The Antinomies of Progress
Clement Hawes’s “The Antinomies of Progress: Johnson, Conrad, Joyce” examines its three authors from a post-colonialist perspective. Hawes discovers affinities among Johnson, Conrad, and Joyce that valuably involve the long arc of British expansion, North American dominance in the New World, and the freighted notion, on at least three levels—personal, literary, and political—of “progress.” Deploying analyses of periodization, rhetorical strategies, and colonial exploitation, Hawes’s chapter subtly repositions Johnson as a presence in the broad arc of literary history.
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