scholarly journals CUBES AND CONCEPTS: NOTES ON POSSIBLE RELATIONS BETWEEN MINIMAL ART AND ARCHITECTURE

2011 ◽  
Vol 35 (1) ◽  
pp. 62-66
Author(s):  
Claus Peder Pedersen
Keyword(s):  
Basic Assumption ◽  
Design Based Research ◽  
Peter Eisenman ◽  
Minimal Art ◽  
Art And Architecture ◽  
Current Practices

The article discusses the links and interchanges between art and architecture in the late sixties and early seventies with emphasis on the exchanges between conceptual or minimal art and architecture. The basic assumption of the article is that the rigorous conceptualisation that characterised minimal artist was transferred into some advanced architectural practices during the late sixties and early seventies. The text examines relations and differences between artists (mainly Sol Lewitt) and architects (mainly Peter Eisenman) and argues that this discussion is still relevant to current practices exploring the potentials of digital based design through the use of parametrics, scripting etc. The text concludes with an example of design-based research conducted by the author, which reflects on the themes raised in the article. Santrauka Straipsnyje analizuojamos XX a. septintojo dešimtmečio pabaigai ir aštuntojo dešimtmečio pradžiai būdingos kai kurios konceptualizmo ir minimalizmo apraiškos skulptūroje ir architektūroje. Tyrimas remiasi prielaida, kad griežtai konceptualių metodų taikymas iš minimalistinės skulptūros buvo perkeltas į kai kurias progresyvias architektūrines praktikas. Aptariant sąsajas tarp skulptorių, tokių kaip Sol Lewittas, ir architektų, tokių kaip Peteris Eisenmanas, siekiama atskleisti, kad jų kūryboje plėtotos idėjos vis dar išlieka aktualios šių dienų meninėje architektūros kūryboje, tiriančioje kompiuterinio projektavimo galimybes, naudojant parametrinį modeliavimą, veiksmus automatizuojantį programavimą (scriptingą). Analizė iliustruojama modeliais, kuriuos autorius per meninį tyrimą sukūrė pritaikęs straipsnyje nagrinėtus metodus.

scholarly journals EXPOSING WYSPIAŃSKI

Muzealnictwo ◽  
2020 ◽  
Vol 61 ◽  
pp. 154-163
Author(s):  
Bartosz Haduch
Keyword(s):  
Point Of View ◽  
Local Context ◽  
National Museum ◽  
Wide Range ◽  
Minimal Art ◽  
The Creation ◽  
Art And Architecture

The purpose of the paper is to show the designer’s perspective on the story and a broader context of the creation of a monograph exhibition dedicated to the oeuvre of Stanisław Wyspiański at the National Museum in Cracow. Composed of two parts: ‘Wyspiański’ and ‘Wyspiański. Unknown’, the Exhibition held between 28 November 2017 and 5 May 2019 was the largest to-date presentation of the works of the versatile artist, while from the point of view of its arrangement, it served as an attempt at finding adequate contemporary expression means to show the multiple and varied character of his oeuvre. A wide range of inspirations are presented: beginning with carefully selected motifs derived from Wyspiański’s art, up to indirect echoing of the activity of some selected artists, mainly affiliated with minimal art. That temporary implementation is thus not analyzed merely in the local context, but also a broader, global one, taking into account carefully selected pieces of world art and architecture, while the paper itself can be regarded as a completion and perpetuation of the no longer existing Exhibition.

Principles of Solution Focused Therapy and Their Application to Audiology

2014 ◽  
Vol 15 (1) ◽  
pp. 27-33
Author(s):  
James C. Blair
Keyword(s):  
Basic Assumption ◽  
Current Practice ◽  
Helping Professions ◽  
Patient Centered ◽  
Therapy Approach ◽  
Agents Of Change ◽  
Centered Care ◽  
Client Centered Therapy ◽  
Solution Focused ◽  
Solution Focused Therapy

The concept of client-centered therapy (Rogers, 1951) has influenced many professions to refocus their treatment of clients from assessment outcomes to the person who uses the information from this assessment. The term adopted for use in the professions of Communication Sciences and Disorders and encouraged by The American Speech-Language-Hearing Association (ASHA) is patient-centered care, with the goal of helping professions, like audiology, focus more centrally on the patient. The purpose of this paper is to examine some of the principles used in a patient-centered therapy approach first described by de Shazer (1985) named Solution-Focused Therapy and how these principles might apply to the practice of audiology. The basic assumption behind this model is that people are the agents of change and the professional is there to help guide and enable clients to make the change the client wants to make. This model then is focused on solutions, not on the problems. It is postulated that by using the assumptions in this model audiologists will be more effective in a shorter time than current practice may allow.

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