield, and Stephen Storace—became standard repertory in concerts throughout the nineteenth century. Such pieces were performed at benefit concerts organized by individual musicians and at events given by local ensembles that blended songs with virtuoso pieces and orchestral numbers. Critical commentary on such songs justified their aesthetic legitimacy as groups separate from pieces deemed part of classical music. By 1900, songs by Arne, Storace, and even Dibdin were often sung in recitals along with German lieder and pieces from seventeenth- or eighteenth-century Italy or France. The solidity of this tradition contributed to the revival of the operas themselves from the 1920s, most often Arne’s Artaxerxes (1762). This chapter is paired with Rutger Helmers’s “National and international canons of opera in tsarist Russia.”


Author(s):  
Jerzy Tomaszewski

This chapter considers a series of books, A to Polska właśnie (This is Indeed Poland). These books introduce their readers to various issues of interest to anyone studying Polish society. The chapter focuses on the volume Żydzi (The Jews), in particular, as it is the first to discuss an important group among Poland's population. The volume covers the period up to the second half of the eighteenth century, political and social problems from the second half of the eighteenth century until the end of the nineteenth, Jewish culture and religion in the nineteenth century, the period from the First World War until 1939, the Holocaust, and Jews in Poland after the Second World War. The chapter contends that this book should be regarded not as just one more study about Polish Jews, but as making a singular contribution to the promotion of knowledge about Jewish traditions, culture, and history in Poland.


2019 ◽  
Vol 88 (1) ◽  
pp. 87-119
Author(s):  
Doron Avraham

In the early nineteenth century, a neo-Pietist circle of awakened Protestants emerged in Prussia and other German lands. Disturbed by the consequences of the French Revolution, the ensuing reforms and the rising national movement, these neo-Pietists—among them noble estate owners, theologians, and other scholars—tried to introduce an alternative meaning for the alliance between state and religion. Drawing on seventeenth- and eighteenth-century pietist traditions, neo-Pietists fused their keen religious devotion with newly constructed conservative ideals, thus rehabilitating the legitimacy of political authority while investing the people's confession with additional meaning. At the same time, and through the same pietistic source of inspiration, conservative neo-Pietists forged their own understanding of national identity: its origins, values, and implications. In this regard, and against the prevailing view of the antagonist stance taken by Christian conservatives toward nationalism in the first half on the nineteenth century, this article argues for the consolidation of certain concepts of German national identity within Christian conservatism.


2014 ◽  
Vol 50 ◽  
pp. 307-317
Author(s):  
W. M. Jacob

Households were the basic units of society in England until well into the nineteenth century, providing the focus of much economic activity, as well as education and, as this essay will argue, religious and devotional life. Recent research has revealed the centrality of religious life in the home in early modern England, but the extensive research about eighteenth-century households over the past fifteen years has seldom made reference to the place and practice of religion in the domestic context. This essay, focusing on the corporate religious life of Anglican households rather than on the piety and devotions of individuals, suggests that religion remained at the heart of the home and family lives of Anglican laypeople throughout the period. It was not rediscovered by Evangelicals, nor was it a distinguishing feature of evangelical households, but was a continuing element throughout the period.


2015 ◽  
Vol 25 (1) ◽  
pp. 10-19
Author(s):  
Dragoș Ivana

Abstract The purpose of this article is to re-examine popular culture in early-modern England by focusing on the oral/illiterate-written/literate and popular culture-high culture dyads. I aim to question why these interrelated socio-cultural categories have not been properly reconciled by the writers of the time. Moreover, my purpose is to focus on antiquarianism as a valid method whereby the delineation between the above-mentioned dichotomies turns into a subtle relationship in which both terms become complementary. I shall focus on two important antiquarian texts - Henry Bourne’s Antiquitates Vulgares (1725) and John Brand’s Observations on Popular Antiquities (1777) - by considering issues of religion and national identity, in an attempt to show that popular culture made known its counter-hegemonic virtues which, though permanently negotiated, were never rejected by the polite. Ultimately, the unstable relationship between the high and the low will be seen as suggestive of the porous boundaries between the two, indicating, at the same time, popular culture’s participatory role in rethinking cultural identity in Enlightenment England.


2018 ◽  
Vol 57 (3) ◽  
pp. 467-492 ◽  
Author(s):  
Avinoam Yuval-Naeh

AbstractThe polemic surrounding the 1753 Jewish Naturalization Bill was one of the major public opinion campaigns in Britain in the eighteenth century, as well as the most significant event in the history of Britain's Jews between their seventeenth-century admission and nineteenth-century emancipation. The bill proposed to offer Jews a private act of naturalization without the sacramental test. A costly and cumbersome process, the measure could have had only minor practical impact. Due to its symbolic significance, however, the bill ignited public clamor in hundreds of newspaper columns, pamphlets, and prints. What made it so resonant, and why was the opposition so successful in propagating opposition to the motion? It has been commonly argued that the entire affair was an instance of partisan conflict in which the Jews themselves played an incidental role. This paper throws light on the episode from an alternative perspective, arguing that a central reason for its resonance was that the discussion on the Jews evoked concerns with the expanding financial market and its sociopolitical implications. As Jews had by that time become emblematic of modern finance, they embodied contemporary anxieties about the economy, national identity, and their interrelations.


Author(s):  
Elaine Chalus

By focusing on the adolescent diaries of Elizabeth (Betsey) Wynne between her arrival in Switzerland in 1791, aged thirteen, and her departure from Ratisbon (Regensburg) in 1796, aged eighteen, this chapter explores the development of a precocious, cosmopolitan European girl into an ardent Englishwoman. It argues for both the continued social utility of politeness into the end of the eighteenth century. and beyond, and illuminates the crucial role that politeness played at three levels: in individual self-fashioning; in the provision of a model for, and through which, gendered identities could be expressed and interpreted; and, by extension, in the development of a set of character traits which could be used to define national identity. In this it draws upon Paul Langford’s work, not only in A Polite and Commercial People, but also in his later work, Englishness Identified. Finally, Betsey’s story reminds us that the French Revolution was a lived experience, one that irrevocably shaped the lives and characters of the generation that went on to shape nineteenth-century Europe. If for no other reason, the place of politeness in shaping those identities deserves wider attention.


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