Muriel Blaive (dir.). Perceptions of Society in Communist Europe. Regime Archives and Popular Opinion, Bloomsbury, 2019, 264 p.

2021 ◽  
Vol N° 1 (1) ◽  
pp. 264-268
Author(s):  
Michel Christian
Keyword(s):  
2020 ◽  
Vol 13 (1) ◽  
pp. 98-115
Author(s):  
Alice Bombardier

Abstract In an interview, the Iranian painter Ahmad Esfandiari (1922–2012) related that he witnessed a particularly difficult time at the beginning of his career, when he did not know what direction his work might take. Slowly he overcame this fear of the unknown and discovered ‘the pleasure of uncharted paths’. But the critics did not see any social value in his work (Mojabi 1998: 155). In his testimony, Ahmad Esfandiari described the tumultuous 1940s, during which an innovative pictorial style called ‘New Painting’ appeared in Iran. Contrary to popular opinion, contemporary Iranian painting did not begin in the 1960s with the Saqqakhaneh group of artists. Its origins can be found in the 1940s. In this article, conceived as a manifesto, I introduce the first generation of New Painting artists and I argue against a canon that has overlooked them in spite of their innovative accomplishments and profound impact.


1998 ◽  
Vol 32 (1) ◽  
pp. 203-222 ◽  
Author(s):  
Ted Perlmutter

This article focuses on the apparent disjunction between the Italian reluctance to allow Albanians to come as refugees and Italy's enthusiastic leadership of the United Nations military-humanitarian mission. It explains the Italian response both in terms of Italian popular opinion regarding Albanians and Italy's concern for the impression on Europe that its politics would make. Italy's leadership of the mission represents the first time a medium-sized power has assisted a neighboring country with whom it has had deep historical connections. The conclusion argues that such proximate interventions are likely to increase in the future, and spells out the implications of the Italian case.


2012 ◽  
Vol 24 (1) ◽  
pp. 33-58 ◽  
Author(s):  
Erez Levon

AbstractBeliefs about a language rarely correspond to how it is used. This is especially true for Hebrew, a language that has been subject to continued ideological “preservation” efforts ever since its (re)vernacularization in the early 20th century. Recently, attention has turned to the maintenance of Hebrew gender morphology, which is perceived in both scholarly and popular opinion as threatened by a process of leveling to gender syncretized forms across a range of word classes and inflectional paradigms. In this article, I investigate the extent to which sociolinguistic evidence supports this perception in cases of animate reference. I argue that while the claim of widespread gender neutralization of these forms is descriptively valid, its characterization as a change-in-progress is inaccurate. Rather, I suggest that Hebrew is already fully syncretized for gender in certain relevant morphological contexts and that the perception of an ongoing process of change reflects a prescriptive belief about how Hebrew should be, not how it actually is.


1988 ◽  
Vol 66 (1) ◽  
pp. 139-143 ◽  
Author(s):  
Erich Gott ◽  
Carl Mc Gown

The purpose of this study was to determine the effects of two putting stances (conventional versus side-saddle) and two points of aim (ball versus hole) on putting accuracy. Subjects (12 men, 4 women) were taught to putt using four methods: (a) conventional stance, eyes on the ball; (b) conventional stance, eyes on the hole; (c) side-saddle stance, eyes on the ball; and (d) side-saddle stance, eyes on the hole. Each subject practiced each method for 2 wk., after which they were tested for purring accuracy by counting putts made, determining constant error, and by calculating variable error. Accuracy was assessed at 5 and 15 ft. A 2 by 2 repeated-measures analysis of variance showed that there was no single combination of stance and point of aim that was significantly better than another at either distance. This suggests that, contrary to popular opinion, the traditional method of putting is not the best method for putting; other methods are equally as good and could be used if individually desired.


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