Introduction

Author(s):  
Dewey W. Hall ◽  
Jillmarie Murphy

Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs....

Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs.


‘It has been said by its opponents that science divorces itself from literature; but the statement, like so many others, arises from lack of knowledge.’ John Tyndall, 1874 Although we are used to thinking of science and the humanities as separate disciplines, in the nineteenth century that division was not recognized. As the scientist John Tyndall pointed out, not only were science and literature both striving to better 'man's estate', they shared a common language and cultural heritage. The same subjects occupied the writing of scientists and novelists: the quest for 'origins', the nature of the relation between society and the individual, and what it meant to be human. This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. Fed by a common imagination, scientists and creative writers alike used stories, imagery, style, and structure to convey their meaning, and to produce work of enduring power. The anthology includes writing by Charles Babbage, Charles Darwin, Sir Humphry Davy, Charles Dickens, George Eliot, Michael Faraday, Thomas Malthus, Louis Pasteur, Edgar Allan Poe, Mary Shelley, Mark Twain and many others, and introductions and notes guide the reader through the topic's many strands. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


Iraq ◽  
2004 ◽  
Vol 66 ◽  
pp. 243-256
Author(s):  
Steven W. Holloway

In order to understand the unique reception of ancient Assyria in nineteenth-century America, it is necessary to describe the British public's own reception of the earliest British Museum exhibits, together with the marketing of publications of Layard and others. And, in order to grasp something of both Britain's and America's keen fascination with the earliest images of Assyria, I must introduce you briefly to the changing perceptions and tastes in admissible historical representation that, I believe, drove this fascination.The British public's breathless enthusiasm for the monuments from Bible lands had radical origins in English soil. Seventeenth- and eighteenth-century antiquarians surveyed, sketched and wove theories about the prehistoric relics that dot the English landscape, occasionally linking them with a mythical Christian past. William Stukeley, for example, student and first biographer of Sir Isaac Newton, made something of a career out of surveying Avebury and Stonehenge, in an early eighteenth-century quest for evidence that could link the Britons of Celtic fame with the peoples and the received timeline of the Bible. By the early nineteenth century, the Gothic Revival movement had begun in earnest. Its proponents saw this project as a moral mainstay in the revitalization of English society and culture. English prehistoric and medieval monuments would be measured, drawn, catalogued, published, and ultimately by so doing, laid at the feet of the British public. The Napoleonic wars accelerated this movement, for Continental sightseeing was impossible, so the classic Grand Tour evaporated down to an insular walking tour. This of course fuelled the sense of British national destiny:Works on topography… tend to make us better acquainte d with every thing which exists in our native land, and are therefore conducive to the progress of real knowledge, to the diffusion of rational patriotism, and to virtuous sentiments and propensities …


The demand and search for the scientific literature of the past has grown enormously in the last twenty years. In an age as conscious as ours of the significance of science to mankind, some scientists naturally turned their thoughts to the origins of science as we know it, how scientific theories grew and how discoveries were made. Both institutions and individual scientists partake in these interests and form collections of books necessary for their study. How did their predecessors fare in this respect? They, of course, formed their libraries at a time when books were easy to find—and cheap. But what did they select for their particular reading? For example, what did the libraries of the three greatest scientists of the seventeenth century, Sir Isaac Newton, Robert Hooke and Robert Boyle, look like? Fortunately in the case of Newton, the history of his books is now fairly clear, thanks to the devoted labours of Colonel R . de Villamil (i), but it is a sad reflection on our attitude to our great intellectual leaders that this library o f the greatest English scientist, whose work changed the world for hundreds of years, was not taken care of, was, in fact, forgotten and at times entirely neglected.


2020 ◽  
pp. 207-212
Author(s):  
Jane Bennett

It is worth repeating the roll call: Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child. The essays in Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century...


1957 ◽  
Vol 61 (555) ◽  
pp. 149-180 ◽  
Author(s):  
J. Laurence Pritchard

As individuals, those who have been born and bred and nurtured in the long, unique and formative tradition of the British people may justly claim a pride in their scientific and technical achievements over the years which cannot be claimed in such measure by any other nation. It is a claim they can make as proudly this very day as they could have done over the past three hundred years.In the main, this paper is concerned with but a small, although not unimportant, part of the scientific achievement of the Seventeenth, Eighteenth and Nineteenth centuries. It was a period, in Great Britain, of such giants as Isaac Newton, James Watt, John Dalton, Robert Boyle, Henry Cavendish, Michael Faraday, Charles Darwin, Clerk Maxwell, W. J. M. Rankine, Lord Kelvin, Lord Rayleigh, Sir Charles Parsons, Prescott Joule, C. G. Stokes, Osborne Reynolds, Sir J. J. Thomson, C. Babbage, F. W. Lanchester, and so many others whose ideas and achievements have changed the face of the world in this Twentieth century of application.


This diminutive manor house, famous throughout the world as the birthplace of Sir Isaac Newton, has been the subject of studied repair. It is now the property of the National Trust and only essential works connected with its maintenance and preservation have been carried out. Dating from the early seventeenth century, the house in its plan, no less than in the treatment of its external features, expresses the Cotswold tradition of masoncraft, which once extended from Gloucestershire to Lincolnshire. Built of local stone the architectural features consist of moulded window jambs and mullions, finely wrought chimney stacks and well proportioned quoins. The original lead glazing has disappeared from nearly all the main windows. Regarding the roofs the original ‘Colly Weston' stone slates are in position. Internally many of the period fittings, such as doors, cupboards and stone fireplaces, can be seen. The construction of the bedroom floors in a certain measure anticipates the reinforced concrete floor of the present day. At Woolsthorpe the floors, which measure about four and a half inches thick, are formed of reeds and mortar. After more than three hundred years of usage these floors are still free from defects. Externally, beyond very necessary repairs to the masonry of the chimney stacks, the addition of copper gutters and some minor work, nothing has been done to alter the exterior of the house. It was, however, found expedient to demolish some stone steps and an outside convenience of nineteenth-century date.


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