Ethical Issues in the Selection of a Theoretical Framework for Gerontological Nursing Research

1981 ◽  
Vol 7 (7) ◽  
pp. 408-411 ◽  
Author(s):  
Patricia G Archbold
1970 ◽  
Vol 21 (1) ◽  
pp. 87-91
Author(s):  
II Akpabio

The Nursing and Midwifery Councils of many nations including Nigeria and nursing departments of various Universities and institutions have made it mandatory that conceptual and theoretical framework are used to guide Nursing research presented as part of the requirements for the award of certificates and degrees. However, it is often observed that many researchers are not skilled in the use of conceptual and theoretical framework and many do not also utilize conceptual or theoretical framework to guide studies conducted after graduation from their various educational institutions. Others do so for some parts of the research and do not also explain how the framework can be used to guide implementation of the study findings. Additionally, many publishers of research reports do not also demand for inclusion of framework in papers accepted for publication. This paper is aimed at highlighting the importance of using a conceptual framework to guide a study, the criteria that should guide the appraisal and selection of a framework; challenges that can hinder utilization of framework to guide research work and measures of improving utilization of conceptual framework in nursing research.KEYWORDS: Conceptual, Framework, Nursing, Research, Theoretical.


2021 ◽  
pp. ebmental-2020-300219
Author(s):  
Winfried Rief

Current education and training in psychological interventions is mostly based on different ‘schools’ (traditions such as cognitive–behavioural or psychodynamic therapy), and strong identification with these specific traditions continuously hinders a scientifically based development of psychotherapy. This review is selective rather than systematic and comprehensive. In addition to the consideration of other influential publications, we relied on a literature search in Web of Science using the following terms (update: 24 December 2020): (psychotherapy AND meta-analy* AND competence*). After summarising current problems, a pathway for solving these problems is presented. First, we have to recategorise psychological interventions according to the mechanisms and subgoals that are addressed. The interventions can be classified according to the foci: (1) skills acquisition (eg, communication, emotion regulation, mentalisation); (2) working with relationship patterns and using the therapeutic relationship to modify them; and (3) clarification of motives and goals. Afterwards, the training of psychotherapists can switch from focusing on one theoretical framework to learning the different competences for modification according to these new categories. The selection of topics to be addressed should follow best evidence-based mechanisms and processes of mental disorders and interventions. Psychology offers knowledge about these mechanisms that can be understood as a basic science for psychological treatments in general. This requires better connection with basic science, new research efforts that focus on treatment subgoals, theory-overarching optimisation of the selection and personalisation of treatments, and new types of training for psychotherapists that are designed to optimise therapists’ competences accordingly, instead of limiting training programmes to one single theoretical framework.


The Introduction provides an overview of the central questions and the theoretical framework of the book. Since the early 1990s in Europe and the United States many artists critically re-appropriated religious, motifs, themes and images to produce works that cannot qualify as ‘religious,’ but remains in a dialogue with the visual legacy of mostly the Western, and more specifically the Catholic, version of Christianity. Present-day art does not embed religious images to celebrate them, but in order to pose critical questions concerning central aspects of the rules that regulate the status of images, their public significance, the conditions of their production and authorship, and their connection to an origin or tradition, a context or an author that guarantees their value. The motif of the true image or acheiropoietos (not made by a human hand) is related to central set of features that allow distinguishing between regimes or eras of the image. Its transformations provide a conceptual matrix for understanding of the reconfiguring relationships between art and religion. The introduction provides an overview of the theoretical context, the selection of artworks, bibliography on the subject and the chapters of the book.


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